Midterm Guide Flashcards

1
Q

3 great artists of the 16th Century

A

1- Michelangelo
2- Raphael
3- Leonardo Da Vinci

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2
Q

Chiaroscuro

A

Italian word meaning the contrast of dark and light in paintings, drawings, or print. The use of effective art in modeling

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3
Q

Sfumato

A

Italian term for “smokey” soft or mellow. Creates a smokey or hazy effect on the canvas

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4
Q

Mannerism

A

Manipulating human proportions to fit the art

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5
Q

What do the double piazza at the St Peters Basilica represent

A

The motherly arms of the church reaching out to hug the people

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6
Q

Genre Paintings

A

Quiet, reflective scenes or topics. Symbolic references, everyday scenes

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7
Q

Etching

A

Intaglio technique that carves design out of the surface of a printing plate

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8
Q

Dry point

A

Intaglio technique in which a sharp needle scratches directly into the metal

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9
Q

Tenebrism

A

The use of strong chiaroscuro. Figures seem to emerge from a dark background with a bright light from a single light source

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10
Q

Vanitas

A

All the objects represent the transience of life

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11
Q

Bodhisattva

A

In Buddhism, one who has attained enlightenment but chooses to remain in this world to help others advance spiritually

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12
Q

Gopuras

A

The towering gateway to an Indian Hindu temple complex

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13
Q

Mughal

A
  • Member of the Muslim dynasty.
  • Part of the Islamic conquest in India
  • mostly ethnic Turks
  • Indian, Asian, Persian design
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14
Q

Mongal

A
  • Conquered Central Asia (power)
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15
Q

What type of stupa was used in Southeast Asia after 1200

A

Pointed stupas

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16
Q

Literary style and beliefs

A
  • Subtle brushwork

- Meant to be viewed by an intimate audience

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17
Q

The Literati Aesthetics

A
  • Motif of a poet surveying the landscape from a mountain plateau is his creation
  • Dominated artistic trends in the South
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18
Q

Underglaze

A

The pattern is painted beneath the glaze

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19
Q

Underglaze

A

The pattern is painted beneath the glaze

20
Q

How did Minarets change after 1200 in Southeast Asia

A

They became blockier, stouter, and larger

21
Q

Raku wear

A

Ceramics made by hand, coated with thick dark glaze, and fired at low heat.
Irregularly shaped and glazed.
Highly prized for Japanese Tea ceremonies

22
Q

Lacquer box

A

Used for holding writing implements.

  • Ink stone (well)
  • Ink stick
  • Brushes
23
Q

Fusuma

A

Sliding doors covered with paper, used in traditionally Japanese construction. Decorated with paintings and coloured backgrounds

24
Q

Chanoyu

A

A Japanese ceremony at which tea is prepared, served, and taken with an ancient and involved ritual

25
Q

Ukiyo-e

A

Popular art that was favoured in the 16th century.
Coloured woodblock prints.
Depicted images of the world of the common people in Japan, such as landscapes and myths

26
Q

Nishiki-e

A

Multi coloured wood block printing.

Favoured over other printing techniques

27
Q

Japanese Woodblock Print

A

A print made from one or more carved wooden blocks. Woodblock prints are made with multiple blocks carved in relief, usually a block for each colour used.

28
Q

what do Tea Ceremonies represent

A

Represents harmony, respect, purity, and tranquility

29
Q

Mana

A

A generalized, supernatural force, prestige, or power, that may be concentrated in objects or persons

30
Q

Bilum

A

Netted bags made mainly by women throughout the central highlands of New Guinea.

31
Q

Uptei

A

In pacific cultures, a carved wooden design tablet, used to create patterns by dragging the fabric across and rubbing pigments on it.

32
Q

3 Steps to how a woodblock print is created

A

1- An artist would design and supply a master drawing
2- A carver would paste the drawing to a block and cuts the “key block”
3- A printer then inks the block and aligns the paper with the blocks registration marks and transfers the ink on the block onto the paper

33
Q

Uses and metaphor of the bilum

A
  • Everyday use
  • Carry the bones of recently deceased (in mourning)
  • Symbols of the womb, and the bride
34
Q

Kowhaiwhai

A

Painted curvilinear patterns often found in Maori art

35
Q

Tuktuku

A

Lattice patterns created by women from the Maori culture and used in architecture

36
Q

Uses and metaphor of the bilum

A
  • Everyday use
  • Carry the bones of recently deceased (in mourning)
  • Symbols of the womb, and the bride
37
Q

Renaissance Vs Baroque

A

Renaissance was the rebirth of art

Baroque had intense and emotional artworks

38
Q

Ovoid

A

Rectangular with round corners

39
Q

Baroque time period

A

Style of art, architecture, and music in that followed mannerism and characterized by ornate detail.

  • Artist found patron in church
  • Wealth in the middle class
40
Q

What period in the Rock garden in Kyoto

A

Muromachi

41
Q

What period and medium in Otani Oniji

A

Edo period

Polychrome woodblock print with ink, colours, and white on mica paper

42
Q

What period is the Tea Bowl, Yugure from

A

Momoyama

43
Q

What time period and medium is the flask from

A

Ming dynasty

Under glazed porcelin

44
Q

Where and what years was hardwick hall built

A

Derbyshire, England

1591-1597

45
Q

What period was the Taj Mahal constructed in

A

Mughal period

46
Q

What period was the arm chair constructed in

A

Ming dynasty

47
Q

What was period and medium was the Jahangir and Shah Abbas constructed in.

A

Mughal period

Opaque watercolour, gold and ink on paper