Midterm Flashcards

1
Q

A Vindication of the Rights of Women

A

Mary Wollstonecraft: Women are entitled to liberty and equality. Their subordination impedes civilization for ALL people.
ALL children need quality education that cultivates reason.
There is only ONE standard of virtue (character and moral behavior) NOT one for each sex.
Teaching women reason will allow them to be virtuous and fulfill their duties.
Draws parallels in abusive kings and corrupt military.

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2
Q

“I wish to persuade women to endeavor to acquire strength, both of mind and body, and to convince them that the soft phrases, susceptibility of heart, delicacy of sentiment, and refinement of taste, are almost synonymous with the ephitets of weakness.”

A

Mary Wollstonecraft: A Vindication of the rights of women. If women are exclusively participating in “delicate” actions they become objects of pity and eventually objects of contempt.

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3
Q

“Meanwhile, strength of body and mind are sacrificed to libertine notions of beauty, to the desire of establishing themselves, the only way women can rise in the world, by marriage…Can they be expected to govern a family with judgement, or take care of the poor babes whom they bring into the world?”

A

Mary Wollstonecraft: A Vindication of the rights of women. To be good mothers women need to be educated in reason. Right now they can only be successful with beauty.

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4
Q

“How grossly do they insult us who this advise us to only render ourselves gentle, domestic brutes! “

A

Mary Wollstonecraft: A Vindication of the Rights of Women. It is insulting to be asked to be gentle and soft because that’s the same as asking them to be docile and submissive. It is a FALSE form of power and governance.

Additionally, she asks women be compared to God and not to men.

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5
Q

How does Mary Wollstonecraft feel about love and friendship?

A

Passion is not forever and not even necessarily good.
Friendship is more important because it is sustainable.
Love=grand passion and this will eventually fade and fail.
Women need to cultivate their own interests so that when this love eventually fails they will not damage the marriage or children or themselves.

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6
Q

Sappho and Phaon

A

Mary Robinson. The fight between reason and passion. Each seem to have their positives but also a darkness.

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7
Q

Lyrical Ballads

A

William Wordsworth.
Subject: Celebrates humankind in its simple things (common and rustic life).
Language: Poetry should be close to prose in language (simple and express natural emotion).
Origin: Comes from “the spontaneous overflow of feelings” that are modified and directed by thought.
Purpose: pleasure, moral purpose, express political ideas, and help the reader express emotion.
Poet: a translator of emotion

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8
Q

The Great Ode

A
William Wordsworth. 
Explores the idea of pre-existence. 
Reflects on lost childhood joys. Nostalgic. 
Desire for youth and priest like state. 
Turns back to nature.
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9
Q

Biographia Literia

A

Samuel Coleridge.
Primary Imagination: is living power and agent of all human perception. Represents Gods creation.
Secondary Imagination: coexists with conscious will/decision. It’s the same agency but differs in mode. Recreating imagination.
Fancy: is not divine. Comes from free will. Mechanical memory, repetition, passive.

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10
Q

Kubla Khan

A

Samuel Coleridge.

Opium influenced dream. Is he master or slave to his writing?

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11
Q

Prometheus

A

Lord Byron.
The Byronic Hero defies morality, is an outsider, syndical and prideful, gothic revival bad boy.
Prometheus is a Byronic hero because he does not let anyone hear his suffering, it’s a way to stand up against tyranny.
Said “Only humans can make death a victory”

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12
Q

A Defense of Poetry

A

Percy Shelley.
The human imagination experiences and adjusts the external forces. A poet is able to SYNTHESIZE via imagination. Aka the mind is generative but only with synthesis with the world.
Poetry is not for moral improvement, it exposes and serves beauty.
The imagination serves beauty, beauty serves love, love creates morality.

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13
Q

“A poet therefore would do I’ll to embody his own conceptions of right and wrong (which are usually those of his place and time) in his poetical creations (which participate in neither).”

A

Percy Shelley. A defense of Poetry.
Morality in terms of right vs wrong is not eternal so Poetry should not be used to define right and wrong.
Poetry IS for love which means putting ourselves in others Shoes.

