Music Definitions Flashcards

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1
Q

A capella

A

Unaccompanied singing

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2
Q

Acciaccatura

A

An ornament, printed as a small note with a slash through its tail, that is performed as quickly as possible on or just before the beat that follows it

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3
Q

Accordion

A

An instrument with hand operated bellows that force air to vibrate metal reeds. The sound is controlled from small buttons on both sides of the bellows, although the larger piano accordion has a small vertical keyboard on one side. An instrument often used in folk music

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4
Q

Aeolian mode

A

A scale that can be found by playing the white notes on the piano from A to A an octave higher. It is the same as C major except that the home note is A. The mode can be transposed to start on any note providing that the order of tones and semitones in its scale is retained

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5
Q

Alla breve

A

A pulse of two minim beats in a bar (2/2 time). Sometimes called cut-C time after its alternative time signature of a cut C

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6
Q

Alto

A

The lowest female singing voice

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7
Q

Anacrusis

A

One of more notes that occur before the first strong beat of a phrase. Often called a ‘pick up’ in jazz and pop music

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8
Q

Antiphonal

A

A texture in which two or more spatially separated soloists or groups perform alternately and in combination

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9
Q

A[[pggoatire

A

An expressive dissonance that then usually moves by step to a note of the current chord. If written as an ornament the note forming the appoggiatura is printed in small type

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10
Q

Aria

A

A song for solo voice accompaniment, usually forming part of a longer work such as an opera, oratorio or cantata.

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11
Q

Atonal

A

Western music that is not in a key or a mode and that is often dissonant

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12
Q

Augment

A
  1. A proportionate increase in note length e.g. when a rhythm of two quavers and a crotchet is augmented it becomes two crotchets and a minim
  2. An augmented interval is a semitone larger than a major or a perfect interval. Augmentation is the opposite of diminution
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13
Q

Backbeat

A

A term used in pop and rock to describe accenting the normally weak second and fourth beats in 4/4 time

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14
Q

Backing vocals

A

The vocal accompaniment to the lead vocal in a pop song. The part us often labelled BVOX

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15
Q

Ballad

A

In jazz and pop, a slow romantic song

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16
Q

Baroque

A

In music, the period between about 1600 and 1750

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17
Q

Bass

A
  1. Lowest male singing voice

2. An abbreviation of double bass

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18
Q

Bass guitar

A

A guitar that has the same pitch and tuning as a double bass and, also like the double bass, that sounds an octave lower than its written notes. Usually electrically amplified, it forms the harmonic foundation of a rock group by playing the bass line

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19
Q

Bass viol

A

A bowed string instrument of the viol family, similar in size to the later cello, but having between five and seven strings and a fretted fingerboard (like a guitar)

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20
Q

Bell chord

A

The technique of sounding a chord as a downward succession of sustained notes

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21
Q

Bend

A

A slight change in the pitch of a note while it is sounding. The change is usually upward and is made for expressive purposes

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22
Q

Bitonal

A

Music in which two distinctly different keys are used simultaneously

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23
Q

Bodhran

A

A hand held drum played with a double headed tipper used in much Irish traditional music

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24
Q

Book

A

A document containing the spoken dialogue of a stage musical

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25
Q

Book musical

A

A musical in which songs, vocal ensembles and dances are fully integrated into a plot with serious dramatic goals

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26
Q

Bossa Nova

A

A dance and highly syncopated style of music that developed in the 1960s. It is slower and gentler than samba, from which it developed and the music was influenced by jazz of the period

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27
Q

Bouzouki

A

A plucked string instrument of the lute family usually associated with the music of Greece, but used by a number of Celtic folk musicians in recent decades

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28
Q

Break

A

In pop and jazz, an instrumental solo

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29
Q

Breakbeat

A

A short section of a dance track in which most instruments other than drums stop playing. The term is also used for a type of EDM

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30
Q

Bridge

A

A short and often contrasting passage in a pop song that links two other sections. Sometimes called a middle eight, even if not eight bars in length

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31
Q

Broken octaves

A

Rapidly alternating notes that are an octave apart

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32
Q

Build

A

An abbreviation of build up. A term used mainly in electronic dance music for a long crescendo and thickening of texture.

