Movement I Flashcards
1- 209
Exposition
1- 66
First subject (exposition)
66 - 92
Transition passage (exposition)
93 -187
Second subject (exposition)
187 - 209
Codetta
210 - 368
Development
210 - 284
First development section
285 - 296
Fausse recapitulation
297 - 368
Second development section
369 - 510
Recapitulation
369 - 391
First subject (recapitulation)
391 - 404
Transition passage (recapitulation)
405 - 455
Second subject (recapitulation)
456 - 510
Third development
510 - 586
Coda
Home key
A major
Form of the movement
Sonata form
17
E major tonicisation
19
Inverted cadence (V6-I)
22 - 23
Root position perfect cadence
23
Flutes, oboes and horns enter with fig ‘x’ - not developed
41
V7/V (B7 with 4-3 sus)
47 - 51
4 bars on dominant 7th chord - resolves to tonic of A
51 - 66
Repeat of 2-10 with additional timps and enhanced scoring (oboes play S1, full orchestra supports)
66
Transition passage begins with antiphonal passage using oscillating quaver motif as strings alternate with the rest of the orchestra
70
B minor tonicisation
72
D major tonicisation
82
Return of S1 fig ‘x’ in violins
(emphasis on major/minor modes)
86
B major tonicisation (dominant preparation for next section)
93
S2 begins in E major
97
Shift to E minor
124
S2 transferred from clarinets and bassoons to flutes and oboes
132
Violins play gentle quavers underneath S2
Timps roll on 7th of chord B7 (i.e chord of B4/2 or V4/2)
142
Texture reduced to just strings