Music History Test 1 Flashcards
Opera bouffe
Emphasized the smart witty elements of opera comiquie
The French Gov controlled the Opera houses and this was outside of their control
Can Can dance
Founder Jacques Offenbach
Operetta
light opera in Austria, England, US spoken dialog same as opera bouffe funny romantic Strauss the Younger Gilbert and Sullivan-Pirates of Penzance
Gilbert ans Sullivan
operetta of England. Pked fun at grand opera
Mocked the opening of ActIII of Les Huguenots
New German School
1859 the group of new German composers leading the new developments
5 composers: Liszt, Bruckner, Wolf, Strauss, R., Mahler
Anton Bruckner
Wagnerian
900 symphonies
A cappella motes modal and modulations
Hugo Wolf
Wagnerian
lied (romantic poem) with piano, both voices equal
chromatic saturation- a lot of chromatasism
Richard Strauss
Wagnerian
conductor, opera, drew from personal life, best know for tone poems
Operas- 1905 Salome based on an oscar Wilde play
Tone Poem
aka symphonic poem, program music conveys a poem, story or idea.
Strauss two types
a. Philosophical-life/death transfiguration “Also sprach Zarathustra”
b.Representational/descriptive- Don Quixote
Gustav Mahler
Intense conductor
Used voice and orchestra together
Music is a bold personal statement, huge orchestras required “Symphony of a THousand” using the pallet of sounds selective with who was playing
Envisioned music as art of sound not just notes. Bridged 1st Venia with 2nd Venia schools.
Mahler Symphony #4
Sonat, Scherzo, Slow, Solo voice Orchestra
different key E to start ended in G
Combined romantic fantasy with classical and modern like the art work of the time
National Society of Music
Controlled by French Government there are two traditions
A. The Cosmoploitian- Cesar Frank, more modern but influenced by past composers, Wagner harmonies
B. French Tradition = Gabriel Faure, influenced by other french composers, order and restraint, subtle, more lyrical and dance than dramatic
Cesar Frank
Cosmopolitan school - organ player blanded Bach countepoint, Wagner harmony, and Liszt
Modern French chamber music cyclical
Gabriel Faure
Sonorous, restrained, lyrical
Most famous for Requiem later developed a style built on Dom7 and 9 that melted into next chord by use of common tones
Debussy
french tradition influenced as well as the russian 5, medieval music, organum, and Asia.
More of a symbolist than impressionist. created by use of motives, harmony, exotic scales. used chromaticism but not the urge to resolve. wrote piano and orchestral music-specific instruments played a motive, large orchestras, tone color, Art of sound
Ravel
more neo classical than impressionist. more dissonance . Descriptive titles, wrote for piano, strings, orchestra, Bolero
drew on all influences mixing diatonic and exotic scales in fountian