Midterm Flashcards

1
Q

Narrative

A

The way in which the story of the events of a movie are organized

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2
Q

Feature films =

A

Narrative 1st

Everything else, secondary

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3
Q

Public goals

A

Public - accomplishment of an important deed or attainment of something valuable

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4
Q

Private goals

A

Frequently a heterosexual romance

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5
Q

Plots and subplots

A

Main dramatic plot, comic and romantic subplots

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6
Q

Story and plot

A

Story - events that must be narrated chronological order

Plot - the arrangement of those events as they are told… occur in the order the filmmakers choose to present them

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7
Q

Flashback

A

Structure.. it creates a plot with added suspense

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8
Q

Free motifs

A

Aren’t essential to retelling or explaining of a narrative.

Such as animals being slaughtered or taxidermy

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9
Q

Bound motifs

A

Connor be removed from the narrative without radically changing the chronological essence of the story. Necessary for telling the story.

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10
Q

Flashbacks

A

Normally reveal what ‘really’ happened but they can be duplicitous

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11
Q

Formal properties

A

Refer to the elements of the medium shape what we see and hear when we watch a film. The visual. And aural element of a film

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12
Q

Stylistic norm

A

Unusual for the time of their release

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13
Q

Offscreen space

6 potential areas

A
Left
Right
Top
Bottom
Behind camera
Beyond horizon
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14
Q

Can be structured to create formal complexity

A

Color and sound

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15
Q

Common stylistic techniques

A

The 180 degree rule

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16
Q

The subject matter is secondary; how it is represented is primary

A

Visual style and narrative effect

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17
Q

What is an author?

A

Screenwriters

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18
Q

Structural analysis

A

All films are considered to be part of a group wherein any film can be fully understood only in relation to the entire structure or oeuvre

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19
Q

Linear analysis

A

Charts shifts, progressions, and changes in both the world of the films and their style

20
Q

Genre means

A

Type

21
Q

Linear and structural analysis is the study of..

A

Films themselves not the person who made them

22
Q

Textual author

A

Assumption that the meanings that we can derive from studying their oeuvre are not entirely the conscious creation of the living filmmakers but rather that they emerge from the critical analysis of the works

23
Q

Genre periods

A

Early
Middle
Late
Or with one that is referential

24
Q

Stage acting

A

Complete control of everything from start to finish. They start talking and don’t stop until they perform their cue line.

25
Q

Film acting

A

Only perform for a few minutes of dialogue at a time over a 3 month period and the performance is put together by editors.

26
Q

Stars vs actors

A

Stars - people in commercials

Actor - people on tv shows

27
Q

The classic Hollywood style of narrative structure

A

Is when you move from one event to the next, the plot has a clear forward movement. Everything contributes to the resolution to the goals

28
Q

Public v.s private goals

A

Private goals would relate to a romance where as public goals relate to the attainment of an important deed or obstacle

29
Q

Free and bound motifs

A

Free motifs can be removed from the film without changing the narrative structure where as bound motifs have to remain in the film otherwise things aren’t going to make sense

30
Q

3 departures from stylistic norm.

A

Split screen
Long takes
Deep focus

31
Q

What is the invisible style of editing

A

A film that is so well made that you don’t notice that you are watching a film

32
Q

Establishing shots

A

set up Where the scene is going to take place

33
Q

A pattern whereby 1st a shot shows one character and then there’s a cut to a reverse shot

A

Shot reverse shot

34
Q

Cutting on action

A

?

35
Q

180 degree rule

A

If you draw a line between two characters and they can’t cross that line? Double check this answer

36
Q

The author of a film

A

?

37
Q

Director

A

Maintains the creative control

38
Q

Directors entire body of work summed up in 3 periods…

A

Early
Middle
Late

39
Q

Linear and structural

A

Structural

40
Q

Public personas

A

Directors create a public persona through public appearances such as public interviews or red carpet events

41
Q

Genres like directors go through developmental periods, how do they typically end?

A

When films become more reflective, retrospective or referential.

42
Q

Sequel

A

?

43
Q

Prequel

A

?

44
Q

How do you determine who authors a creative work of film?

A

?

45
Q

How plot is composed by the filmmaker

A

?