Music Exam 02 Flashcards

1
Q

What is the melody characteristic of Mozart’s Symphony No. 40?

A

Elegant, symmetrical phrases with motivic development; tuneful but urgent.

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2
Q

What type of harmony is used in Mozart’s Symphony No. 40?

A

Functional diatonic harmony in G minor; frequent modulations within Classical bounds.

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3
Q

Describe the rhythm in Mozart’s Symphony No. 40.

A

Steady, clear, with forward motion driven by syncopation and short rhythmic cells.

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4
Q

What is the tempo marking for Mozart’s Symphony No. 40?

A

Allegro molto (fast and energetic).

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5
Q

What are the dynamics like in Mozart’s Symphony No. 40?

A

Wide dynamic contrasts; sudden shifts add drama.

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6
Q

What is the texture of Mozart’s Symphony No. 40?

A

Primarily homophonic with moments of polyphonic interplay.

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7
Q

What is the timbre of Mozart’s Symphony No. 40?

A

Classical orchestration—strings dominant, light use of woodwinds and horns.

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8
Q

What form does the first movement of Mozart’s Symphony No. 40 follow?

A

Sonata form—exposition, development, recapitulation.

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9
Q

What is the key takeaway from Mozart’s Symphony No. 40?

A

This is Classical clarity at its dramatic best. Balanced structure, but emotionally charged within tight formal rules.

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10
Q

What is the iconic melody motif in Beethoven’s Symphony No. 5?

A

Four-note motif (short-short-short-long); obsessive development across movements.

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11
Q

What is the harmonic progression in Beethoven’s Symphony No. 5?

A

Begins in stormy C minor, moves toward triumphant C major; more chromatic than Mozart.

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12
Q

Describe the rhythm of Beethoven’s Symphony No. 5.

A

Rhythmic drive is relentless; that opening motif is a rhythmic identity.

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13
Q

What is the tempo marking for Beethoven’s Symphony No. 5?

A

Allegro con brio (fast with vigor); sharp tempo contrasts between movements.

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14
Q

What are the dynamics like in Beethoven’s Symphony No. 5?

A

Extreme—sudden fortes and pianissimos; Beethoven expands expressive range.

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15
Q

What is the texture of Beethoven’s Symphony No. 5?

A

Complex layering—denser than Mozart; moments of stark monophony to thick tutti.

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16
Q

What is the timbre of Beethoven’s Symphony No. 5?

A

Early Romantic expansion—heavier brass and percussion than typical Classical.

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17
Q

What form does the first movement of Beethoven’s Symphony No. 5 follow?

A

Sonata form, but Beethoven stretches it to heighten emotional drama.

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18
Q

What is the key takeaway from Beethoven’s Symphony No. 5?

A

Beethoven is the revolution. He takes Classical tools and forges a new emotional language.

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19
Q

What is the melody characteristic of Chopin’s Nocturne in E-flat Major?

A

Ornate, lyrical, vocal-like; the main theme feels improvised.

20
Q

Describe the harmony in Chopin’s Nocturne in E-flat Major.

A

Rich, chromatic; subtle modulations; uses dissonance to color emotional nuance.

21
Q

What is the rhythm style used in Chopin’s Nocturne in E-flat Major?

A

Flexible and expressive—rubato is essential here.

22
Q

What is the tempo marking for Chopin’s Nocturne in E-flat Major?

A

Lento (slow), but flows with expressive push and pull.

23
Q

What are the dynamics like in Chopin’s Nocturne in E-flat Major?

A

Highly nuanced, from whisper-quiet to glowing warmth.

24
Q

What is the texture of Chopin’s Nocturne in E-flat Major?

A

Homophonic—melody in right hand, accompaniment in left; lush inner voices emerge.

25
Q

What is the timbre of Chopin’s Nocturne in E-flat Major?

A

Solemn, intimate piano tone; warm, resonant.

26
Q

What form does Chopin’s Nocturne in E-flat Major follow?

A

Rounded binary or ternary (ABA); repeats with embellishments in the second A.

27
Q

What is the key takeaway from Chopin’s Nocturne in E-flat Major?

A

This is the Romantic spirit—interior, intimate, and expressive.

28
Q

What are the main characteristics of Tchaikovsky’s 1812 Overture?

A

Multiple themes—Russian hymns, folk melodies, and ‘La Marseillaise’; instantly memorable.

29
Q

Describe the harmony in Tchaikovsky’s 1812 Overture.

A

Nationalistic tonalities; lush Romantic harmonies and triumphant cadences.

30
Q

What is the rhythm style of Tchaikovsky’s 1812 Overture?

A

March rhythms, fanfares, accelerations; high variety for dramatic effect.

31
Q

What is the tempo structure of Tchaikovsky’s 1812 Overture?

A

Shifting—broad, then urgent, then explosive; structured for narrative pacing.

32
Q

What are the dynamics like in Tchaikovsky’s 1812 Overture?

A

Off the charts. Whispers to cannon fire—literal cannons and bells at the end.

33
Q

What is the texture of Tchaikovsky’s 1812 Overture?

A

Thick, polyphonic climax; thinner passages contrast to build tension.

34
Q

What is the timbre of Tchaikovsky’s 1812 Overture?

A

Monumental—full Romantic orchestra + artillery; power and grandeur.

35
Q

What form does Tchaikovsky’s 1812 Overture follow?

A

Programmatic—not traditional form; a musical story arc from despair to victory.

36
Q

What is the key takeaway from Tchaikovsky’s 1812 Overture?

A

This is musical theater without words.

37
Q

What are the core traits of the Classical Period?

A
  • Music as clarity, order, and symmetry
  • Sonata form rules the day
  • Themes and variations as form
  • Obsession with balance and contrast
  • Rise of genres: Symphony, String Quartet, Classical Concerto
38
Q

Name two composers to know from the Classical Period.

A
  • Wolfgang Amadeus Mozart
  • Ludwig van Beethoven
39
Q

What are the core traits of the Romantic Period?

A
  • Music as emotion, drama, and individual genius
  • Expanded orchestra
  • Use of rubato and lyrical melodies
  • Obsession with nature, literature, folklore, and nationalism
  • Flexible forms
40
Q

Name two composers to know from the Romantic Period.

A
  • Frédéric Chopin
  • Pyotr Ilyich Tchaikovsky
41
Q

What are the elements of music that must be mastered?

A
  • Melody
  • Harmony
  • Rhythm
  • Tempo
  • Dynamics
  • Texture
  • Timbre
  • Form
42
Q

Fill in the blank: The texture of the Classical Period is largely _______.

A

homophonic

43
Q

Fill in the blank: The tempo marking for Chopin’s Nocturne in E-flat Major is _______.

44
Q

True or False: Tchaikovsky’s 1812 Overture follows a traditional sonata form.

45
Q

Fill in the blank: The iconic opening motif of Beethoven’s Symphony No. 5 is often described as _______.

A

Fate knocking