Midterm I Songs Flashcards by Matthew Baldwin

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Angels; My Boyfriend’s Back; 1963; girl groups & simple teen revenge

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Beach Boys; California Girls; 1965; surfing with a hint of psychedelia

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Beach Boys; Good Vibrations;1966; psychedelic LSD over doo wop and surfing band style

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Beatles; Here Comes the Sun; 1969; psychedelic edge

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Beatles; Paperback Writer; 1966; rock ‘n’ roll with warm sound

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Beatles; Twist and Shout; 1963; garage twisting R&B

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Beatles; Yesterday; 1965; semi-classical, ballad, acoustic

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Chuck Berry; Johnny B. Goode; 1958; early rockabilly becomes rock ‘n’ roll

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Pat Boone; Ain’t That a Shame; 1955; teen crooning from above

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The Chantays; Pipeline; 1963; instrumental surf music

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The Chords; Sh’Boom; 1954; doo wop (R&B vocal harmony)

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https://carmen.osu.edu/content/1138/MUSIC/2252/music_2252_au2013_24226/2252.songs.C/cream.spoonful.clip.mp3?_&d2lSessionVal=GELQ1Gup0b0cMqoKmbH1SrI5R&ou=11111184

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Cream; Spoonful; 1968; psychedelic blues/rock

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Crew Cuts; Sh’Boom; 1954; white R&B vocal harmony/ doo wop

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Arthur Crudup; That’s All Right Mama; 1946; R&B

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Fats Domino; Ain’t That a Shame; 1955; R&B NO

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Bob Dylan; Like A Rolling Stone; 1965; electrified folk, seriously adult, electric music

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Bob Dylan; The Times They Are a-Changin’; 1963; folk

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Esquivel; Night and Day; 1958; space age odyssey

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Golden Gate Gospel Quartet; Golden Gate Gospel Train; 1937; black roots vocal harmony

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Benny Goodman; King Porter Stomp; 1935; big band swing, jazz influence

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Woody Guthrie; Mean Talking Blues; 1945; talking blues

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Bill Haley; Rock the Joint; 1952; R&B/Western swing

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Fletcher Henderson; King Porter Stomp; 1933, big band swing, jazz and blues influence

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Buddy Holly; That’ll Be the Day; 1957; rockabilly

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Robert Johnson; Cross Road Bues; 1936; country blues

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The Kinks; You Really Got Me; 1964; electric rock ‘n’ roll, straighforward, country simplicity

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The Kingsmen; Louie, Louie; 1963; garage rock

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Led Zeppelin; Dazed and Confused; 1968; psychedelic blues rock

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Jerry Lee Lewis; Whole Lotta Shakin’ Goin’ On; 1957; rockabilly, intense piano

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Little Richard; Tutti Frutti; 1955; intense piano blues ‘gumbo’

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Love; 7 and 7 Is; 1966; garage fury to level of psychedelic existentialism

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Monkees; I’m A Believer; 1966; clean pop rock

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Carl Perkins; Dixie Fried; 1956; rockabilly, working class fury

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Elvis Presley; Heartbreak Hotel; 1955; rockabilly becomes mainstream pop

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Elvis Presley; That’s All Right Mama; 1954; rockabilly

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Jimmy Preston and the Prestonians; Rock the Joint; 1949; gospel-infused jump-band boogie-blues

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Righteous Brothers; You’ve Lost That Lovin’ Feeling; 1964; Phil Spector & white duet

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Shadows of Knight; Gloria; 1966; garage rock

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Simon and Garfunkel; Sound of Silence; 1965; vocal harmony and pop sensibility

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Frank Sinatra; I’ve Got You Under My Skin; 1956; swing

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Rolling Stones; Gimme Shelter; 1969; rock with boogie-backbeat

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Rolling Stones; Lady Jane; 1966; trippy baroque

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Rolling Stones; Satisfaction; 1965; rock rebels without a cause

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Muddy Waters; Hoochie Coochie Man; 1954; Chicago blues

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Hank Williams; Honky Tonk Blues;1952; honky tonk

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Bob Wills and His Texas Playboys; New San Antonio Rose; 1940; western swing

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Howlin’ Wolf; Spoonful; 1960; Chicago blues/ boogie

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Link Wray and his Raymen; Rumble; 1958; garage music