Music Flashcards

1
Q

Medieval Characteristics

A

Gregorian chant Based on modes
Relative notation of pitch
Beginning of harmony controlled by melody
Beginning of har,money controlled by melody

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2
Q

Renaissance

A

Moving toward major and minor tonality

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3
Q

Barque

A
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4
Q

Innovations of Barques music

A

Development of Orchestra
Sacred and secular music equally valued
Making of high-quality instruments begins.

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5
Q

Vivaldi

A
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6
Q

Baroque Concerto

A

Work for soloist and orchestra

Interplay and contrast between orchestra or tutti and solo parts through our entire piece.

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7
Q

Johann Sebastian Bach

A

Between Baroque and classical
Jesu Juva. Soli Deo Gloria

Composed for every genera except opera

Apus numbers were not yet used by composer and publishers.

Absolute Music

Wolfgang Schneider

Bach-Werke Verzeichnis give each work a BWV number

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8
Q

Subject

A

Opening theme , same in each chapter

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9
Q

Episode

A

A section where the subject in absent in all voices.

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10
Q

Subject

A

Start with subject

After an episode the voices in turn take the subject ,

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11
Q

Gregorian chants music basted on modes

A
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12
Q

Renaissance

A

Bagan moving towards major and minor tonality
System of notating rhythm developed
Polyphony of single liners sounded together
Use certain combinations of pitch’s especially at cadences, became standard

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13
Q

a musical composition for a solo instrument or instruments accompanied by an orchestra, especially one conceived on a relatively large scale.

A

Concerto

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14
Q

a contrapuntal composition in which a short melody or phrase (the subject) is introduced by one part and successively taken up by others and developed by interweaving the parts.

A

Fugue

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15
Q

Famous baroque

A

Antonio Vavladi

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16
Q

Returns in concerto

A

Ritornello

17
Q

Defined only by musical form and has titles that are the names of musical forms (symphony, concerto, sonata, etc.)

A

Absolute Music

18
Q

Has a nonmusical association specified through a title, poem, idea, or scene (e.g., Spring, Footsteps in the Snow, etc.)

A

Program Music

19
Q

Opening theme in Fugue

A

Subject

20
Q

A section where the subject is absent in all voices

A

Episode

21
Q

The architect of St. Peter’s ? Pizza, Colonnade

A

Bernini

22
Q

Those involved in the building of DST Peter’s Basilica

A
Bramante
Raphael
Michelangelo 
Giacomo Della Porta
Carlo Maderno
23
Q

Features of Baroque

A

Excessive

More Curved Line, not straight war and angle

A lot of statures outside
Semtric

Extreme number of column
Extreme numbers of statues

Romans feature are solid big

Gothic more confronting

Excessive
More than one type of arts

24
Q

St Peter’s Basilica

A

Eleven Disciples, John the Baptist and Christ the Redeemer

St Peter is not there

25
Q

Who designed St. Peter’s Square

A

Bernini

26
Q

Difference between New St Peter’s Basilica and the Old St Peter’s Basilica

A

Excessively huge
No right angle
Symatral and curved
Have all the columns

A large Dome

27
Q

Why Pope move Egyptian Obelisk to St. Peters.

A

A silent memorial to St. Peter

28
Q

Who made the fountains ?

A
29
Q

What the shape of Piazza represent?

A

A human figure represent the welcoming arms of the church.

Use art to attract people product of counter-reformation.

30
Q

St. Peter’s Baldacchino

A

Highly the most sacred part of St.Peter’s Basilica - The alter
Four angels
Symbolic Christ redeem then world.

31
Q

Solomonic Column

A

From the East and they thought from Solomon’s Temple.

32
Q

Who made the alter of St. Peter ?

A

Bernini

33
Q

St. Peter’s Alter

A

Ancient wooden chair

34
Q

Apollo and Daphine

A

emotional expression
High Braque

Transfmaotion and emotion unlike Rennassise

The face show fear
Hair flowin

35
Q

Calling of St. Matthew

A

Use light
Realism

Use lighting and shadow being used in many Brokers

The shadow is

36
Q

Who paint the calling of Matthew

A

Caravaggio

37
Q

Versailles

A

Open window

Oilers of mirrors

38
Q

Who made the Hallmark of Mirrors?

A

Charles Le Brun