MU Volume 2 - Section 1 Extended Chords, 6th Chords, and Modulations (Ch 3-5) Flashcards

1
Q

Describe the purpose of using extended chords in a piece of music.

A

Extended chords are used to provide color and tension to a piece of music by including the 9th, 11th, and/or 13th scale degrees from the associated chord scale.

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2
Q

Do extended chords in four-part writing have a requirement to omit some tones? If so, why?

A

Yes, in four-part writing, there is a requirement to omit some tones in extended chords to limit the chords to only 4 notes for the sake of harmonic clarity.

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3
Q

What is the most commonly omitted pitch in an extended chord and why?

A

The 5th, as it is least important in establishing tonality and color.

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4
Q

How are 9th chords typically resolved in major and minor keys?

A

In major keys, the 9th resolves downward by a step to the nearest diatonic note of the resolution chord, while in minor keys, the interval between the root of the chord and the 9th is typically minor and also resolves downward.

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5
Q

Describe 11th chords and common omission.

A

Also referred to as sus4 chords, typically presented in root position and often omit the 3rd to avoid clashing with the 4th.

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6
Q

Describe the composition of 13th chords and the omitted pitches.

A

13th chords are typically written in root position with the 5th, 9th, and 11th omitted to maintain clear tonality and avoid a clash with the 3rd.

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7
Q

Do altered chords serve a specific purpose in music composition? If so, which chord is most often altered?

A

Altered chords are used to create desired tensions and tone colors in music composition. The dominant or V chord is most often altered due to its impact on the tonality of the tonic key.

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8
Q

Define Raised Fifth

A

AKA an augmented chord usually appears on I, IV, or V chords in Major keys, always resolving upward a half step

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9
Q

Define Lowered Fifth

A

AKA V7b5 resolves down to the root of the tonic chord. May be used in root position or first inversion.

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10
Q

Define Raised Root

A

Chords with the leading tone as the root (i.e. viio7/ii)

AKA Secondary leading tone chords

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11
Q

Describe the chord scale for all sub7’s (tritone subs) that resolve down by half step to their target.

A

The chord scale for all subV7’s (tritone subs) that resolve down by half step to their target is Lydian b7.

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12
Q

Define Neapolitan 6th chord.

A

The Neapolitan 6th chord is a Major quality chord based off the lowered supertonic scale degree and can be used in both Major and, more commonly, minor keys. It is named “6th” because it is usually notated in first inversion. (bII^6)

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13
Q

How can the Neapolitan chord be symbolized in chord notation?

A

The Neapolitan chord can be symbolized as a ♭II chord or the more common N” (N6) chord symbol.”

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14
Q

Describe the functionality of Neapolitan 6th and augmented 6th chords within a progression.

A

Neapolitan 6th and augmented 6th chords are most commonly used with a dominant preparation function and focusing on creating smooth voice leading using chromatic alterations.

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15
Q

Do all the examples of Neapolitan 6th chords and augmented 6th chords come from the Neapolitan School in Naples, Italy?

A

No, although the name Neapolitan comes from its association with the Neapolitan School in Naples, Italy, examples of this technique being utilized can be found prior to this era.

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16
Q

Define the functionality of the first inversion Neapolitan chord.

A

The first inversion Neapolitan chord functions as a II, IV, or V/V chord as they resolve to the dominant and can be approached by any chord that would typically approach the II such as the I, IV, VI or ii.

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17
Q

Describe the resolution of a Neapolitan 6th chord to a V7 chord.

A

The lowered supertonic scale degree of the Neapolitan 6th chord resolves downward when moving to the dominant, often utilizing common tones and avoiding parallel octaves.

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18
Q

Define the cadential 6/4 chord and its function in relation to the Neapolitan 6th.

A

The cadential 6/4 chord, based off the tonic, functions as a precursor to dominant movement when resolving from a Neapolitan 6th to the dominant, often delaying the resolution slightly.

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19
Q

How do augmented 6th chords resolve to the dominant?

A

Augmented 6th chords move with an outward, (from #4 and b6) contrary motion when resolving to the dominant, utilizing stepwise motion and/or common tones for additional voices inside the augmented interval.

20
Q

Describe the Italian augmented 6th chord.

A

The Italian augmented 6th is the simplest form of the four variations, consisting of only three tones and serving as a foundation for the other variants of the augmented 6th chords.

21
Q

Do Neapolitan chords occur in root position?

A

In rare cases, a Neapolitan chord can occur in root position, typically followed by a root position tonic chord, with the fifth of the Neapolitan ascending to the tonic to avoid parallel 5ths.

22
Q

Define the function of the Neapolitan 6th chord as a secondary dominant within a progression.

A

The Neapolitan 6th can function as a secondary dominant within a progression, helping to establish the dominant and create smooth voice leading to the following chord.

23
Q

How are augmented 6th chords named and what scale degrees create the augmented interval?

