Mozart 40 Flashcards

You may prefer our related Brainscape-certified flashcards:
1
Q

What are the three sections to sonata form?

A

Exposition, development, recapitulation

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
2
Q

What is the first subject played by?

A

violins accompanied by the violas, cellos and double basses. (Strings section)

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
3
Q

What is the key signature of the first subject?

A

G minor

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
4
Q

At the beginning, the melody starts on the ……. beat, a weak beat of the bar – this is known as an …….

A

fourth, anacrusis

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
5
Q

Another feature of the …… Is question and ……. phrasing – a four-bar phrase answered by another ……..-bar phrase

A

Meoldy, answer, four

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
6
Q

Listen to the opening. Notice how the second four-bar phrase ends with a …….. . Notice the use of the ………. in the first six bars and the repeated quaver accompaniment.

A

Perfect cadence, tonic pedal

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
7
Q

What is the note of the pedal used in the first subject?

A

G

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
8
Q

What is a perfect cadence?

A

A perfect cadence sounds final and uses chord 5 (the dominant, in this case D) followed by chord 1 (the tonic, in this case G minor).

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
9
Q

How does mozart link the first two subjects?

A

He uses a transition or bridge at the end of he first subject, leading to the second. Between the 2 subjects there is a bridge passage which is used to modulate from one key to the other

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
10
Q

How do you find the relative minor of something?

A

Count down 3 semitones from the beginning of the scale

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
11
Q

What is the structure of the piece?

A

Sonata form

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
12
Q

How do you find the relative major of something?

A

Go up 3 semitones

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
13
Q

What is the key signature of the second subject?

A

B-flat major

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
14
Q

How are the keys of the two subjects linked?

A

The second subject is the relative major (b-flat major) of the first subject (g minor)

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
15
Q

Does the second subject use an anacrusis when opening?

A

No, the melody starts on the fist beat if the bar

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
16
Q

What instruments play the melody in the second subject?

A

has a melody shared between strings and woodwind (clarinets and bassoons)

17
Q

In the exposition, the second subject is made up of two ……….. phrases, the first ending with an ……. and the second phrase ending with a …….. .

A

Four-bar, imperfect cadence, perfect cadence

18
Q

What section comes after the exposition in sonata from?

A

Development

19
Q

The recapitulation follows the ………… . Here the material from the ………… is repeated in a slightly different and shorter form. The recapitulation returns to the …… key of G minor and opens with the first subject.

A

development, exposition, tonic

20
Q

In the recapitulation, what key is the second subject now played in?

A

The second subject is now also heard in G minor.

21
Q

What is a coda?

A

A coda is a short section which comes at the end of a movement.

22
Q

The movement ends with a …….. . The final bars close the movement with repeated perfect ……… played by full orchestra

A

Coda, cadences

23
Q

What era was the pice composed in?

A

From the Classical era 1750-1830

24
Q

Exposition ends with a short ……

A

codetta (a smaller version of a coda)

25
Q

The harmonies are largely …..

A

Diatonic (harmonies without added notes)

26
Q

What is the difference between diatonic and chromatic harmony?

A

Diatonic has no added notes to chords, chromatic has added notes to chords

27
Q

1st subject is based around a repeated short …….

A

motif

28
Q

2nd subject is based on a descending ……..

A

chromatic scale