Brainscape's Knowledge GenomeTM


Top Flashcards (Certified)
All Flashcards

31 - MUSI 1F00 Term 2 > Music Pieces Part 1 > Flashcards

Music Pieces Part 1 Flashcards

1
Q

Johnny B. Goode” by Chuck Berry (1958)

> Artist
> Date
> Genre/Style
> Form
> Standard Features
A

Johnny B. Goode” by Chuck Berry (1958)

> Artist
> Date
> Genre/Style
> Form
> Standard Features
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
2
Q

Johnny B. Goode” by Chuck Berry (1958)

> Significance
Cultural Context
Context within the centre-periphery model

A

Johnny B. Goode” by Chuck Berry (1958)

> Significance
Cultural Context
Context within the centre-periphery model

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
3
Q

Chantilly Lace” by the Big Bopper (1958)

> Artist
> Date
> Genre/Style
> Form
> Standard Features
A

Chantilly Lace” by the Big Bopper (1958)

> Artist
> Date
> Genre/Style
> Form
> Standard Features
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
4
Q

Chantilly Lace” by the Big Bopper (1958)

> Significance
Cultural Context
Context within the centre-periphery model

A

Chantilly Lace” by the Big Bopper (1958)

> Significance
Cultural Context
Context within the centre-periphery model

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
5
Q

Mr. Lonely” by Bobby Vinton (early-1960s)

> Artist
> Date
> Genre/Style
> Form
> Standard Features
A

Mr. Lonely” by Bobby Vinton (early-1960s)

> Artist
> Date
> Genre/Style
> Form
> Standard Features
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
6
Q

Mr. Lonely” by Bobby Vinton (early-1960s)

> Significance
Cultural Context
Context within the centre-periphery model

A

Mr. Lonely” by Bobby Vinton (early-1960s)

> Significance
Cultural Context
Context within the centre-periphery model

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
7
Q

Pony Time” by Chubby Checker (1961)

> Artist
> Date
> Genre/Style
> Form
> Standard Features
A

Pony Time” by Chubby Checker (1961)

> Artist
> Date
> Genre/Style
> Form
> Standard Features
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
8
Q

Pony Time” by Chubby Checker (1961)

> Significance
Cultural Context
Context within the centre-periphery model

A

Pony Time” by Chubby Checker (1961)

> Significance
Cultural Context
Context within the centre-periphery model

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
9
Q

“Sitting On Top of the World” by Les Paul and Mary Ford (1953)

> Artist
> Date
> Genre/Style
> Form
> Standard Features
A

“Sitting On Top of the World” by Les Paul and Mary Ford (1953)

> Artist
> Date
> Genre/Style
> Form
> Standard Features
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
10
Q

“Sitting On Top of the World” by Les Paul and Mary Ford (1953)

> Significance
Cultural Context
Context within the centre-periphery model

A

“Sitting On Top of the World” by Les Paul and Mary Ford (1953)

> Significance
Cultural Context
Context within the centre-periphery model

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
11
Q

“He’s a Rebel” by the Crystals (1962)

> Artist
> Date
> Genre/Style
> Form
> Standard Features
A

“He’s a Rebel” by the Crystals (1962)

> Artist
> Date
> Genre/Style
> Form
> Standard Features
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
12
Q

“He’s a Rebel” by the Crystals (1962)

> Significance
Cultural Context
Context within the centre-periphery model

A

“He’s a Rebel” by the Crystals (1962)

> Significance
Cultural Context
Context within the centre-periphery model

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
13
Q

“River Deep—Mountain High” (1966) by Tina Turner produced by Phil Spector

> Artist
> Date
> Genre/Style
> Form
> Standard Features
A

“River Deep—Mountain High” (1966) by Tina Turner produced by Phil Spector

> Artist
> Date
> Genre/Style
> Form
> Standard Features
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
14
Q

“River Deep—Mountain High” (1966) by Tina Turner produced by Phil Spector

> Significance
Cultural Context
Context within the centre-periphery model

A

“River Deep—Mountain High” (1966) by Tina Turner produced by Phil Spector

> Significance
Cultural Context
Context within the centre-periphery model

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
15
Q

“Surfin’ USA” by The Beach Boys (1963)

> Artist
> Date
> Genre/Style
> Form
> Standard Features
A

“Surfin’ USA” by The Beach Boys (1963)

> Artist
> Date
> Genre/Style
> Form
> Standard Features
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
16
Q

“Surfin’ USA” by The Beach Boys (1963)

> Significance
Cultural Context
Context within the centre-periphery model

A

“Surfin’ USA” by The Beach Boys (1963)

> Significance
Cultural Context
Context within the centre-periphery model

17
Q

“Sweet Little Sixteen” by Chuck Berry (1958)

> Artist
> Date
> Genre/Style
> Form
> Standard Features
A

“Sweet Little Sixteen” by Chuck Berry (1958)

> Artist
> Date
> Genre/Style
> Form
> Standard Features
18
Q

“Sweet Little Sixteen” by Chuck Berry (1958)

> Significance
Cultural Context
Context within the centre-periphery model

A

“Sweet Little Sixteen” by Chuck Berry (1958)

