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Music > Movement 2 > Flashcards

Movement 2 Flashcards

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1
Q

Key of movement 2 and relation to whole symphony.

A

G major - subdominant

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2
Q

What is corno (horn) crooked to?

A

G - which is different from movement 1

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3
Q

What is the tromba (trombone) crooked to?

A

D - which is the tonic key of the symphony.

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4
Q

What relation in bar 4 are the violins to each other?

A

3rds

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5
Q

What chord is in bar 6?

A

Diminished 7th

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6
Q

What cadence and key is bar 7-8

A

Perfect (V-I) in D major

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7
Q

What key is bar 9 in

A

G major

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8
Q

Between bars 1-17, where is D minor suggested?

A

Bar 12

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9
Q

Between bars 1-17, where is A minor suggested?

A

Bar 14

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10
Q

What cadence and key in bar 15-16

A

Perfect (Vc-I) in D major

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11
Q

What is the relation between the Fg. (bassoon) and Vl. 1 in bar 17

A

Octaves

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12
Q

In bars 21-22 what is the melodic device used?

A

Sequence

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13
Q

At what bar number does the opening theme first return

A

Bar 17

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14
Q

What chord is there at bar 23?

A

Augmented

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15
Q

What chord is there in bar 24?

A

Diminished (V)

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16
Q

What cadence is in bars 28-29?

A

Interrupted

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17
Q

What chord is there in bar 30?

A

Diminished

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18
Q

What begins in bar 33?

A

Codetta

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19
Q

Which harmonic decide is used in bar 33?

A

Tonic pedal

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20
Q

What key does the codetta section end in?

A

G major

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21
Q

What key does the second section start in?

A

G minor

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22
Q

What type of chords are there in bar 40 in the flute and oboes?

A

Diminished

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23
Q

In bar 40 what is the fg. playing?

A

A dominant pedal

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24
Q

What is special about bar 42?

A

There is an abrupt change to D minor with sturm und drang beginning

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25
Q

Bar 42 is the development of what?

A

Main theme

26
Q

How does section 2 immediately contrast to 1?

A

Minor • piano • wind only

27
Q

What device is used in bar 44?

A

Syncopation

28
Q

What key are we in in bar 46?

A

B flat major

29
Q

What do the demi semi quavers add to in bar 48?

A

Turbulence

30
Q

What is there at bar 48?

A

Continued syncopation, descending semiquaver pattern and added turbulence

31
Q

Where does sturm und drang end?

A

Bar 55

32
Q

In bar 57 what appears?

A

The main theme

33
Q

In bar 59 there is contrary motion, what does this mean?

A

When one line of music goes up as the other goes down.

34
Q

At bar 61 what is there?

A

Double dotted motif in imitation and sequence

35
Q

What key do we reach at bar 67 and how do we know?

A

G major signalled by the F#

36
Q

What device is used in bar 67

A

Dominant pedal

37
Q

What device is used in bar 65?

A

Sequence in octaves

38
Q

In bar 71 what is used?

A

Dominant monophonic texture

39
Q

Where does the final (3rd) section start?

A

Bar 74

40
Q

In bar 74, is it similar to bars 1-8 but what is added?

A

Woodwind

41
Q

What key is the tutti section at bar 88 in?

A

D major

42
Q

In bar 102 how is the violin part different from in bar 16?

A

It’s up a 3rd

43
Q

What device is used in bar 109?

A

Dub pedal

44
Q

What chord is used in bar 108?

A

Ab major ( which is the dominant of Db )

45
Q

What is the relationship between the two chords in bars 113-114?

A

Enharmonic relationship

46
Q

What key have we reached in bar 114?

A

Db major

47
Q

In bar 116 what chord is there?

A

E# diminished 7

48
Q

118 what happens?

A

F# minor goes to D major

49
Q

In bar 121 what does the G in the timpani prepare us for?

A

The tonic

50
Q

What do the horns play in bar 122?

A

Fanfare

51
Q

In bar 122 what happens?

A

Main theme is still being developed

52
Q

In bar 131 there is another flute cadenza, what is special about it?

A

It is triadic and in C major ( the subdominant )

53
Q

What happens at bar 134?

A

The main theme interrupts the cadenza

54
Q

What interval does the oboe parts move in in bar 136?

A

6ths

55
Q

In bar 138 what texture is there in the strings?

A

Homorhythmic

56
Q

What bar does the codetta begin at?

A

Bar 141

57
Q

What is unusual about bar 143?

A

The fagotto has the melodic line

58
Q

In bar 146 what sort of scale is there?

A

Falling scale in 2nds in fl. and rising chromatic line in ob.

59
Q

What happens in the last 4 bars?

A

They are dominated by the interval of a 2nd

60
Q

What’s unusual about that last 4 bars?

A

The horns have a solo

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