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G12 - CPAR > MODULE 1: CPAR Forms Part I > Flashcards

MODULE 1: CPAR Forms Part I Flashcards

1
Q

ability to interpret or understand man-made arts and enjoy them either through actual and work-experience with tools and materials or possession of these works for satisfaction

A

art appreciation

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2
Q

art forms that are developing in various regions of the Philippines that relied on the existing materials in specific region or province

A

contemporary art (CPAR)

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3
Q

a medium of expression

A

The Meaning of Art

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4
Q

Involves skill in handling materials and organizing them into something new

A

The Meaning of Art

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5
Q

Satisfies need for personal expression

A

Importance of Art

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6
Q

Develops Expression Skills

A

Importance of Art

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7
Q

Challenges us to see things differently

A

Importance of Art

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8
Q

Sees unseen truth

A

Importance of Art

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9
Q

Gives pleasure, satisfaction, gratification

A

Importance of Art

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10
Q

Most important means of expression developed by man

A

Functions of Art

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11
Q

To express beauty

A

Functions of Art

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12
Q

To give man moments of relaxation and spiritual happiness

A

Functions of Art

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13
Q

Serves as a channel of man’s passion

A

Functions of Art

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14
Q

Reforms man

A

Functions of Art

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15
Q

Overcomes feelings of restlessness and loneliness

A

Functions of Art

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16
Q

An activity that involves both imagination and skill in accomplishing it

A

Work of Art

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17
Q

A thing of beauty having aesthetic value; obra maestra (masterpiece) that provides aesthetic value to viewers

A

Work of Art

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18
Q

Must have an artistic and literary merit

A

Work of Art

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19
Q

A symbolic state of meaning rather than having a practical function

A

Work of Art

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20
Q

May vary, usually anything that is represented in the artwork

A

Subject of Art

21
Q

May be a person, object, event, or scene

A

Subject of Art

22
Q

“In Philippine art as in its culture, one notes the various shades, lines, and tones, and even the contrasting characters that have been absorbed and blended into new forms that are particularly Filipino.”

A

Santos (2016)

23
Q

When did CPAR begin?

A

In the 1950s, after WW2.

24
Q

(True or False) Some artists during the 1950s were viewed as contemporary artists in light of the fact that their styles and methods of making artworks veered away from that of customary workmanship

A

True

25
Q

Protects them from the scotching heat of the sun while working on their farmlands

A

Vacul

26
Q

Origin of Vacul

A

Batanes / Ivatan

27
Q

thanksgiving for rich harvest, to repel sinister and for celebration of marriages and in conducting funeral; some together with paintings

A

Vases and statues

28
Q

Origin of vases and statues

A

Cordillera; Baguio and Benguet

29
Q

To portray the Roman soldiers and Syrian mercenaries in the story of the Passion of the Christ. Denotes the masked and costumed penitents who march around the town for seven days searching for Longinus.

A

Moriones

30
Q

Origin of Moriones

A

Marinduque

31
Q

always ornamented with smiling faces, giving rise to Bacolod being named the “City of Smiles”

A

Maskara

32
Q

Origin of Maskara

A

Visayan Region

33
Q

symbolizes their “kaisugan” or valor or bravery

A

Pinta (Tattoos)

34
Q

Origin of Pinta

A

Panay

35
Q

are characterized by their colorful rectangular log sails or bukay and bifurcated prows and sterns, which resemble the gaping mouth of a crocodile. Used as fishing vessels, cargo ships, and houseboats

A

Vintas

36
Q

Origin of Vintas

A

Muslim Mindanao

37
Q

is hand-woven made of Abaca fibers which traditionally has three primary colors, red, black and the original color of the Abaca leaves. The colorants of the materials are naturally dyed boiled in with bark, roots and leaves.

A

T’nalak

38
Q

They are called dream weavers because they have to dream of it first.

A

T’nalak

39
Q

T’nalak, a.k.a

A

Dream weavers

40
Q

Origin of T’nalak

A

T’bolis (South Cotabato)

41
Q

A ubiquitous symbol of its region’s art, with colorful wings and feathered tail, holding a fish on its beak or talons. The head is profusely decorated with scroll, leaf, and spiral motifs. It is said to be a symbol of good fortune.

A

Sarimanok (Fowl)

42
Q

Origin of Sarimanok

A

Maranao

43
Q

has a natural luster with colors ranging from pure white to ivory and dark brown.

A

Abaca

44
Q

It is being used in making slippers, ropes, twine and hammock.

A

Abaca

45
Q

used in construction, textile, musical instruments, weapons, and many more.

A

Bamboo

46
Q

durable and resistant to moisture. Hats, bags, baskets, memorabilia boxes, perfume tray are other products that can be made out of it.

A

Buri

47
Q

processed and transformed into splints that are being used as raw material. Used in producing baskets, hats, picture frames and bags.

A

Pandan

48
Q

has different types such as high or low climbers, single stemmed or clustered.

A

Rattan

49
Q

Used in manufacturing baskets, picture frames, furniture and other novelty items, Zoya lounge chair, Valencia queen size bed and Rest divan.

A

Rattan

G12 - CPAR (5 decks)

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