Music History 4

Question 1

John Cage

Answer 1

Avant Garde, experimentalist, tala organising by duration, no emotion or stroy

Question 2

Chance

Answer 2

taking away decisions normal made by composer and leaving it to chance. I-Ching

Question 3

Cage Sonata V

Answer 3

prepared piano, very percussive sounding binary form, square root form

Question 4

Cage Music of Chnage

Answer 4

I-Ching, piano only, chance, sparse in sound

Question 5

Indeterminacy

Answer 5

Leaving parts of the music up to the performers

Question 6

Morton Feldman

Answer 6

abstract expressionistic painters, graph notation

Question 7

Feldman- Projection 1

Answer 7

cello only, graph notation, looks like lots of blocks, boxes for approx register but pitches indeterminancy,

Question 8

Serialsim

Answer 8

adoption of 12 tone system, total serialism used on pitch, dynamics, timbre

Question 9

Karlheinz Stockhausen

Answer 9

total serialism, Darmstadt, electronic music pioneer, quotation, collage,

Question 10

Stockhausen

Answer 10

Crossplay, piano, oboe, clarinet, percussion, total serialism,

Question 11

Boulez- Le marteau sans maitrie

Answer 11

serialism to pitch and duration, pointalistic,

Question 12

Berio- Sequenza

Answer 12

virtuosity, voice strange noises, graphic notation, lughing, soundsindeterminant,

Question 13

Carter, elliot

Answer 13

uas, metric modulation, virtuosic

Question 14

babbitt-Philomel

Answer 14

music young trees,live and taped music, soprano solo, with tape, serial procedures

Question 15

Penderick- threnody

Answer 15

52 strings

Question 16

Adams- short ride fast machine

Answer 16

ostinato, 80’s, wood block to start, bombastic