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33
Q

Cadence

A

The end of a musical phrase, often harmonised by two chords

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34
Q

Cadenza

A
  1. Improvised vocal flourish just before a singer’s final cadence in an aria
  2. In music from the Classical period onwards, an improvised or written out solo towards the end of a movement in a concerto, when the soloist plays alone to demonstrate their virtuosity
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35
Q

Canon

A

A contrapuntal device in which the melody in one part is overlapped by the same melody in another part, starting a few notes later. This process of exact imitation continues throughout the length of the canon or canonic passage

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36
Q

Chamber orchestra

A

A small orchestra, typically consisting of a small but complete string section plus a limited number of wind players

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37
Q

Chord

A

Three or more pitches sounded simultaneously, although just two notes can often imply a chord by their context. In a broken chord or arpeggio, the notes are sounded separately but in close proximity to each other

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38
Q

Chordal

A

A homophonic texture that consists mainly of block chords. Also known as homorhythmic

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39
Q

Chromatic

A

Notes that don’t belong to the current key. The opposite of diatonic

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40
Q

Circle of 5ths

A
A series (or progression) of chords whose roots are each a 5th lower than the previous chord (e.g: E-A-D-G-C).
In practice, the bass usually alternates between falling a 5th and rising a 4th, which produces a less angular line from the same set of pitches
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41
Q

Classical

A
  1. In music, the period between about 1750 and 1825
  2. In a wider sense, any type of music that is regarded as ‘art music’ rather than pop, folk or jazz - so styles as varied as Baroque, Romantic and postmodernist, can all be described in a very general way as ‘classical’
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42
Q

Close harmony

A

A style of singing in which most of the accompanying voice parts lie close to the melody and close to each other, often no more than an octave apart

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43
Q

Cluster

A

A dissonant chord that includes several adjacent notes only one step apart from each other

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44
Q

Coda

A

A closing section at the end of a movement, song or other piece. Often called an outro in pop and rock music

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45
Q

Codetta

A

A short coda, used to end a section within a longer movement. Also known as a closing section

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46
Q

Colla voce

A

Italian for ‘with the voice’, indicating that an accompaniment should follow the rhythm of the singers

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47
Q

Coloratura

A

Elaborate decoration, especially in vocal music, generally employed to display the skill of the singer

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48
Q

Compound time

A

In compound time, the beat is a dotted note that can be divided into three shorter notes of equal length. Time signatures with 6,9 or 12 as the upper number indicate compound time

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49
Q

Concept album

A

A collection of pop songs related by lyrics that share a common theme

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50
Q

Concertino

A

The group of soloists as opposed to the ripieno (the orchestra), in a concerto grosso

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51
Q

Concerto

A

A large-scale composition for orchestra with a soloist or group of soloists, often in three movements. A solos concerto has one soloist, a concerto grosso (a genre of the Baroque period) has a group of soloists.

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52
Q

Conjunct

A

A melody that moves mainly by step between adjacent notes (the opposite of a disjunct melody). Conjunct movement can instead be described as stepwise movement

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53
Q

Continuo

A

A bass part (basso continuo) in Baroque music played by one or more bass instruments (such as cello, bass or bassoon) and used by the players of chordal instruments (such as lute, harpsichord and organ) as the basis from which to fill out the harmonies of the music, sometimes aided by a figured bass. The group of instruments that play this part is also known as the continuo

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54
Q

Contrapuntal

A

Music in which two or more melodic lines occur simultaneously (a texture known as counterpoint)

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55
Q

Contrary motion

A

Simultaneous melodic lines whose pitches move in opposite directions

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56
Q

Counterpoint

A

A texture in which two or more melodic lines occur simultaneously. This texture can also be described as polyphony

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57
Q

Countertenor

A

An adult male voice with a range similar to that of an alto. Today many countertenors use falsetto in their higher register

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58
Q

Cross rhythm

A
  1. A rhythm that conflicts with the regular pattern of beats

2. The combination of two conflicting rhythms within a single beat (e.g a triplet of quavers against two normal quavers)

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59
Q

Cue

A

An individual piece of music in a film score

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60
Q

Da capo form

A

A type of ternary from in which the repeat of the A section is indicated by the instruction Da capo (‘from the start’) instead of being written out

