Mod B Flashcards

You may prefer our related Brainscape-certified flashcards:
1
Q

Attached

1

SUBJ

A

‘Even when one is no longer attached to things, it’s still something to have been attached to them;’

Epigraph

Reveals subjective narratives that objects carry perpetuated by their connection to their owner - restoration of the truth

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
2
Q

Japonisme

2

SUBJ

A

‘It was to be a covert book on japonisme, the way in which the West has… misunderstood Japan for more than a hundred years’

Netuske are a metonym for Jewish identity

De Waal finds solace in them due to shared experiences

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
3
Q

Vitrine

3

SUBJ

A

‘He’d open the sliding doors of the long vitrine… and would get out the netsuke one by one’

Multisensory interaction with the netsuke - synthesises experiences of his ancestors, haptic epistemology finds comfort in relationship

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
4
Q

Repetition

4

SUBJ

A

‘I liked the way that repetition wears things smooth,’

Tactile imagery

Likened Ephrussi history to a story with many layers - exposed with continued interaction with the objects

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
5
Q

Collection

6

SUBJ

A

‘It is a very big collection of very small objects.’

Dualism

Inherent juxtaposition within the netsuke - holds memories as De Waal unveils his family’s trauma

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
5
Q

Fraying

5

SUBJ

A

‘It seemed an unfinished, fraying memory.’

Leitmotif

Transience of memory - decaying of memory throughout time - netsuke repair and restore ephemeral narratives passed through family

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
6
Q

Asymmetric

7

SUBJ

A

‘They are always asymmetric… you cannot understand the whole from a part.’

Appreciation of netsuke - parallel the Jewish experience, enable the restoration of the family identity

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
7
Q

Open - witnessed

8

SUBJ

A

‘I want to… feel it open… I want to know what it has witnessed.’

Kinaesthetic imagery

Promotes physicaly restoration of the narrative

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
8
Q

9 Collect - knowing

9

SUBJ

A

‘I think it allows him to collect, to turn looking into having and having into knowing.’

Anadiplosis

Transmutes the netsuke from something Charles and De Waal posses, to something they can garner truth and connection from

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
9
Q

Dark

1

OBJ

A

‘For rooms covered in gold, it is very very dark’

Displaced - cannot connect - derailed physically

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
10
Q

Acculturated

2

OBJ

A

‘I do not understand what it means to be part of an assimilated, acculturated Jewish family,’.

Impacts his corporeal, kinaesthetic body

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
11
Q

Disappeared

3

OBJ

A

‘I know nothing about any of them: the Ephrussi family are so perfectly assimilated they have disappeared into Vienna.’

Can no longer rely on the netsuke to reveal the truth of the narrative - must accept the objectivity

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
12
Q

Loss inheritance

4

OBJ

A

‘This feeling of loss, of having failed to preserve an inheritance, affected Viktor profoundly.’

Importance of memory and legacy to the displaced Jewish cultural narrative - permanence of narratives in transience of identity

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
13
Q

Uncounted

5

OBJ

A

‘The uncounted and the unmeasured started at last to be counted very accurately.’

Netsuke are able to gain value in memory now that everything is transient - stand witness to the events of aryanisation

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
14
Q

Nazi to Jews

6

OBJ

A

‘You think you own us, you fucking foreign shit. You’ll be fucking next, you shit, you fucking Jews.’

High modality language

Affliction of generational trauma on De Waal - displacement of netsuke from the Ephrussi ancestral home

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
15
Q

Furniture ranked

7

OBJ

A

‘Every piece of furniture, every object ranked,’

Intrinsic connection between the netsuke and Ephrussi history - corrupts the monolithic narrative told by De Waal

16
Q

Erased

8

OBJ

A

‘I am wrong. The family is not erased, but written over. And finally, it is this that makes me cry.’

Truncated syntax

Netsuke withstand aryanisation and provide permanent objective truth

17
Q

Couldn’t put back together

9

OBJ

A

‘It was a family that could not put itself back together.’

Displacement of the objects results in the dissolution of the Ephrussi narrative - de Waal can no longer avoid the harsh effects of trauma

18
Q

Centre of Iggie’s life

1

FUS

A

‘For right in the centre of this house, in the centre of Iggie’s life, are the netsuke.’

Reconciliation of the netsuke - not othered anymore

19
Q

Lose strangeness

2

FUS

A

‘Here the netsuke become Japanese again. They lose their strangeness’

Not subject to anti-semitism that was rife previously, re-establish their place in the narrative

20
Q

Passport

3

FUS

A

You assimilate, but you need somewhere else to go. You keep your passport at hand. You keep something private.’

Anaphora

Synthesis of the narrative, personalises the memoir - netsuke repair trauma

21
Q

Concrete

4

FUS

A

‘Some traces are more concrete.’

Provide permanence in spite of continued transience of memory and identity

22
Q

Patina

6

FUS

A

‘Perhaps patina is a process of rubbing back so that the essential is revealed…’

Tactile imagery

Layers provide all aspects of the truth - repair and synthesise the memoir

23
Q

Begin again

7

FUS

A

‘The netsuke begin again’

Perpetual repair of the memoir - continued restoration and reconstruction of memory and Jewish identity

24
Q

Book - small Japanese things

5

FUS

A

‘I no longer know if this book is about my family, or myself, or is still a book about small Japanese things’

Polysyndeton

Coda is a synthesis point - it is all of these things