Mrs Midas Flashcards

1
Q

“It was late September”

A

Peak of Autumn - golden month

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2
Q

“I’d just poured a glass of wine, begun to unwind”

A

Creates relaxed domestic scene to start

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3
Q

“The kitchen filled with the smell of itself, relaxed, its steamy breath gently blanching the windows”

A

Personification of kitchen to create a sense of being alive and homely. Contrast to the life-sapping events taking place in the garden

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4
Q

“my fingers wiped the other’s glass like a brow”

A

Simile contrast to lifelessness outside. The beginning of the separation between them

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5
Q

“He was standing under the pear tree snapping a twig”

A

First time we see Mr Midas he is being destructive

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6
Q

“Now the garden was long and the visibility poor”

A

Unsure of what she’s seeing and puts it down to visibility she doesn’t understand the situation

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7
Q

“the dark of the ground seems to drink the light of the sky”

A

Personification shows the dark nature of the garden and suggests something is going wrong

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8
Q

“he plucked a pear from a branch”

A

casual action by Mr Midas doesn’t think anything will happen

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9
Q

“we grew Fondante d’Automne”

A

Parenthesis adds extra information about their normal life together and the idea that they grew and created something - contrast to later

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10
Q

“and it sat in his palm like a light bulb. On”

A

simile - shape and brightness of the pear. Full stops add comedic effect - reflects her shock and disbelief

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11
Q

“I thought to myself, is he putting fairy lights in the tree?”

A

Whimsical and humorous imagery contrasts with seriousness of what’s just happened

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12
Q

“He came into the house. The doorknobs gleamed. He drew the blinds. You know the mind”

A

Two short sentences show how quickly he changed things

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13
Q

“the Field of the Cloth of Gold”

A

A meeting in Calais between Kings of England and France both built lavish palaces embellished with golden cloth

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14
Q

“He sat in that chair like a king on a burnished throne”

A

Simile has the power of a king but can’t control it “Burnished” - polished

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15
Q

“The look on his face was strange, wild, vain.”

A

He realises the power he’s been given and doesn’t know how to cope

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16
Q

“What in the name of God is going on? He started to laugh”

A

Question show Mrs Midas can’t understand and they find it humorous - contrast to later

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17
Q

“I served up the meal. For starters, corn on the cob.”

A

Tries to inject a sense of normality by using a matter of fact tone

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18
Q

“Within seconds he was spitting out the teeth of the rich”

A

Metaphor - the corn has turned to gold adds to comical tone

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19
Q

“He toyed with his spoon, then mine, then with the knifes, the forks.”

A

List shows how many things he was turning - even simple act of dining became difficult

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20
Q

“I poured with shaking hand”

A

word choice - connotation of fear, uncertainty - starting to become anxious - not so funny anymore

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21
Q

“as he picked up the glass, goblet, golden chalice, drank”

A

Alliteration/list - to show quick progression of the object transforming - harsh sound of “g” highlights seriousness of “gift”

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22
Q

“It was then that I started to scream. He sank to his knees”

A

Tone has become negative

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23
Q

“I made him sit on the other side of the room and keep his hands to himself”

A

Emphasises the clear change in relationship and start of separation - loss of touch/intimacy

24
Q

“I locked the cat in the cellar. I moved the phone. The toilet I didn’t mind”

A

Short sentences show the extent to which she had to change things - joke about toilet to soften tone

25
"I couldn't believe my ears"
Pause to reflect her shock
26
"Look, we all have wishes; granted. But who has wishes granted?"
Pun - everyone makes wishes but her "fool" of a husband had to be the one who had his wish granted
27
"Him"
Short sentence to show how bitter she is about it
28
"Do you know about gold? It feeds no one; aurum, soft, untarnishable; slakes"
She mocks him as she is annoyed by his foolish choices - they gain nothing from this "gift"
29
"I gazed entranced...luteous"
Enjambment allows pause to reflect on what's happening
30
"At least, I said, you'll be able to give up smoking for good."
Injects some humour into the shocking situation
31
"Seperate beds"
Stanza 7 begins to show the damage done to their relationship. Short sentence to show abrupt change/seperation
32
"I put a chair against my door"
Mrs Midas is now afraid of her husband - tone has become more serious
33
"petrified"
Word choice - connotations of turning to stone - like he is doing - she worries if it will happen to her
34
"tomb of Tutankhamun"
Associated with the dead - their relationship is dead
35
"In those halcyon days"
A time that was idyllically happy and peaceful
36
"unwrapping each other, rapidly, like presents, fast food.
Simile - compares undressing each other to opening a gift or something that is anticipated greatly - contrast to their new relationship
37
"honeyed"
reference to gold"
38
"the kiss that would turn my lips to a work of art"
Art is something to be admired yet never changed or touched - forever frozen effect of his touch on her
39
"with a heart of gold?"
Usually has a positive meaning - associated with kindness/empathy - physically impossible to live with a gold heart
40
"its perfect ore limbs, its little tongue like a precious latch, its amber eyes"
Dreams of their golden child - mainly positive yet lifeless description "ore" and "amber" link to gold
41
"holding their pupils like flies"
Image turns disturbing as we picture the dead eyes of the child - simile
42
"My dream-milk burned in my breasts"
Milk will only ever remain a dream as she can't bear his child - alliteration of harsh sounds to show the pain she feels at this loss
43
"I woke to the streaming sun"
Rude awakening
44
"So he had to move out"
Short sentence - blunt dismissal of her husband
45
"I drove him up under cover of dark. He sat in the back. And then I came home, the women who married the fool"
Tries to hide him from others as she's ashamed of what he's become and what he's made her
46
"At first I visited, odd times"
Beginning to detach herself - no regular visits
47
"You knew you were getting close"
Short sentence to show how abruptly she decided to cut him out of her life
48
"Golden trout on the grass. One day, a hare hung from a larch"
Alliteration to draw attention to the damage he's causing
49
"He was thin, delirious; hearing, he said, the music of Pan from the woods. Listen."
He's in a sorrowful state and is beginning to lose his mind. Pan is God of shepherds and flocks, was isolated from other gods. He's part of the wilderness now.
50
"That was the last straw"
Short sentence to show how abruptly she decided to cut him out of her life
51
"What gets me now is not the idiocy or greed but lack of thought for me"
Duffy encourages us to consider the effect of Midas's story on his wife. Not only hurting him. Explores the selfish nature of relation ships
52
"Pure selfishness"
Short sentence shows how bitter she is about his blatant disregard for her feelings
53
"I think of him in certain lights, dawn, late afternoon, and once a bowl of apples stopped me dead."
Despite unleashing all her anger and separating herself she can't help dwelling on what she's lost and how little she has.
54
"His hands, his warm hands on my skin, his touch."
She uses a list to show Mrs Midas remembering their once full relationship and mourns the loss of the physical part. Repetition of "hands" emphasises that his touch and their intimacy is now lost to her - unlike human contact, gold is cold and hard.
55
Themes of Mrs Midas
Love Loss Relationships
56
Form/structure of Mrs Midas
Dramatic monologue - 11 stanzas of irregular line length to reflect their unpredictable lives