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61
Q

Dal segno

A

Literally ‘from the sign’. An instruction to repeat from the bar marked

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62
Q

Development

A

The central section of a sonata form. Also used more generally to describe the manipulation and transformation of motifs and themes in any sort of music

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63
Q

Dialogue

A

A texture in which motifs are exchanged between different parts without the use of imitation

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64
Q

Diatonic

A

Notes that belong to the current key. The opposite of chromatic

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65
Q

Diegetic music

A

In film music, music that occurs as part of the action in the film, such as when a character turns on the radio. Also called ‘source music’

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66
Q

Diminish

A
  1. A proportionate decrease in note lengths, e.g. when a rhythm of two crotchets and a minim is diminished it becomes two quavers and a crotchet.
  2. A diminished interval is a semitone smaller than a minor or a perfect interval. Diminution is the opposite of augmentation
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67
Q

Diminished 7th

A
  1. An interval notated as a 7th that is one semitone smaller than a minor 7th, such as E to Db
  2. A chord based on this interval, and made up of superimposed minor 3rds (or their enharmonic equivalents), for example, E-G-Bb-Db
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68
Q

Disjunct

A

A melody that moves mainly in leaps between adjacent notes the opposite of conjunct

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69
Q

Dissonant

A

Music whose notes mainly seem to clash harshly when sounded together

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70
Q

Distortion

A

An effect that can make the sound of an electric guitar harsher and more gritty

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71
Q

Djembe

A

A goblet-shaped drum from West Africa, played with the hands

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72
Q

Dominant

A

The fifth note of a major or minor scale (e.g. G is the dominant of C major). A triad on the dominant can be described with the Roman numeral V

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73
Q

Dominant preparation

A

A passage that creates expectation for the return of the tonic key, typically at the end of the development in a sonata form movement, by extending use of dominant harmony and by chords that lean onto the dominant. There is also often a dominant pedal

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74
Q

Dominant 7th chord

A

A triad on the dominant plus a diatonic 7th above its root. In the key of C the dominant chord is G-B-D and the dominant 7th chord is G-B-D-F

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75
Q

Dotted rhythms

A

Successive pairs of notes in which the first is a dotted note and the second is a short note, the two together making a complete beat or complete division of a beat

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76
Q

Double stopping

A

Playing two notes at the same times on a string instrument such as the violin

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77
Q

Double tracking

A

A recording technique in which a performer sings or plays along with their own prerecorded performance in order to produce a thicker sound

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78
Q

Doubling

A
  1. The performance of the same melody, in unison or in octaves by two or more musicians at the same time
  2. Playing two different instruments in a work such as a musical. For example, a saxophone player may be required to double on the flute in some sections
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79
Q

Drone

A

The term preferred in folk music for a continuous pedal note

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80
Q

Drum kit

A

A set of percussion instruments played by one person in a rock group. Usually includes a bass drum (played with a foot-operated beater), hi-hat cymbals (also played with a foot pedal), a snare drum, a suspended cymbal and one or mote tom-toms

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81
Q

Dynamics

A

The levels of loudness or softness in music and the symbols used to indicate those levels, such as f (loud) and p (soft)

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82
Q

Effects

A

Methods of modifying sounds through the use of music technology

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83
Q

End title

A

In film music, the music heard during the ‘end credits’ of a film

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84
Q

Enharmonic

A

Notes or keys that sound the same but are noted differently, such as C# and Db

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85
Q

Ensemble

A

A small group of musicians who perform together

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86
Q

Episode

A

A passage of music linking two appearances of the same or similar material

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87
Q

Exposition

A

The first section of a fugue; the first section of a movement in sonata form

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88
Q

Extended chords

A

Chords in which further notes a 3rd apart are added to 7th chords to produce chords of the 9th, 1tth and 13th above the root

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89
Q

False relation

A

The effect produced when the natural and chromatically altered versions of a note (such as G and G#) in different parts occur either simultaneously or in close proximity

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90
Q

Falsetto

A

A technique of singing notes higher than the normal top register by using only the edges of the vocal chords

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91
Q

Fanfare

A

A short and lively flourish for trumpets or a group of brass instruments, typically used to introduce something or someone

