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Renaissance Art > Midterm II Review > Flashcards

Midterm II Review Flashcards

1
Q
A

Leonardo da Vinci,

Adoration of the Magi,

begun 1481, incomplete

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2
Q

imprimatura layer,

A

underdrawing

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3
Q
A

Leonardo da Vinci,

Annunciation,

1472-75

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4
Q
A

Leonardo da Vinci,

Architectural Perspective and Background study for the Adoration of the Magi,

c.1481

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5
Q
A

Leonardo da Vinci,

Ginevra de’Benci,

ca.1474

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6
Q
A

Leonardo da Vinci,

Star-of-Bethlehem and Other Plants,

ca.1505-8

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7
Q
A

Leonardo da Vinci,

Studies for Central Planned Buildings, (?),

ca.1488

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8
Q
A

Leonardo da Vinci,

Study of Drapery for a Seated Figure,

1470s

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9
Q
A

Leonardo da Vinci,

Vitruvian Man,

ca.1490

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10
Q
A

Leonardo da Vinci,

Water Studies,

ca.1513

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11
Q
A

Andrea del Verrocchio and Leonardo da Vinci,

Baptism of Christ,

completed ca.1476

*Careful comparison of Angel figures

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12
Q
A

Andrea del Verrochio,

Portrait of a Lady with Flowers,

late 1470s

**Provides a model for missing lower portion of Ginevra de Benci portrait

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13
Q

Sfumato

A

Italian for “vanished in smoke”

a technique for creating form or the effect of atmosphere with very slight shifts in shading

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14
Q

chiaroscuro

A

Italian for “light-dark”;

gradual shading to create the illusion of 3-D form

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15
Q
A

Leonardo da Vinci,

Madonna of the Rocks,

c. 1485

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16
Q
A

Leonardo da Vinci,

“Study of the Head of the Angel,” Madonna of the Rocks,

ca.1483, silverpoint

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17
Q
A

Leonardo da Vinci,

Study for an Equestrian Monument to Francesco Sforza,

ca.1485

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18
Q
A

Leonardo da Vinci,

Equestrian Statue,

1516-19

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19
Q
A

Santa Maria delle Grazie, Milan

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20
Q
A

Refectory, Santa Maria delle Grazie, Milan

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21
Q
A

Leonardo da Vinci,

Last Supper, ca. 1495–1498, fresco (oil and tempera on plaster),

Refectory, Santa Maria delle Grazie, Milan

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22
Q
A

Leonardo da Vinci,

Madonna and Child with St. Anne,

ca.1508-13

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23
Q
A

Leonardo da Vinci,

Mona Lisa,

1503-5

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24
Q

pientre et ingénieur ordinaire

A

painter & engineer to the king

*DaVinci’s role in the court of Louis XII

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25
Q

sprezzatura

A

studied carelessness, especially as a characteristic quality or style of art or literature.

*Mentioned in conjunction with Mona Lisa and placement of the hands

26
Q
A

Albrecht Dürer,

Self-Portrait, 1484,

silverpoint

*young Durer, completed at age 13

27
Q

Wanderjahre

A

Travel after apprenticeship before masterpiece

28
Q

Meisterstück

A

masterpiece submitted to guild for acceptance

29
Q
A

Albrecht Dürer,

Battle of the Sea Gods (copy after Mantegna), 1494,

pen drawing

Surpasses original

30
Q
A

Albrecht Dürer,

View of the Alps, ca.1495,

drawing and watercolor

31
Q

en plein air

A

in the open air

painted from observation

32
Q
A

Albrecht Dürer,

Self-Portrait, 1498

33
Q
A

Albrecht Dürer,

Four Horsemen from Apocalypse series,

ca.1498

34
Q
A

Albrecht Dürer,

Self-Portrait, 1500

35
Q

imitatio Christi

A

strive to identify with Christ

36
Q
A

Albrecht Dürer,

Vision of St. Eustace, 1500-1501,

engraving

37
Q
A

Albrecht Dürer,

The Fall of Man,

engraving, 1504

38
Q
A

Albrecht Dürer,

Adoration of the Magi,

1504

39
Q
A

Albrecht Dürer,

Feast of the Rosegarlands,

1506

*follows Italian type & composition

40
Q

sacra conversazion

A

Sacred conversation

41
Q
A

Albrecht Dürer,

Adam and Eve,

1507

42
Q
A

Albrecht Dürer,

Carrying of the Cross from the Large Passion series,

1498-99, woodcut

43
Q
A

Albrecht Dürer,

Man of Sorrows, frontispiece from the Small Passion series,

1509-11, woodcut

44
Q

sudarium

A

cloth wrapped around the head of Jesus

45
Q
A

Albrecht Dürer,

Carrying of the Cross from the Small Passion series,

1509-11, woodcut

46
Q
A

Albrecht Dürer,

Carrying of the Cross from the Engraved Passion,

1512, engraving

47
Q
A

Albrecht Dürer,

Knight, Death, and the Devil,

1513, engraving

48
Q
A

Albrecht Dürer,

St. Jerome in his Study,

1514, engraving

49
Q
A

Albrecht Dürer,

Melencholia I,

1514, engraving

50
Q

vita activa

A

Active Christian Life

51
Q

furor melancholicus

A

divine frenzy of creative genius

52
Q

typus geometriae

A

architect

tools: hammer, plane, saw

53
Q
A

Albrecht Dürer,

Last Supper,

1523, woodcut

54
Q
A

Albrecht Dürer,

The Four Apostles,

1526

55
Q
A

Christoforo Foppa Caradosso,

Medal of Julius II, 1506

Medal with profile image of Pope Julius II

56
Q
A

Sta. Maria presso S. Satiro, Milan, 1485

57
Q
A

Donato Bramante, Interior of Sta. Maria presso S. Satiro, Milan, 1485

58
Q
A

Donato Bramante, Tempietto, c. 1504

Courtyard of San Pietro in Montorio

59
Q
A

Aerial view of New Saint Peter’s, Vatican City, Rome, Italy, 1506–1666

60
Q
A

Christoforo Foppa Caradosso,

Medal

Bramante’s Design for New Saint Peter’s, 1506

61
Q
A

Cola da Caprarola and others, Sta. Maria della Consolazione, Todi, begun 1508Example of what Bramante’s completed plans for St. Peters would look like

62
Q
A

Donato Bramante and others, Belvedere Court, Vatican, Rome, Begun 1505

Renaissance Art (2 decks)

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