Midterm Flashcards

1
Q

Franz Joseph Haydn

A

1732-1809

Worked at Esterhazy

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2
Q

Haydn–Compositional Process

A

-Started by improvising at the keyboard
-worked out on keyboard and paper (usually 2 staves)
-wrote complete score
By own admission, composition was difficult for him

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3
Q

Haydn–Symphonies

A
"Father of the Symphony"
wrote 104
typically 4 movements, all in same key except slow movement
-fast w/slow intro
-slow
-minuet and trio
-fast
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4
Q

Haydn–String Quartet

A

“Father of the String Quartet”

  • shows a development of the genre from simple to concert performance quality
  • demonstrates conversation between the instruments
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5
Q

Mozart

A

1756-1791

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6
Q

Mozart–Compositions

A

600

catalogued by Ludwig von Köchel

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7
Q

Mozart–Compositional Process

A
  • worked out ideas in mind, complete to last detail

- transfered to paper

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8
Q

Mozart–Bach’s influence on Mozart’s style

A
  • songful themes (lyricism)
  • tasteful use of appoggiaturas and triplets
  • harmonic ambiguities
  • consistent thematic contrasts
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9
Q

Mozart–String Quartets

A
  • wrote 27
  • Finest are his 6 Haydn Quartets (dedicated to Haydn)
  • more development and more contrapuntal writing between players
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10
Q

Mozart–Concertos

A

-considered his best writing of all genres
typical 3 mvt. pattern (F-S-F) first mvt had cadenzas (shows off ability of instrument and performer)
-used in concerts to display his abilities
-good balance between solo and orchestra
-interplay between winds

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11
Q

Mozart–Symphonies

A
  • wrote 50
  • show development of compositional skills and changes in his musical style
  • span his professional career
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12
Q

Mozart–Opera

A
  • Italian (worked with Lorenzo Da Ponte for 3 comic works)

- German (Die Zauberflöte [The Magic Flute]-often called the first great German opera)

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13
Q

Beethoven

A

1770-1827

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14
Q

Beethoven–Compositional Style

A
  • wrote themes and plans in sketchbook
  • worked out continuity of piece
  • filled in details
  • wrote music w/ great difficulty
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15
Q

Beethoven–Vienna

A
  • moved to study w/Haydn
  • felt that since Haydn was traveling so much it didn’t help
  • studied with others
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16
Q

Beethoven–Piano Sonatas

A

15

17
Q

Beethoven–Symphonies

A

9

  • Symphony No. 1 most classical
  • Symphony No. 3 in Eb Eroica
  • Symphony No. 5 struggle for victory
  • Symphony No. 6 beginning of programatic music (not programatic itself)
18
Q

Beethoven–Fidelio

A
  • rescue opera

- tyranny and freedom, personal strength and heroism

19
Q

Beethoven–Missa Solemnis

A
  • Mass in D
  • regarded by Bethoven as his greatest work
  • vocal and instrumental 5 mvt symphony
  • choral treatment similar to Handel
20
Q

Beethoven–Musical Characteristics

A
  • more dynamic contrasts
  • minor keys as main tonality
  • development of motives
  • does not follow standard organization of mvts
21
Q

Romantic Movement

A
  • uniqueness of an individual’s emotional life

- goal: not aesthetic satisfaction but emotional stimulation

22
Q

Romantic Lied

A

Lied: a song for SOLO voice and PIANO based on a GERMAN poem

Schubert=Father of Lied
Schumann=successor to Schubert in lieder

23
Q

Romantic Piano Music

A

3 categories

  • teaching
  • amateur enjoyment (printed in magazines)
  • public performance
24
Q

Romantic Orchestra

A

changes

  • larger (grew 40-90)
  • flutes, oboes, clarinets, bassoons
  • extended ranges
  • valves added to horns and trumpets (chromatic pitches)
  • bass drum, triangle, others joined percussion
  • wind and brass now equal with strings
  • conductors standard in 19th c.
  • theme is most important focus now
25
Q

Romantic Chamber Music

A
  • used for concert settings more than home use
  • classic genre that MUST be addressed
  • string quartet (violin, violin, viola, cello), piano trio (violin, cello, piano), violin sonatta (piano, violin)
  • goal: to match individuality of Beethoven
26
Q

Franz Schubert

A

1797-1828

27
Q

Franz Schubert–Lied

A

Father of Lied

  • lyrical melodies
  • sensitive harmonic color
  • music should match emotion of poetry
  • broken chord accomp
28
Q

Franz Schubert–Piano Music

A
  • many short songs for amateur enjoyment

- larger forms (sonata and fantasy)

29
Q

Franz Schubert–Orchestral Music

A
  • same symphonic form but infused new Romantic style
  • lyrical melodies, harmonic diversions
  • instrumental color, stronger contrasts, emotion
30
Q

Robert Schumann–Lied

A

True successor to Schubert in Lieder

  • piano and voice often partners
  • voice begins phrase and piano completes it
31
Q

Robert Schumann–Piano Music

A
  • shorter character pieces
  • grouped in sets with colorful names
  • associated with poetic themes/interests
32
Q

Felix Mendelssohn–Influences

A

contrapuntal skill and formal clarity of Bach, Handel, Mozart

33
Q

Felix Mendelssohn–Piano Music

A

most popular piano work: Songs Without Words

34
Q

Felix Mendelssohn–Orchestral/Concerto Music

A

Emphasized musical content

  • appeals to audience
  • lasting musical value
  • not just “show off” but highlight musical expression of composer