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music gcse > Music for a While by Henry Purcell > Flashcards

Music for a While by Henry Purcell Flashcards

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1
Q

baroque features MW

A
  • basso continuo
  • instrumentation
  • limited dynamics in score
  • ornamentations
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2
Q

describe the instrumentation of MW

A
  • soprano sings main melody
  • harpsichord plays elaborate realisation (highly decorative) and ground bass
  • bass viol plays basso continuo and ground bass
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3
Q

describe the structure of MW

A

ternary form

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4
Q

describe the tempo of the A section of MW

A

no markings - slow tempo

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5
Q

what is the time sig of MW?

A

4/4 quadruple time

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6
Q

list as many features of the tonality and harmony of the A section of MW as you can

A
  • A minor
  • false relation
  • perfect cadences
  • diatonic and functional chords
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7
Q

why is MW predominantly in a minor key?

A

matches sombre tone of lyrics

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8
Q

what is the range of the soprano in MW

A

a 9th from E4 to F5

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9
Q

describe the ground bass in MW

A
  • rising line
  • 3 bar loop
  • 4 note pattern
  • arpeggio based
  • only quavers
  • 8ve fall
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10
Q

give an example of false relation in MW

A

bar one, F# vs F

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11
Q

give an example of perfect cadences in MW

A
  • A section: b.6-7, E (V) - Am (i)
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12
Q

list as many features of the melody of the A section of MW as you can

A
  • highly decorative: lower mordents, grace notes, upper mordents
  • syllabic; follows speech rhythms
  • mainly conjunct; passing notes
  • small leaps
  • repeated words
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13
Q

describe the texture of the A section of MW

A

elaborate realisation of RH harpsichord has a polyphonic feel at times

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14
Q

give an example of ornamentation in MW

A
  • section A: lower mordent b.1, grace notes b.1 & 6, upper mordent b.10
  • section B: upper mordent b.11 + b.22, tril b.13
  • A section repeat: apoggiatura b.35, upper mordent b.36, arpeggiated final chord
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15
Q

give an example of passing notes in MW

A

A section, b.5

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16
Q

give an example of small leaps in MW

A
  • A section: perfect 4th b.7
  • B section: 4th b.25
  • repeated A section: perfect 5th b.29
17
Q

list as many features of the rhythm of the A section of MW as you can

A
  • paired slurring
  • rests to break up phrases
  • dotted syncopated rhythms
  • mainly quavers and semiquavers
18
Q

give an example of paired slurring in MWq

A

A section, b.5

19
Q

give an example of dotted syncopated rhythms in MW

A
  • A section, b.10
  • B section: b.23-25, b.20
20
Q

describe the texture of the B section of MW

A
  • melody dominated homophony
  • contrapuntal
21
Q

give an example of counterpoint in MW

A

B section, b.11 and b.25

22
Q

list as many features of the melody of the B section of MW as you can

A
  • scalic legato descending melismas
  • ornamented: upper mordent, trill
  • word painting
  • change in ground bass
  • small leaps
23
Q

give an example of word painting in MW

A
  • b.10-11 scalic legato descending melisma on ‘wond’ring’
  • b.12-13 dissonance of E vs D on ‘pain’ resolves in descending sequence
  • b.16 modulation to G major with perfect cadences and rising melodies to mimic brightness
  • b.20-21 ‘eternal’ extended melismatic descending sequence with alternating repetitive notes
  • b.23-25 detached off-beat ‘drop’
24
Q

list as many features of the rhythm of the B section of MW as you can

A
  • unpredictable phrase length; doesn’t always finish in time with ground bass
  • off-beats
  • syncopation
25
Q

list as many features of the harmony and tonality of the B section of MW as you can

A
  • dissonance
  • many modulations
26
Q

give an example of dissonance in MW

A

B section, E vs D bar 12

27
Q

describe the modulations in B section of MW

A
  • b.14 modulation to Em with D# and F#
  • b.21 modulation to C with C and G naturals
  • b.27 modulation to Em to prepare for Am b.28 (v-i)
28
Q

describe the harmonic ending of MW

A

Tierce de Picardie

music gcse (8 decks)

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