Midterm Testing Center Flashcards
Ripieno
the full orchestra
Concertino
small group of soloists
Concerto grosso
concerto made up of small group of soloists and the orchestra
symphony
composition for full orchestra, usually 4 movements
minuet and trio
3rd movement, dance like
emphfindsamerstil
German instrumental movement in 18th century, sensitive style
cyclicism
recurrence of theme in in several movements of a multi-movement work
Gluck’s Opera Reforms
- music should serve the text
- use only forms that agree with the drama
- eliminate showy ornament
- lessen contrast between recitative and aria
- return chorus to an important role
- adapt orchestra to suit the drama
Beethoven Early Period
- private genres
- takes classical forms, not much innovation but momentary surprises
- fluidity between string quartet and piano sonata- Pathetique and Moonlight
Beethoven’s Middle Period
- takes effects from early period and applies them to public works
- does more public works
- sometimes radical changes to internal structure
- extended second halves
- de-emphasiezes roles of I and V
- new instruments
- connects movements together
- cadential reinforcement
Beethoven’s Late Period
- classical models are optional
- not a lot of new music
- shift emotional weight to the final movement
- his works still continued to be played after his death
Bach’s Locations
- Arnstadt 1703-1707 (organist)
- Mühlhausen 1707-1708 (organist)
- Weimar 1708-1717(organist and court composer)
- Cöthen 1717-1723 (chapel master, works for Calvinist prince)
- Leipzig 1723-1750 (Kantor at St. Thomas Church)
German Music
faster harmonic rhythms, harmony travels across keys, illusionism, emotionalism, interesting and different
Italian Music
slow harmonic rhythm, focus on I and V harmony, redundant
Private Genres
piano sonata, string quartet, piano trio
Public Genres
symphony, concerto, opera
Beethoven’s 5th
takes a simple idea and creates an entire symphony out of it, can’t escape ba ba ba bums, cyclic, 4th movement in c major rather than minor, extended sections like coda and recapitulation,
Oratorio
orchestra, choir, soloists, ensembles, tells story without the stage and props, hardly any interaction between characters, generally a sacred subject, Handels Messiah
Opera
tells a story, usually not sacred, big production with stage and costumes,
Mozart Bio
- showed a lot of musical talent as a child
- traveled a lot with his father and was exposed to various musical styles
- kick out of his job and died poor
- devoted life to achieving perfection in his music
Transition from Baroque to Classical *
- music becomes lighter and clearer
- style galant (tasteful, elegant pleasing, J.C. Bach)
- Sturm und Drang (little random moments)
- Mannheim Orchestra
Water Music
Handel, outdoor music, harmonically static, repetitive
Handel
- 1685-1759
- German composer
- moves to London after living in Italy and Germany
- Oratorio
- Anglophile
The Messiah
Handel, oratorio, visual drama in put into the music, combines different national musical styles (french, italian, german, english)