Mulitcultural Music Flashcards
Immigration & Quotas
19th Century; EU and Arab immigrants come to US via East Coast then Midwest (auto industry)
Immigrants begins to be restricted in 1917 (reading tests, etc.)
1924 Johnson-Reed Act; only 2% off all races, no Asians, primarily racist though
Quotas not lifted until 1965
Arab Music in the US; Immigrants Living In 2 Worlds
2.5 mill in US today (from 22 nations; 250,000 in Deerborn, Michigan alone)
Primarily Christians from Levant region come first
Arab Music marketed as race records (urban Arabic music; weddings, festivals, etc.)
As Arabs live in US, they sometimes feel disconnected from culture
Arabic Musical Traits
Voice as model Heterophonic (same melody, but improv and ornamentation) Melodic mode (Maqam); scales rhythmic Mode (Iqa)
Arabic String Instruments
Ud (most important)
Qanun (23 octave system in Arabic)
Violin
Rababah
Arabic Wind INstruments
Nay (Most common)
Mizmar
Arabic Percussijon (3 most common)
Duff
Riqq
Tabla (dumbak)
Arrabic Classcial Music
Takht ensemble (Nay, violin, ud, qanun, riqq/tabla)
Contemporary Arabic Pop Music
Mix of brass, electric keyboards and drum amachines; samples imitations of traditional intrsuments
Jewish Kleamer Music
Wedding’’s, balls, etc.
Played by Jewish, Roma (gypsises), etc. (Roots in those cultures)
2 waves of immigrants; 1880-1924 stopped by Jones ACt
Klezmer (cont’d)
Vessel of music; a musician
a group of musicians a klezmorim
Instruments: violin, flute, fiddle, bass, hammered dulcimer, drums, clariner, tumpet, tuba,
Dave Tarras prominent klezmer; branched into jazz late in career
Klezmer Conservatory Band
Lousisiana Cajoun Music
People of French descent in Lousicana
Arcadia (NOva Scotia)
Fiddle Acordian Triangle; added bass guitar, drums late
High nasal singing, yells and wails
Zydeco; Zydeco instruments (rub board), Clifton Chenier
Black south Lousiaina dance music, w/ acoordian and guitar, and washboard (rub board)
Clifton Cheiner an influential zydeco artist, won a grammy