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92
Q

Figured bass

A

A basso continuo part with figures and other symbols beneath the notes to indicate the harmonies of the music

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93
Q

Fill

A

In pop music and jazz, a brief improvised flourish (often on drums) to fill the gap between the end of one phrase and the beginning of the next

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94
Q

Film score

A

The complete set of original music to accompany a film

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95
Q

Finale

A
  1. The last movement of a multi-movement work such as a concerto
  2. The closing scene in an act of an opera or musical
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96
Q

Form

A

The structure of a musical composition, often symbolised by capital letters. For example, an ABA structure has three sections

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97
Q

Free time

A

Music in which the rhythm does not have to fit a regular pulse

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98
Q

Fugato

A

A passage of music like the opening section of a fugue

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99
Q

Fugue

A

A contrapuntal piece or texture that begins with a single voice announcing an unaccompanied tune called the subject. Other voices enter with the subject, one at a time and sometimes at different pitches, while the previous voices continue. There is no set structure after this opening section, called the exposition, although the voices continue to interweave material (mainly from the subject), using much imitation and passing through related keys before the fugue ends in the tonic key. At some point there is often stretto (‘a tightening’) where the voices enter in turn with the subject but at close time intervals than before

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100
Q

Full score

A

A score showing the individual parts for all the instruments required

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101
Q

Genre

A

A type of music, such as the concerto, sonata or pop ballad

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102
Q

Gigue

A

A fast dance in compound time (or based on triplet rhythms in simple time). Developed from the jig, it was often used as the last movement of a suite in the Baroque period

103
Q

Glissando

A

A slide from one pitch to another. Sometimes a distinction is made between glissando and portamento, although the two terms are now often used interchangeably

104
Q

Ground bass

A

Also called ground.
A bass ostinato or constantly repeating bass pattern above which a melody unfolds. A popular genre of the early and mid Baroque period

105
Q

Harmonic

A

On string instruments (including harp and guitar), a very high and pure sound produced by placing a finger on a string very lightly before plucking or bowing

106
Q

Harmonic pace

A

The rate at which chords change. Also known as harmonic rhythm. This could be on every beat, every bar, every two bars - there are many possibilities and often the harmonic pace varies throughout a piece

107
Q

Harmony

A

The sound produced by a chord or succession of chords

108
Q

Homophonic

A

Texture in which one part (usually the highest) has the melodic interest, which the others accompany. If all the parts have the same rhythm, the texture can be described as chordal or homorhythmic, but if the accompaniment is rhythmically independent of the melody, the texture is described as melody-and-accompaniment

109
Q

Homorhythmic

A

A type of homophonic texture in which all parts have the same rhythm

110
Q

Hurdy Gurdy

A

An instrument with strings that are set into vibration by the action of a hand-cranked wheel. Some strings are stopped by small wooden levers to produce tunes while others sound as drones

111
Q

Imitation

A

A contrapuntal device in which a melody in one part is copied a few notes later in a different part (often at a different pitch) while the melody in the first part continues. If parts exchange ideas without any overlap, the texture is described as dialogue, not imitation

112
Q

Imperfect cadence

A

Almost any chord followed by chord (the dominant chord) at the end of a phrase, having a more unfinished effect than a perfect cadence

113
Q

Incidental music

A

Music intended to be performed as part of a play

114
Q

Inner pedal

A

A pedal that occurs in the middle of a musical texture rather than in the bass or top part

115
Q

Intro

A

Abbreviation of introduction. As an abbreviation, it generally refers to the opening bars of a pop song played before the voice enters

116
Q

Instrumental

A
  1. Music performed by instruments, without the use of voices

2. A section in a pop song that features an instrumental solo, often replacing (but based on the chords of) a sung verse

117
Q

Instrumentation

A

The instruments and voices employed in a piece of music. The term is often used interchangeably with orchestration, which refers to the way that these resources are used

118
Q

Interrupted cadence

A

Chord V(^7) followed by any other chord except I at the end of a phrase. Usually sounding surprising, as if a perfect cadence has literally been interrupted

119
Q

Interval

A

The distance between two pitches, including both of the pitches that form the interval. So, in the scale of C major, the interval between the first and second notes is a 2nd (C-D), the interval between the first and third notes is a 3rd (C-D-E), and so on

