Modern Music Flashcards

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0
Q

Describe the intro to Love Me Do.

A
  • 8 bars long.
  • harmonica has a descending phrase stated 3 times followed by a 4th contrasting phrase with static and ascending motion.
  • sounds bluesy because of blue notes, bending of note and the harmonica.
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1
Q

What is the structure of Love Me Do-Beatles

A

•simple in structure, intro, verse x2, bridge, verse, instrumental (bridge), verse, outro

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2
Q

What is the structure of the verse of Love Me Do?

A

• 3 ascending phrases followed by a 4th that ascends. Good balancing of phrases.

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3
Q

What is the structure of the bridge Love Me Do?

A

•question and answer balanced phrases (2bars long) “someone to love, someone like you,” stated twice, again balanced phrasing.

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4
Q

What is the structure of the instrumental of Love Me Do?

A

•same structure as the bridge with 4 extra bars where harmonica (melody instrument) plays new melodic material to link back to the verse.

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5
Q

What is the overall melody like in Love Me Do?

A
  • modal feel with flattened 7ths and blues notes creating bluesy flavour.
  • interesting blend of melody within the song though there is repetition and it is relatively simple.
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6
Q

Describe the Melody of the Intro of Love Me Do.

A
  • harmonica opening melody.
  • 4 phrases, 3 the same and descending, 4th contrasting and static and ascending in motion.
  • sounds bluesy because of blues notes and the harmonica.
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7
Q

What notes are used in the opening melody in Love Me Do?

A
  • Fnatural E D G G G.
  • The Fnatural against the chord of G creates G7.
  • D against the C chord clashes but works due to nature of the music/stylistic features.
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8
Q

What are the notes used in the melody in the verse of Love Me Do?

A

•begins on D D Fnatural G x3 then sustained high G then final phrase G G Bb D C Bb G

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9
Q

Describe the melody of the verse from Love Me Do

A
  • Pentatonic

* Bb is a blue not (minor 3rd against a major chord. GBD not GBbD)

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10
Q

Describe the vocal harmony in the verse of Love Me Do.

A
  • In Perfect 5ths and 4ths.
  • Modal feel
  • expected to be 3rds or 6ths.
  • Sustained high G has vocal movement underneath (E D C E which is held).
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11
Q

Describe the Bridge in Love Me Do.

A
  • Contrast as it’s balanced phrases is pairs. “Someone to love” answered by “somebody new”.
  • 1st phrase descends by step, 2nd phrase descends but leaps and starts higher with octave harmony.
  • 2nd time you hear “someone like you” it resolves to the tonic (rather than dominant).
  • 2nd time you hear bridge as an instrumental the harmonica plays sung melody. The harmonica adds new melodic material for a further 4 bars, extending to 12 bars overall.
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12
Q

Describe the harmony In Love Me Do.

A
  • Simple I IV V harmony used, no extended chords.
  • Song is in Gmajor but the tonality is blurred by the many blues notes and flattened 3rds used in the vocal line.
  • Verses based in Gmajor, walking bass line descends to link to the bridge sections which are based in D but modulate back almost immediately.
  • Only G D C used in whole song.
  • Verse G and C
  • Bridge D C G
  • lots of plagal cadences. (Very popular in pop)
  • bass line very basic in contrast to later songs.
  • bass marking out root and 5th of each chord, sometimes 3rd too.
  • walking baseline used to modulate to D using C#
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13
Q

Describe the Rhythm Love Me Do.

A
  • simple drum beat, roots in skiffle.
  • After sustained not on “please” in the verse, the drum stop- effect on the music is maintaining interest. Also emphasises words “Love Me Do”.
  • Syncopation in the vocal line and the harmonica throughout in contrast to simple drums.
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14
Q

Describe the texture/timbre in Love Me Do

A
  • Traditional band line up with harmonica for interest.
  • Pauses in the song maintain interest- after sustained “please” in the verse and at the end of the bridge.
  • Interest in the vocal harmony in the verse- intervals of 5ths and 4ths Instead of expected 3rds and 6ths.
  • Vocals in octaves in the answering phrases of the bridge.
  • use of the harmonica at the end of the verses playing the intro material to add interest.
  • bending and fluttering of notes on the harmonica, generally it only plays a single melody but sometimes plays a chord, eg in the extra 4 bars in the instrumental bridge. Chords just used for colour.
  • Answering phrase in the bridge, the harmonica doubles the vocal melody.
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15
Q

What is the theme of A Day In The Life?

A

•loneliness

16
Q

What is the form of A Day In The Life?

A

Loose Ternary form (A B A) A being John Lennon (bleak and more depressing- realism) and B being Paul McCartney (upbeat and optimistic)

17
Q

Describe the first JL verses.

A
  • vocal lines are generally syllabic with Melismas on “turn you on”’
  • fairly high range-overall of a 10th (E-G)
  • Highest note is a G at the end of verses 2 and 3.
  • shape- rises and falls but descends overall, rising up at the end of each line, mainly conjunct.
  • bass line descends by step.
  • Sounds improvisatory.
  • vocals sound distant- plenty of reverb on the vocal line.
  • rises much higher on the words “lords”, maybe emphasising the fact the peers sit on the House of Lords, considered to be above the working class, on a higher level, representative I their place.
  • on “turn you on” almost a slow trill, alternating pitched a semitone apart-drug reference, word-painting, representing a high.
  • slow, steady tempo.
18
Q

Describe the PM section in a Day In The Life.

A
  • upbeat, faster, again syllabic setting
  • lower range
  • Closer in the mix, sounds more grounded in reality, less reverb on the voice.
  • warmer tone
  • Contrasts to the JL section that follows “went into a dream” again drug references.
  • melismatic on “ahh”, representing a high again. Higher pith, reverb, more distant in the mix.
19
Q

Describe the final JL section in A Day In The Life

A
  • as verse 3, ending with “I’d love to turn you on” mean to drugs not a sexual reference.
  • leads into the final orchestral section.