movement 1 - tonality Flashcards
what key does this movement begin in
d minor
what key does the exposition begin in
d major - the tonic
what key does the second subject begin in
a major - the dominant
what happens tonally in the last bars of the exposition
the ‘a’ pedal in bars 120-123 emphasises the new tonic of a
what key does the development begin in
b minor - the relative minor
what happens in bar 137 (the tutti section)
the piece modulates to b major
in what bar in the development section does the piece modulate to b major
137 - the first tutti section
describe the tonality in bars 150-155
through the circle of fifths, seen in a harmonic rate of one chord per bar, which at D# major, it modulate to e major, via a II V I chord progression, while using a descending baseline (following the y motif) in the viola, and also using the bassoon as a baseline
describe the tonality in bars 172-179
in bar 172 an augmented sixth chord is presented, which resolves in contrary motion to F# the dominant key. through a sustained dominant pedal in the cellos and double basses (174-178), perfect cadence in b minor (relative minor)
what technique does Haydn employ to prepare for the return of the tonic for the recapitulation
from bars 185-190, there is a dominant pedal (A), empahsising the perfect cadence into the tonic (D major)
how does Haydn reiterate the tonic key at the end of the movement
five bars of tonic key perfect cadences
what is tonally achieved in bar 7
the piece modulates to f major ( the relative major to the starting key of d minor)
during the introduction what bar does the piece modulate to the relative major
bar 7
describe the tonality in bars 13-16
in bar 13 a cadential 6/4 reiterates the tonic key of d minor in the following bar with the full tutti orchestra. bar 15 has a neapolitan sixth and it ends on the dominant in preparation for a perfect cadence into the exposition
what happens in bars 109-111
the baseline has a circle if fifths, leading to A, emphasising the new tonic