120
Q

Inverted pedal

A

A pedal that occurs in the topmost part of a musical texture rather than in the bass or in a middle part

121
Q

Key

A

The scale on which a passage of music is mainly based. The key is named after the home note (key note) of the major or minor scale concerned. If a passage is based mainly on notes of the scale of C major, with C as the home note, it is said to be in C major

122
Q

Key note

A

The first (and last) note of a major or minor scale, also known as the tonic and sounding like the home note of the key and the scale

123
Q

Kora

A

A long-necked harp, shaped like a lute, used in West African music

124
Q

Layered texture

A

A texture in which different levels of repeating patterns, each with a distinctive character, are placed on top of one another. Entire layers drop in and out to provide contrasts

125
Q

Lead Guitar

A

The part that has, along with the lead vocal, the main melodic role in a rock band

126
Q

Lead vocal

A

The part for the main solo singer in a rock band

127
Q

Leap

A

An interval greater than a tone between adjacent notes. The opposite of a step. A melody that moves in leaps is said to be disjuct

128
Q

Leitmotif

A

A musical idea that is associated with a person, object, place or emotion in a music drama

129
Q

Libretto

A

A document containing all the words of an opera or stage musical

130
Q

Loop

A

A short section of music that is continually repeated using technology

131
Q

Low whistle

A

A recorder-like instrument used in Irish traditional music. It is longer and deeper in range than the smaller and more familiar tin whistle

132
Q

Lyrics

A

The words of a pop song or the songs in a musical

133
Q

Main title

A

In film music, the music heard during the ‘opening credits’ of a film

134
Q

Melismatic

A

A style of word setting in which several notes are sung to the same syllable. The opposite of syllabic

135
Q

Melody

A

A musically satisfying series of single notes, often described as a tune

136
Q

Melody and accompaniment

A

A homophonic texture in which the accompaniment has some degree of rhythmic independence from melody

137
Q

Metre/meter

A

The repeating patterns of strong and weak beats that underpin the rhythms of many types of music.
Duple metre has two beats per bar (strong-weak)
Triple metre has three (strong-weak-weak)
Quadruple metre has four (strong-weak-weak-weak)

138
Q

Mezzo Soprano

A

A female singing voice, lower than soprano but higher than alto

139
Q

Mode

A

A scale of seven pitches, Major and minor scales are types of modes, but the term is usually reserved for other types of scales, such as the Aeolian mode. Music that uses mode is described as modal music

140
Q

Modulation

A

A change of key

141
Q

Monophonic

A

A texture consisting of an unaccompanied melody, performed either by a soloist or by many people in unison or in octaves

142
Q

Monotone

A

Single pitch. Singing on a monotone means chanting on one note, without varying the pitch

143
Q

Mordent

A

An ornament played as a rapid wiggle from the printed note to the note above and back (upper mordent) or to the note below and back (lower mordent)

144
Q

Motif

A

A short, distinctive melody or rhythm used in various ways to form much longer passages of music

145
Q

Movement

A

An independent section in a longer piece of music

146
Q

Multi-tracking

A

A process commonly used in pop music in which individual tracks of sound from one or more performers are recorded independently and then played back together

147
Q

Murky bass

A

An 18th century term for broken octaves (rapidly alternating notes that are an octave apart)

148
Q

Musical

A

A large-scale piece of music theatre, incorporating acting and singing to an instrumental accompaniment, and usually including spoken dialogue and dance

149
Q

Mute

A

A device to alter the sound of an instrument, most commonly used by players of brass and string instrument. Con sordino means ‘with mute’, senza sordino means ‘without mute’

150
Q

Natural trumpet

A

A trumpet without valves, in common use before about 1825

151
Q

Numbers

A

The individual musical items in a stage musical (e.g. songs, choruses and dances)

152
Q

Obbligato aria

A

An aria, generally from the Baroque period, which includes a part for a solo instrument that is almost as important as the vocal part

153
Q

Octave

A

The distance between a note and the nearest note with the same letter name, for examples from C to the C seven steps higher

154
Q

Opera

A

A large scale composition for the theatre, involving stages drama sung to an instrumental accompaniment. Operetta is shorter, lighter and typically includes spoken dialogue

