Music History Test 1 Flashcards

1
Q

Opera bouffe

A

Emphasized the smart witty elements of opera comiquie
The French Gov controlled the Opera houses and this was outside of their control
Can Can dance
Founder Jacques Offenbach

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2
Q

Operetta

A
light opera in Austria, England, US
spoken dialog same as opera bouffe
funny romantic
Strauss the Younger
Gilbert and Sullivan-Pirates of Penzance
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3
Q

Gilbert ans Sullivan

A

operetta of England. Pked fun at grand opera

Mocked the opening of ActIII of Les Huguenots

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4
Q

New German School

A

1859 the group of new German composers leading the new developments
5 composers: Liszt, Bruckner, Wolf, Strauss, R., Mahler

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5
Q

Anton Bruckner

A

Wagnerian
900 symphonies
A cappella motes modal and modulations

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6
Q

Hugo Wolf

A

Wagnerian
lied (romantic poem) with piano, both voices equal
chromatic saturation- a lot of chromatasism

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7
Q

Richard Strauss

A

Wagnerian
conductor, opera, drew from personal life, best know for tone poems
Operas- 1905 Salome based on an oscar Wilde play

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8
Q

Tone Poem

A

aka symphonic poem, program music conveys a poem, story or idea.
Strauss two types
a. Philosophical-life/death transfiguration “Also sprach Zarathustra”
b.Representational/descriptive- Don Quixote

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9
Q

Gustav Mahler

A

Intense conductor
Used voice and orchestra together
Music is a bold personal statement, huge orchestras required “Symphony of a THousand” using the pallet of sounds selective with who was playing
Envisioned music as art of sound not just notes. Bridged 1st Venia with 2nd Venia schools.

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10
Q

Mahler Symphony #4

A

Sonat, Scherzo, Slow, Solo voice Orchestra
different key E to start ended in G
Combined romantic fantasy with classical and modern like the art work of the time

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11
Q

National Society of Music

A

Controlled by French Government there are two traditions
A. The Cosmoploitian- Cesar Frank, more modern but influenced by past composers, Wagner harmonies
B. French Tradition = Gabriel Faure, influenced by other french composers, order and restraint, subtle, more lyrical and dance than dramatic

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12
Q

Cesar Frank

A

Cosmopolitan school - organ player blanded Bach countepoint, Wagner harmony, and Liszt
Modern French chamber music cyclical

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13
Q

Gabriel Faure

A

Sonorous, restrained, lyrical

Most famous for Requiem later developed a style built on Dom7 and 9 that melted into next chord by use of common tones

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14
Q

Debussy

A

french tradition influenced as well as the russian 5, medieval music, organum, and Asia.
More of a symbolist than impressionist. created by use of motives, harmony, exotic scales. used chromaticism but not the urge to resolve. wrote piano and orchestral music-specific instruments played a motive, large orchestras, tone color, Art of sound

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15
Q

Ravel

A

more neo classical than impressionist. more dissonance . Descriptive titles, wrote for piano, strings, orchestra, Bolero
drew on all influences mixing diatonic and exotic scales in fountian

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16
Q

Impressionist

A

having a detached pov, vagueness, creating a mood not hard lines and angles , conceived by french painters

17
Q

Nationalism

A

the embracing by composers of their nations by using traditional folk and dance music in their works, giving

18
Q

de Falla

A

Spanish nationalistic, arranged folk song, wrote operas incorporating dance rhythms,

19
Q

Vaughan Williams

A

published folk songs, studied with Ravel, influenced by Handel and Bach, wrote both art and practical music.
Famous: Fantasia on a Theme of Thomas Tails,

20
Q

Sibelius

A

Finland, took national epic Kaleval treated as a tone poem most famous: Finlandia

21
Q

Rachmaninov

A

not nationalistic left to the US after revolution 1917. Pianist used russian traditions. Symphoine- isle of dead, the bells. Piano works- Rhapsody on a theme of paganini.Romantic based not creative harmony , representing the old in new ways

22
Q

Scriabin

A

wrote in the manner of Chopin( nocturnes, preludes, etudes) Employed the harmony’s of Liszt and Wagner