> Significance
Cultural Context
Context within the centre-periphery model

19
Q

“Fun, Fun, Fun” by The Beach Boys (1964)

> Artist
> Date
> Genre/Style
> Form
> Standard Features
A

“Fun, Fun, Fun” by The Beach Boys (1964)

> Artist
> Date
> Genre/Style
> Form
> Standard Features
20
Q

“Fun, Fun, Fun” by The Beach Boys (1964)

> Significance
Cultural Context
Context within the centre-periphery model

A

“Fun, Fun, Fun” by The Beach Boys (1964)

> Significance
Cultural Context
Context within the centre-periphery model

21
Q

“Sloop John B” from Pet Sounds by The Beach Boys (1966)

> Artist
> Date
> Genre/Style
> Form
> Standard Features
A

“Sloop John B” from Pet Sounds by The Beach Boys (1966)

> Artist
> Date
> Genre/Style
> Form
> Standard Features
22
Q

“Sloop John B” from Pet Sounds by The Beach Boys (1966)

> Significance
Cultural Context
Context within the centre-periphery model

A

“Sloop John B” from Pet Sounds by The Beach Boys (1966)

> Significance
Cultural Context
Context within the centre-periphery model

23
Q

“Surf City” by Jan and Dean (1963)

> Artist
> Date
> Genre/Style
> Form
> Standard Features
A

“Surf City” by Jan and Dean (1963)

> Artist
> Date
> Genre/Style
> Form
> Standard Features
24
Q

“Surf City” by Jan and Dean (1963)

> Significance
Cultural Context
Context within the centre-periphery model

A

“Surf City” by Jan and Dean (1963)

> Significance
Cultural Context
Context within the centre-periphery model

25
Q

“Love Me Do” by the Beatles (1962)

> Artist
> Date
> Genre/Style
> Form
> Standard Features
A

“Love Me Do” by the Beatles (1962)

> Artist
> Date
> Genre/Style
> Form
> Standard Features
26
Q

“Love Me Do” by the Beatles (1962)

> Significance
Cultural Context
Context within the centre-periphery model

A

“Love Me Do” by the Beatles (1962)

> Significance
Cultural Context
Context within the centre-periphery model

27
Q

“Tomorrow Never Knows” from the album Revolver by the Beatles (1966)

> Artist
> Date
> Genre/Style
> Form
> Standard Features
A

“Tomorrow Never Knows” from the album Revolver by the Beatles (1966)

> Artist
> Date
> Genre/Style
> Form
> Standard Features
28
Q

“Tomorrow Never Knows” from the album Revolver by the Beatles (1966)

> Significance
Cultural Context
Context within the centre-periphery model

A

“Tomorrow Never Knows” from the album Revolver by the Beatles (1966)

> Significance
Cultural Context
Context within the centre-periphery model

29
Q

Within You, Without You” on Sgt. Peppers by the Beatles (1967)

> Artist
> Date
> Genre/Style
> Form
> Standard Features
A

Within You, Without You” on Sgt. Peppers by the Beatles (1967)

> Artist
> Date
> Genre/Style
> Form
> Standard Features
30
Q

Within You, Without You” on Sgt. Peppers by the Beatles (1967)

> Significance
Cultural Context
Context within the centre-periphery model

A

Within You, Without You” on Sgt. Peppers by the Beatles (1967)

> Significance
Cultural Context
Context within the centre-periphery model

31
Q

A Day In The Life” by the Beatles (1967) titled “Anthology 2 Version”

> Artist
> Date
> Genre/Style
> Form
> Standard Features
A

A Day In The Life” by the Beatles (1967) titled “Anthology 2 Version”

> Artist
> Date
> Genre/Style
> Form
> Standard Features
32
Q

A Day In The Life” by the Beatles (1967) titled “Anthology 2 Version”

> Significance
Cultural Context
Context within the centre-periphery model

A

A Day In The Life” by the Beatles (1967) titled “Anthology 2 Version”

> Significance
Cultural Context
Context within the centre-periphery model

33
Q

“A Day In The Life” by the Beatles (1967) titled “Remastered”

> Artist
> Date
> Genre/Style
> Form
> Standard Features
A

“A Day In The Life” by the Beatles (1967) titled “Remastered”

> Artist
> Date
> Genre/Style
> Form
> Standard Features
34
Q

“A Day In The Life” by the Beatles (1967) titled “Remastered”

> Significance
Cultural Context
Context within the centre-periphery model

A

“A Day In The Life” by the Beatles (1967) titled “Remastered”

> Significance
Cultural Context
Context within the centre-periphery model

35
Q

“I Am The Walrus” by the Beatles (1967)

> Artist
> Date
> Genre/Style
> Form
> Standard Features
A

“I Am The Walrus” by the Beatles (1967)

> Artist
> Date
> Genre/Style
> Form
> Standard Features
36
Q

“I Am The Walrus” by the Beatles (1967)

> Significance
Cultural Context
Context within the centre-periphery model

A

“I Am The Walrus” by the Beatles (1967)

> Significance
Cultural Context
Context within the centre-periphery model

31 - MUSI 1F00 Term 2 (15 decks)

Brainscape helps you reach your goals faster, through stronger study habits.
© 2025 Bold Learning Solutions. Terms and Conditions