155
Q

Oratorio

A

A large-scale composition for solo voices, choir and orchestra, usually on a Biblical subject, but intended for concert performance

156
Q

Orchestration

A

The process of arranging music for orchestral instruments, having regard to balance, colour and texture. The term is often used interchangeably with instrumentation, which more strictly means the list of instruments (and voices) used in a piece

157
Q

Ornaments

A

Notes, often indicated by special signs, that decorate the main notes of a melody

158
Q

Ostinato

A

A rhythmic, melodic, or harmonic pattern repeated many times in succession. Often called a riff in jazz, pop and rock

159
Q

Overdub

A

The process of adding additional sound tracks to an existing recording

160
Q

Overdrive

A

A guitar effect that produces a deliberately distorted sound

161
Q

Pan

A

A control that determines the position (from left to right) of a sound in a stereo field

162
Q

Parallel harmonies

A

A succession of similar chords whose notes all move in the same direction

163
Q

Passing notes

A

Non-chord notes that move by step between the notes of adjacent chords

164
Q

Pedal

A
  1. A sustained or repeated note, often the tonic or dominant and most commonly in the bass, sounded against changing harmonies. Also called a pedal point and known as a drone in folk music
  2. A foot-operated lever on instruments such as the piano, organ and harp
165
Q

Pentatonic scale

A

A scale fo five pitches to the octave. Pitches 1, 2, 3, 5 and 6 from a major scale form a pentatonic major while pitches 1, 3, 4, 5, and 7 from a natural minor scale form a pentatonic minor

166
Q

Perfect cadence

A

Chord V^(7) followed by chord I (the tonic chord) at the end of a phrase, tending to have a more conclusive effect than an imperfect cadence

167
Q

Periodic phrasing

A

Paired phrases of similar length that sound like a question followed by an answer. Sometimes called ‘balanced phrasing’, it is a typical feature of music in the Classical period

168
Q

Phase shifter

A

An electronic process that can add a ‘sweeping effect’ to a sound

169
Q

Phrase

A

A section of melody that makes a statement, although not necessarily a complete statement, and that often ends with a cadence

170
Q

Plagal cadence

A

Chord IV followed by chord I (the tonic chord) at the end of a phrase, having a conclusive effect rather like a sung ‘amen’

171
Q

Polyphony

A

A texture in which two or more melodic lines occur simultaneously. This texture can also be described as counterpoint

172
Q

Polyrhythmic

A

A texture of conflicting rhythms played together

173
Q

Portamento

A

A continuous glide in pitch between two notes, more subtle than glissando

174
Q

Pre-chorus

A

A short section at the end of the verse in a pop song, designed to propel the music into the actual chorus

175
Q

Progression

A

A succession of two or more chords, aka a chord progression or harmonic progression. Sometimes incorrectly described as a chord sequence

176
Q

Push

A

A type of syncopation used in pop and jazz in which notes are played (‘pushed’) slightly ahead of the beat

177
Q

Quartal harmony

A

Chords based on intervals of a 4th rather than the more usual 3rds

178
Q

Range

A

A span of pitches from low to high that a voice or instrument can produce, or that is found in a passage of music. AKA the compass

179
Q

Realisation

A

The process or result of adding chords and decoration to a figured bass

180
Q

Recitative

A

Vocal music that mimics the rhythms of ordinary speech

181
Q

Register

A

A particular part of the range of a voice or instrument, such as a higher or a low register. Similar in meaning to tessitura

182
Q

Related keys

A

Keys whose scales have most of their notes in common. For example, C major and G major are closely related because all their notes are the same except that C major has F whereas G major has F#

183
Q

Reverb

A

Abbreviation of reverberation. The reflections that occur when sound is made in an enclosed space. Digitally produced reverb is often added to recordings

184
Q

Rhythm

A

The patterns produced by notes and rests of various lengths

185
Q

Rhythm guitar

A

The part that primarily supplies the harmony in a rock band

186
Q

Riff

A

In jazz, pop and rock, a short melodic pattern repeated many times in succession

187
Q

Ripieno

A

The orchestra, as distinct from the concertino (the soloists), in a concerto grosso

