Music history 5 midterm Flashcards

1
Q

Impressionists

A

Sought to convey atmosphere and sensuous impressions from nature, adopting a stance of detached observation rather than direct emotional engagement. to CAPTURE AN INSTANT IN TIME, as one apprehends a scene, before reason can process it. *Monet’s paintings (let the viewer fill in the missing details, effect of light on object same as object itself)

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2
Q

Paul Hindemith

A
b. 1895-1963
violinist, violist.
Kammermusik n. 1 (1992) 
siren at the end of the work
hindemith loves this work
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3
Q

Jean Sibelius

A

b.1865-1957)
known for his symphonies
from Finland
Findlandia (1899, rev. 1900)
Kavelala-Finnish national epic poem (1835)
symphony n. 5 in Eb major (1919)finally after revisions
*sibelius called the 3rd mvt his swan hymn

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4
Q

Florence Price

A

b.1887-1953
Studied at NEC (1903-1906) organ, piano
moved to Chicago to study composition at American conservatory
wins the wanamaker competition for symphony n. 1 in e minor
first African american woman to have her symphony premiered by chicago symphony orchestra

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5
Q

The fin-de-siecle

A

end of the century (19th-20th) the world was changing and art had to respond

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6
Q

impressionism

A

a sense of musical ambiance. Sound and harmonic experience, ambiguity. Focus on being somewhere in a specific time & place **Claude monet

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7
Q

symbolism

A

the use of symbols as communicators originating in french lit in late 19th century where subjects are presented by suggestion and allusion; music associated with blurring of harmonic; melodic & structural forms. Charles Baudelaire, Paul Verlaine

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8
Q

Exoticism

A

rhythms, melodies and instrumetnation are designed to sound like music from another culture/country. The idea of “other.”

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9
Q

Atonal

A

music that avoids establishing a central pitch or tonal music

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10
Q

expressionism

A

bold use of color, vague outlines. All to convey powerful feelings/moods

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11
Q

serialism

A

12-tone music.. the use of numbers and patterns to create melody—emancipation of dissonance. 12 tone row has same function as a scale in tonal music.

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12
Q

neoclassicism

A

a reaction against emotional romantic music. ORder, balance, economy and emotional restraint

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13
Q

Impressionism composer examples

A

Debussy-Afternoon of a Faune (1894)
Nuages (1898)
Pagodes (1903)

Charles Ives
St. Gaudens in Boston Common

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14
Q

Exoticism composer examples

A

Debussy- Pagodes (1903)

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15
Q

Expressionism composer examples

A

Schoneburg-“Pierrot Lunaire” op.10 1912

Alan Berg-Wozzek 1917 -22

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16
Q

Serialism composer examples

A

schoenberg- “suite for piano op. 25” 1921
Alan Berg- “Lyric Suite mvt. 1 1926
Anton Webern-String Quartet op 28 mvt 2 1938
Milton Babbit- Three compositions for piano-1947
Oliver Messian-Mode de Valeurs 1949
Milton Babbit- Semi-Simple variations-1956

17
Q

Neoclassicism composer examples

A

Maurice Ravel-Piano concerto in G mvt. 1 1929

Igor Stravinsky Symphony of Psalms-1930