Motion Pictures Test 2 Flashcards

(74 cards)

1
Q

French term for staging or putting on an action or scene, Refers to the overall look and feel of a movie, The sum of everything the audience sees and hears (sound) and experiences while viewing it

A

Mise-en-scene

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2
Q

the process by which the look of the settings, props, lighting, and actors is determined

A

Design

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3
Q

the organization, distribution, balance, and general relationship of actors and objects within the space of each shot

A

Composition

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4
Q

Functions of Design: (4)

A

Expresses a movies vision, Creates a convincing sense of time, space, and moods, suggests a characters state of mind, relates to developing themes.

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5
Q

Person responsible for the overall design concept of a movie, hired to work with the director and director of photography.

A

Production Designer

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6
Q

Design Departments: (7)

A

Art, Costume Design and Construction, Makeup hairstyling and wardrobe, location and properties, carpentry set production and decoration, greenery and transportation, and visual effects and special effects

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7
Q

Most important elements of design: (3)

A

Setting decor and properties, lighting, and costume makeup and wardrobe.

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8
Q

the spatial and temporal environment (realistic or imagined) in which the narrative takes place

A

Setting

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9
Q

the color and textures of the interior decoration, furniture, draperies, curtains

A

Decor

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10
Q

objects that help us understand the characters by showing us their preferences in such things

A

Properties, props

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11
Q

A windowless, soundproofed, professional shooting environment

A

Soundstage

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12
Q

Guides viewers’ eyes through the moving image and helps tell the movie story, Calls attention to shapes and textures; shadows may mask or conceal things, and Light is controlled and manipulated to achieve expressive effects

A

Lighting

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13
Q

Contributes to the setting and suggests specific character traits, the clothing worn by an actor in a movie

A

Costume, Makeup, and Hairstyle

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14
Q

Style of Design: nonfiction,short, realistic depictions of everyday activities

A

Realistic

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15
Q

Style of Design: used stage tricks, mechanisms, and a variety of cinematic effects

A

Fantastic

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16
Q

The general relationship of figures, stationary objects, light, shadow, line, and color within the frame

A

Composition

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17
Q

What we see on the screen

A

Framing

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18
Q

What moves on screen

A

Kinesis

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19
Q

Framing implies:

A

POV

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20
Q

POV can be:

A

omniscient, subjective, or ambigious

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21
Q

Depict a world where characters move freely within an open, recognizable environment

A

Open Frames

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22
Q

Imply that other forces have robbed characters of their ability to move and act freely

A

Closed Frames

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23
Q

anything concrete within the frame (object, animal, person)

A

Figure

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24
Q

planning the positions and movements of the actors and the cameras

A

Blocking

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25
The process of capturing moving images on film or a digital storage device, coined after motion pictures and means "writing movement with light"
Cinematography
26
one uninterrupted run of the camera
Shot
27
the number of times a particular shot is taken
Take
28
one camera position and everything associated with it
Setup
29
the primary person responsible for transforming the other aspects of movie making into moving images
Director of Photography
30
Responsibilities of Director of Photography (4)
cinematographic properties of the shot, framing of the shot, speed and length of the shot, special effects
31
Does the actual shooting
Camera Operator
32
oversees the camera lens, supporting equipment, and the material on which the movie is being shot, prepares the slate, files the reports, fills the magazines, and loads the camera
Assistant camerapersons
33
Film gauges
8 mm, Super 8mm, 16mm, 35mm, 65mm, 70mm, IMAX
34
Standard Color film stock today
Kodak’s Eastman Color system
35
Lighting: designers include an idea of the lighting in their sketches
Preproduction
36
Lighting: the cinematographer determines the lighting once the camera setups are chosen
Production
37
Properties of lighting: (4)
Source, Quality, Direction, Style
38
Lighting: reflector boards, a device used to help control light
Natural Light
39
Lighting: focusable spotlights and floodlights
Artificial Light
40
Lighting: shining directly on the subject, creating crisp details, ratio between lights and darks is harsh
Hard lighting: Low-key
41
Diffused; light hits the subject from many directions, very little contrast between darks and lights
Soft lighting: High-key
42
balance between key and fill
Lighting ratio
43
a primary property of light
Color
44
the amount and quality of human and physical resources devoted to the image determines a film’s overall style
Production values
45
the camera’s “eye,” whose primary function is to bring the light that emanates from the camera’s subjects into a focused image for the camera’s recording medium
Lens
46
distances in front of a camera and its lens in which the subjects are in apparent sharp focus
Depth of Field
47
Four major lenses:
Short-focal-length, long-focal-length, middle-focal-length, and zoom
48
changes the point of focus from one subject to another
Rack Focus
49
Academy aspect ratio
1.33:1
50
American Widescreen aspect ratio
1.85:1
51
Panavision and cinemaScope aspect ratio
2.35:1
52
Picture of the place people are, not of their figure, etc
Extreme Long Shot
53
Picture of one or more full figures
Long Shot
54
Picture from the knees up
Medium long shot
55
Picture from the waste up
Medium Shot
56
Picture mid-chest to top of head
Medium close-up
57
Picture of face
Close-Up
58
Very small detail of figure
Extreme close-up
59
Camera angles: (5)
Eye level, High angle, low angle, dutch angle, scope
60
Eye level photo
Picture where we are all at eye level
61
high angle photo
Camera is up looking down
62
low angle photo
camera is down looking up
63
dutch angle photo
Photo crooked to left or right side slightly
64
scope picture
Picture that exaggerates the scale of something such as building to person etc
65
the vertical movement of a camera mounted on a stationary tripod
Tilt Shot
66
The horizontal movement of a camera mounted on a stationary tripod
Pan shot
67
Shot taken by a camera fixed to a wheeled support
Dolly shot
68
Made from a camera mounted on an elevating arm that is mounted on a vehicle
Crane shot
69
a device attached to the operator’s body that steadies the camera and is used for smooth, fast, and intimate camera movement
Steadicam
70
Technology that creates images that would be too dangerous, too expensive, or simply impossible to achieve with traditional cinematographic materials
Special Effects
71
created in the production camera, on the regular negative
In-camera effects
72
objects or events created Special Effects (SPFX / FX) | mechanically on the set and in front of the camera
mechanical effects
73
created on a fresh piece of film stock
Laboratory effects
74
Allows movies to be set in wholly imagined places, first used in early 1970s
Computer generated imagery (CGI)