188
Q

Ritornello form

A

A structure used for longer movement in the Baroque period that begins with a section in the tonic key. Parts of this music then return in related keys, separated by modulating episodes for one or more soloists. A final ritornello re-establishes the tonic key. Ritornello is Italian for a little return and refers to the opening section usually being shortened when it returns

189
Q

Romantic

A

The predominant musical style in the 19th century

190
Q

Rondo form

A

A musical structure in which a mina section (called the rondo theme) alternates with contrasting episodes, creating a pattern such as ABACA

191
Q

Root

A

The note that corresponds with the letter-name of a chord. For example, the root of a chord of C major is always the note C, no matter which of its three pitches (C, E or G) is the bass note

192
Q

Rubato

A

Tiny fluctuations in tempo for expressive effect

193
Q

Samba

A

A dance and highly syncopated type of music from Brazil. A stylised form of the dance is popular as a type of ballroom dancing

194
Q

Sample

A

A short segment taken from an existing recording for reuse in a new piece

195
Q

Scale

A

A set of notes that go up or down in order

196
Q

Scalic

A

Related to a musical scale

197
Q

Scena

A

In a music theatre, a continuous piece of vocal music comprising several distinct sections

198
Q

Semitone

A

Half of a tone: the smallest interval in common use in western music

199
Q

Sequence

A

The immediate repetition at a different pitch of a melody (melodic sequence) or chord progression (harmonic sequence)

200
Q

Short score

A

A reduction of a work for many instruments onto just a few staves

201
Q

Shuffle rhythm

A

In jazz and some types of pop music, the division of the beat into pairs of notes in which the first is a little longer than the second. AKA swing rhythm or swing quavers

202
Q

Simple time

A

In simple time, the beat is a note that can be divided into two shorter notes of equal length. Time signatures with 2, 3 or 4 as the upper number indicate simple time (e.g: 2/4, 4/4, 3/8)

203
Q

Slide

A

An ornament common in the Baroque period, consisting of two notes that rapidly sie by step to the main notes. The notes of the ornament are printed in small type

204
Q

Sonata

A

In the Classical period and later, a work in three or four movements for either piano alone or for a solo instrument (such as a flute or violin) with piano

205
Q

Sonata form

A

The most common structure for the first movement (and often other movements) of sonatas, symphonies and other types of music in the Classical period and later. The main ideas are presented in the tonic (the first subject) and in a contrasting but related key (the second subject) in an opening section called the exposition, which usually ends with a codetta. These ideas are then extended in a central section (the development) which is followed by a final section (the recapitulation) in which both first and second subjects normally return in the tonic key. The structure ends with a final section called the coda, designed to assert the tonic key

206
Q

Sonority

A

The character of musical sounds either individually or in combination

207
Q

Soprano

A

The highest female singing voice

208
Q

Stab

A

A term used in pop and jazz for a loud, detached chord, often played by brass or full orchestra

209
Q

Step

A

An interval of a tone or semitone between adjacent notes. The opposite of a leap. A melody that moves in steps is said to have stepwise or conjunct motion

210
Q

Stretto

A

A section of a fugue in which entries of the subject occur closer together than previously so that they overlap more tightly

211
Q

Strophic form

A

A structure found mainly in simple songs in which the same music is used for each of several verses. The form can be expressed as AAA…etc

212
Q

Subject

A

The theme of a fugue or one of two important themes in sonata form

213
Q

Suite

A

A collection of pieces (often dances) intended to be performed together

214
Q

Sus chord

A

In pop and jazz, a chord containing a 4th or 2nd instead of a 3rd above the root (sounding like the dissonance heard in suspension)

215
Q

Suspension

A

An effect that occurs when a note from one chord is held over to (or repeated in) a chord to which it does not belong. This creates a momentary expressive dissonance that is resolved (i.e it ends) when the dissonant note then moves to a chord note

216
Q

Syllabic

A

A style word setting in which each syllable is set to its own notes. Opposite of melismatic

217
Q

Syncopation

A

Strongly accented notes played off or against the beat

218
Q

Talking drum

A

An African drum with various local names, almost always in an hour glass shape and played with a hooked beater. It has a considerable tonal variety depending on where its struck and how the tension on the drum head is varied, making it possible to mimic the patterns of speech

