Music Notes Flashcards

1
Q

Scale Degree Names

A
  • tonic
  • supertonic
  • mediant
  • subdominant
  • dominant
  • submediant
  • leading tone
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2
Q

Major scale triad degrees

A

I ii iii IV V vi vii°

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3
Q

natural minor scale triad degrees

A

i ii° III iv v VI VII

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4
Q

harmonic minor scale triad degrees

A

i ii° III+ iv V VI vii°

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5
Q

melodic minor scale triad degrees

A

i ii III+ IV V vi° vii°

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6
Q

7th chord root figured bass

A

7

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7
Q

7th chords first inv figured bass

A

6

5

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8
Q

7th chords second inv figured bass

A

4

3

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9
Q

7th chords third inv figured bass

A

4 or 4

2

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10
Q

Which way do degrees resolve?

A

← ← ← →

C D E F G A B

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11
Q

Maj △ + Maj 7th

A

Major 7th chord - I △7

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12
Q

Maj △ + min 7th

A

Dominant 7th chord - I7

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13
Q

min △ + min 7th

A

minor 7th chord - i7

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14
Q

min △ + Maj 7th

A

minMaj 7th chord - i △7

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15
Q

dim △ + Maj 7th

A

halfDim 7th chord - i°/7

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16
Q

dim △ + min 7th

A

fullDim 7th chord - i°7

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17
Q

aug △ + min 7th

A

Aug 7th chord - I+ △7

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18
Q

7th chord Major scale degrees

A

I △7 ii7 iii7 IV △7 V7 vi7 vii°/7

19
Q

7th chord natural minor scale degrees

A

i7 ii°/7 III △7 iv7 v7 VI △7 VII7

20
Q

7th chord harmonic minor scale degrees

A

i △7 ii°/7 III+ △7 iv7 V7 VI △7 vii°7

21
Q

7th chord melodic minor scale degrees

A

i △7 ii7 III+ △7 IV7 V7 vi°/7 vii°/7

22
Q

Part writing: when a triad is in first inversion what is doubled?

A

the soprano

23
Q

Part writing: when you have a dim tried what inversion is it usually in and what is usually doubled?

A

1st inversion, and the third is usually doubled

24
Q

To resolve augmented 4th’s…

A

resolve outwards

25
To resolve diminished 5th's...
resolve inwards
26
What is a phrygian cadence?
iv6 - V
27
Ionian
WWHWWWH (Major)
28
Dorian
WHWWWHW (symmetrical)
29
Phrygian
HWWWHWW (inverse Lydian)
30
Lydian
WWWHWWH (flipped major)
31
Mixolydian
WWHWWHW (patterned WWH)
32
Aeolian
WHWWHWW (natural minor)
33
Locrian
HWWHWWW (opp major)
34
HEY BITCH WHAT ARE THE PROGRESSIVE MOTIONS
DOWN 5 DOWN 3 UP 2
35
Harmonic progression principles
- movement from a primary triad to its secondary triad is always progressive - a secondary triad can be substituted for its primary - movement from the tonic to any chord is always progressive
36
Passing
step-step same direct
37
Neighboring
step-step opp direct
38
Appogiatura
leap-step usually opp direct
39
Escape
step-leap usually opp direct
40
Anticipation
step-same
41
Suspension
same-step D-E-E
42
Pedal
same-same D-D-E
43
Changing
step/leap-step/leap wtf
44
Free tone
LEAP BITCH LEAP