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14
Q

To A Skylark

A

Percy Shelley. The Skylark is a metaphor to embody the idea of pure joy and inspiration. The Skylark is an artist but he isn’t confined by pen and paper the way the poet is. He shares the art as he experiences (the poet has disconnect by putting it to language).

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15
Q

Selected Letters

A

John Keats.
Negative capability: when man is capable of being in uncertainties, mysteries, and doubts without any irritable reaching after fact and reason.
Be content without having all the answers and be able to live with situations you cannot solve.
Poetic Character: NO CHARACTER. They can explore all things, light and dark, sin and divine, happy and sad.

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16
Q

Ode to a Nightingale

A

John Keats.
The nightingale has something more than humans have that keeps him happy and vital. The speaker is depressed and feels the need to be drunk or high all the time. He decides he wants to be like the bird and turns away from his darkness.

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17
Q

The History of ________, a West Indian slave

A

Mary Prince. Considered the first female slave narrative, got involved with abolition. Written in dialect.

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18
Q

Past and Present

A

Thomas Carlyle. If you had helped the widow before she got sick when she asked for help, less people would have died which is more economic.
Everyone is brothers and sisters.
Quit trying to know yourself and know your work.
Government can’t solve everything, we have to create solutions so the government can enact what the people want.
Captains of industry need to create community and employee loyalty.

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19
Q

A Review of Southeys Colloquies

A

Thomas Macaulay. Pro-free trade, pro- liaz-e-faire. Thinks Southeys accusations that the industrial system is evil are unsupported. The industrial movement has facts supporting that it results in progress and increased comfort.

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20
Q

Echo

A

Christina Rossetti. Echo and Narcissus. Unrequited love. Curse to repeat only what’s just been said. Annafora is the repetition of words and it’s used here to show the curse.

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21
Q

An Apple Gathering

A

Christina Rossetti. Plucking apple blossoms as a metaphor for losing virginity too soon. Christina was very religious and believes this is bad but still leaves us feeling sympathetic for the girl.

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22
Q

Aurora Leigh

A

Elizabeth Barrett Brown. Aurora Leigh is An English verse novel or epic.

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23
Q

“Come. Reason, come! Each nerve rebellious bind,

lull the fierce tempest of my feverish soul”

A

Mary Robinson. Sappho and Phaon.

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24
Q

“O reason! Vaunted sovereign of the mind!

Thou pompous vision with a sounding name!”

A

Mary Robinson. Sappho and Phaon.

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25
Q

“Then what art though? O idol of the wise!

A visionary theme! A gorgeous shade!”

A

Mary Robinson. Sappho and Phaon.

26
Q

“The principal object, then, which I proposed to myself in these poems was to chuse incidents and situations from common life”

A

William Wordsworth. Lyrical Ballads.

27
Q

“Accordingly, such a language, arising out of repeated experience and regular feelings, is a more permanent, and a far more philosophical language, than that which is frequently substituted for it by Poets”

A

William Wordsworth, Lyrical Ballads

28
Q

“He is a man speaking to men: a man, it is true, ensued with more lively sensibility, more enthusiasm and tenderness…than are supposed to be common among mankind.”

A

William Wordsworth, lyrical ballads.

Addressing what a poet is.

29
Q

“The child is father of the man; and I could wish my days to be bound to each by natural piety”

A

William Wordsworth, The Great Ode

30
Q

“But yet I know, wherever I go, that there hath past away a glory from the earth.”

A

William Wordsworth, the great Ode

31
Q

“Now, while the birds thus sing a joyous song, and while the young lambs bound, as to the tables sound, to me alone there came a thought of grief.”

A

William Wordsworth, the great Ode

32
Q

“Our birth is but a sleeping and a forgetting, the soul that rises with us, our life’s star”

A

William Wordsworth, the great Ode. Addressing pre existence and the closeness of children to god.

33
Q

“Heaven lies about us in our infancy”

A

William Wordsworth, the great Ode.

34
Q

“O joy! That it our embers is something that doth live, that nature yet remembers what was so fugitive!”

A

William Wordsworth, the great Ode

35
Q

“Thanks to the human heart by which we live, thanks to its tenderness, its joys, and fears, to me the meanest (humblest) flower that blows can give thoughts that do often lie to deep for years”

A

William Wordsworth, the great Ode

36
Q

“As ere beneath a waning moon was haunted by a woman wailing for her demon lover!”