A

Augmented 6th chords are named for the augmented 6th interval found above the bass note, created by the ♭6 and ♯4 scale degrees, which surround the 5th and set up smooth, half step voice leading to the dominant.

24
Q

Describe the voicing and voice leading practices when resolving a Neapolitan 6th to a V7 chord.

A

When voice leading the Neapolitan 6th in four part writing, it is common practice to double the bass of the chord while using contrary or oblique motion within the upper voicings, utilizing common tones and avoiding parallel octaves.

25
Q

What is the abbreviation and analysis of the French augmented 6th chord?

A

The French augmented 6th is abbreviated as Fr+6 and analyzed as II 4 3.

26
Q

How does simple modulation differ from advanced modulation?

A

Simple modulation involves moving to a closely related key using a pivot chord that is diatonic to both keys, while advanced modulation involves more complex key changes.

27
Q

Define German Augmented 6th

A

The third variation of Aug 6th chords, modifying the Italian 6th by adding the lowered mediant from the tonic key. It sounds like a dominant 7th chord; analyzed IVb5

28
Q

Describe the Swiss augmented 6th chord.

A

The Swiss augmented 6th is an enharmonic equivalent to the German augmented 6th, containing a raised supertonic instead of a lowered mediant, and is abbreviated as SW+6.

29
Q

What are closely related keys in the context of simple modulation?

A

Relative Major/minor and all keys separated from the original key by the addition or removal of one flat or sharp in their key signatures, totalling five keys:

Major: IV, ii, vi, iii, V
Minor: iv, VII, III, VI, v

30
Q

Do pivot chords play a role in modulation in music theory? If so, how?

A

Yes, pivot chords are used to link two tonal centers together during modulation in music. They are typically chords that are diatonic in both keys and serve as a common harmonic link between the original and new keys.

31
Q

Define the term ‘dual analysis’ in the context of music theory.

A

Dual analysis in music theory refers to the practice of analyzing pivot chords in both the old key and the new key during modulation. This allows for a comprehensive understanding of the harmonic structure and tonal movement.

32
Q

How is the establishment of keys achieved in music theory?

A

Keys are established in music theory through the harmonic movement of V-I (dominant to tonic progression). This progression must occur prior to the end of the first phrase in all keys (original, new, and old) to firmly establish their tonal centers.

33
Q

Describe the process of locating the point of modulation in music theory.

A

In music theory, the point of modulation can be located by analyzing the harmonic structure and identifying the pivot chord that facilitates the transition from the original key to the new key. This process helps outline the tonal movement within a composition.

34
Q

What role do common chords play in modulation in music theory?

A

Common chords are diatonic chords shared within closely related keys and may be used as pivot chords during modulation. They provide a harmonic link between the original and new keys, facilitating a smooth transition in tonality.

35
Q

Explain the significance of delaying the V-I progression in modulation in music theory.

A

Delaying the V-I progression after a few progressions in modulation provides a smoother transition of tonality for the listener. It helps avoid an abrupt change in tonality and allows for a more gradual shift from the original key to the new key.

36
Q

Describe the terms ‘original key’, ‘new key’, and ‘old key’ in the context of music theory.

A

In music theory, the original key refers to the initial tonal center of a composition, the new key represents the destination tonal center during modulation, and the old key is the previous tonal center from which the modulation occurs.

37
Q

Describe the process of advanced modulation.

A

Advanced modulation is the process of moving a tonal center to a distantly related key or to a closely related key using advanced modulation techniques.

38
Q

Do pivot chords in advanced modulation remain the same as in simple modulation?

A

Yes, pivot chords in advanced modulation remain the same as in simple modulation.

39
Q

Define diatonic to diatonic modulation.

A

In diatonic to diatonic advanced modulation, pivot chords will be diatonic in both the old and new keys.

40
Q

How does chromatic to diatonic modulation differ from diatonic to chromatic modulation?

A

In chromatic to diatonic modulation, pivot chords will be chromatic in the old key and diatonic in the new key, whereas in diatonic to chromatic modulation, pivot chords will be diatonic in the old key and chromatic in the new key.

41
Q

Describe enharmonic modulation.

A

Enharmonic modulation occurs when the pivot chord sounds the same in both keys and is enharmonically spelled in the new key.

42
Q

Do you need to listen for a new dominant to tonic movement in the process of advanced modulation?

A

Yes, it will help to listen for a new dominant to tonic movement in the process of advanced modulation.

43
Q

What is the point of modulation typically in the new key?

A

The point of modulation is typically a tonic chord in the new key.

44
Q

What is the purpose of modulation by common tone?

A

Modulation by common tone, also known as pivot tone or pivot note, occurs when a single tone found in one voice, or a unison tone found in multiple voices, serves as a pivot point between two keys.

45
Q

Describe change of mode modulation.

A

Change of mode modulation occurs when the old key modulates to its parallel key.