219
Q

Tato solo

A

A passage in a continuo part where no chords are required

220
Q

Tempo

A

The speed at which music is performed

221
Q

Tenor

A

The highest male singing voice, apart from countertenor

222
Q

Ternary form

A

A three-part structure in which the first and last section are similar while the central section creates a contrast (often summarised as ABA form)

223
Q

Terraced dynamics

A

Clear contrasts between loud and soft sections rather than gradual changes. Terraced dynamics are a feature of much Baroque music

224
Q

Tessitura

A

The average range of a passage. Similar in meaning to register but generally used for vocal rather than instrumental music

225
Q

Texture

A

The relationship between the simultaneous layers in a passage of music

226
Q

Theme

A

A musical idea (usually a melody) that plays an important role in a piece of music

227
Q

Tierce de Picardie

A

A major tonic chord ending a cadence in a minor key

228
Q

Timbre

A

Tone colour
The clarinet has a different timbre to the trumpet, but the clarinet also has different timbres in various parts of its range. Timbre can also be affected by the way an instrument is played, for examples by using a mute or plucking a string instead of using the bow

229
Q

Title hook

A

A short and catchy motif set to the words of the title of a pop song

230
Q

Tonality

A

The use of major and/or minor keys in music, and their relationship. Music that uses major and minor keys is called tonal music.
Tonality also includes modal and atonal music

231
Q

Tone

A
  1. An interval of two semitones, for example C-D

2. The timbre of a particular instrument or voice

232
Q

Tonic

A

The first (and last) note of a major or minor scale, AKA the key note. A triad on the tonic can be described with the Roman numeral I

233
Q

Transcription

A

A score made from a recording. Also used to refer to an arrangement

234
Q

Transpose

A

The process of writing or performing music at a higher or lower pitch

235
Q

Tremolo

A

The continuous, rapid repetition of either a single pitch or two alternating pitches

236
Q

Triad

A

A chord of three pitches consisting of a bass note and the notes a 3rd and a 5th above it

237
Q

Triadic

A

Related to a triad

238
Q

Trill

A

An ornament (often shows as tr) consisting of the rapid repeated alternation of two pitches a step apart

239
Q

Triplet

A

Three notes played in the time taken by two of the same value

240
Q

Truck driver’s gear change

A

A nickname for the jerky effect caused by modulating up a semitone to repeat a verse or a chorus in a pop song

241
Q

Tutti

A

Everyone

A passage in which all or most members of an ensemble are playing

242
Q

Uilleann pipes

A

A type of Irish bagpipe used in many kinds of folk music. The air supply comes from elbow-operated bellows. The range of notes is wider than the familiar Great Highland bagpipes of Scotland, and the tone is sweeter

243
Q

Underscore

A

Background or non-diegetic film music. Music is played under spoken dialogue

244
Q

Unison

A

The effect of two or more people performing the same note(s)

245
Q

Verse and chorus form

A

A song structure common in pop and rock. Each verse, which has different words but the same music, is followed by a contrasting chorus in which both words and music are the same on every appearance. The song may start with an intro and end with an outro. The structure may also include a pre-chorus, a contrasting bridge and/or instrumental

246
Q

Vibrato

A

Small, rapid fluctuations in pitch used to give warmth and expression to a note

247
Q

Violone

A

A bowed bass string instrument that sometimes has frets (like a guitar) and that is a predecessor of the double bass

248
Q

Virtuosi

A

A performer of outstanding technical ability

Music is written for such a performer is described as virtuosic and demonstrates a performer’s virtuosity

249
Q

Vocables

A

Nonsense syllables in a song (e.g. doo doo doo)

250
Q

Vocal music

A

Music intended to be sung

251
Q

Wah-Wah

A

A guitar effect or brass mute that can mimic the human voice saying ‘wah-wah’

252
Q

Walking bass

A

A bass line that creates a steady tread by moving mainly in identical note lengths (crotchets or quavers) in contrast to the movement of the upper parts

253
Q

Word painting

A

The illustration in music of the meaning or suggestion of particular words or phrases in a text, such as the use of a discord for the word ‘pain’

254
Q

Word setting

A

The way in which notes are allocated to the syllables of the text in vocal music. The style of setting may be syllabic, melismatic or a combination of both, and it may include examples of word painting