A

Samuel Coleridge, Kubla Kahn.

37
Q

“The shadow of the dome of pleasure floated midway on the waves, where was heard the mingled measure from the fountain and the caves”

A

Samuel Coleridge, Kubla Kahn.

38
Q

“Titan! To whose immortal eyes the sufferings of mortality.”

A

Lord Byron. Prometheus

39
Q

“Thy godlike crime was to be kind, to render with thy precepts less the sum of human wretchedness”

A

Lord Byron, Prometheus

40
Q

“And a firm will, and a deep sense, which even in torture can descry its own concentrated recompense, triumphant where it dares defy, and making death a victory”

A

Lord Byron, Prometheus.

41
Q

“Like a poet hidden in the light of thought, singing hymns unbidden”

A

Percy Shelley, To a Skylark

42
Q

“Hail to thee, blithe spirit! Bird thou never wert.”

A

Percy Shelley, To a Skylark.

43
Q

“All that ever was, joyous and clear and fresh, thy music doth surpass”

A

Percy Shelley, to a Skylark

44
Q

“Teach me half the goodness that thy brain must know, such harmonious madness from my lips would flow, the world should listen then as I am listening now”

A

Percy Shelley, to a Skylark

45
Q

“The excellence of every art is its intensity…from their being in close relationship with beauty and truth”

A

John Keats, Letters

46
Q

“That with a great poet the sense of beauty overcomes every other consideration, or rather obliterates all consideration”

A

John Keats, letters

47
Q

“As to the poetical character itself…it is every thing and nothing. It has no character, it enjoys light and shade”

A

John Keats, letters

48
Q

“It does no harm from its relish of the dark side of things any more than from its taste for the bright one”

A

John Keats, letters. Referencing the poetical character.

49
Q

“All that is necessary for a poem are great enemies to the recovery of the stomach”

A

John Keats, letters

50
Q

“‘Tis not through envy of thy happy lot, but being too happy in thine happiness that thou light winged dryad of the trees in some melodious plot of beeches green and shadows numberless, singest of summer in fullthroated ease”

A

John Keats, Ode to a nightingale

51
Q

“Here, where men sit and hear each other groan; where palsy shakes a few, sad, last grey hairs, where youth grows pale and specter thin and dies”

A

John Keats, Ode to a nightingale

52
Q

“I cannot see what flowers are at my feet, nor what soft I sense hangs upon the boughs”

A

John Keats, Ode to a nightingale;

53
Q

“I have been half in love with wasteful death, called him soft names in many a mused rhyme, to take the air my quiet breath…still wouldn’t though sing, and I have ears in vain, to thy high requiem become a sod”

A

John Keats, Ode to a nightingale

54
Q

“Thou was not born for death, immortal bird!”

A

John Keats, Ode to a nightingale

55
Q

“Was it a vision or a waking dream? Fled is that music: do I wake or sleep?”

A

John Keats, Ode to a nightingale

56
Q

“Oh, massa! Massa! Me dead. Massa! Have mercy upon me- don’t kill me outright”

A

Mary Prince, The History of Mary Prince, a West Indian slave. Hetty getting beaten for not finishing her work on time.

57
Q

“My poor mother was both grieved and glad to see me; grieved because I had been so ill used and glad because she had not seen me for a long, long while.”

A

Mary Prince, the history of Mary Prince, a West Indian slave

58
Q

“He told me to hold my tongue and go about my work, or he would find a way to settle me. He did not, however, flog me that day”

A

May Prince, the history of Mary Prince, a West Indian slave

59
Q

The gospel of mammomism

A

Thomas Carlyle, from Past and Present

60
Q

“For there is a perennial noble mess and even sacredness in work”

A

Thomas Carlyle, Past and Present

61
Q

“But it is my conviction that the hell of England will cease to be that of “not making money” that we shall get a nobler hell and a nobler heaven.”

A

Thomas Carlyle, Past and Present. Making money shouldn’t be the goal.

62
Q

“Love of men cannot be bought by cash payment and without love men cannot endure together.”

A

Thomas Carlyle, past and present