Midterm Flashcards

1
Q

It was a joyful style of painting that delighted in using bold colors.

A

Fauvism

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2
Q

Fauvism was developed in France at the beginning of the ___by ___

A

20th century

Henri Matisse and André Derain.

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3
Q

The artists who painted in this style were known as ‘Les Fauves’.

A

Fauvism

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4
Q

___ believed that color should be used at its highest pitch to express the artist’s feelings about a subject, rather than simply to describe what it looks like.

A

Fauvism

Les Fauves

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5
Q

Fauvist paintings have two main characteristics:

A

extremely simplified drawing and intensely exaggerated color.

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6
Q

•The ‘self expression’ in the art of inspired Expressionist artists in the __.

A

Vincent Van Gogh and Edvard Munch

20th century

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7
Q

It is a style of art that is charged with an emotional or spiritual vision of the world.

A

German Expressionism

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8
Q

It attempts to shift the focus to one or more of those elements so the viewer can witness those elements in a new and unusual way that the viewer hasn’t witnessed before.

A

Abstract arts

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9
Q

The word ‘__’ means to withdraw part of something in order to consider it separately.

A

Abstract

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10
Q

In Abstract art that ‘something’ is one or more of the visual elements of a subject: its __

A

line, shape, tone, pattern, texture, or form.

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11
Q

Example of Expressionism

A

Red Tower at Halle
Still from the 1929 film
Self portrait city horn

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12
Q

It was invented around 1907 in Paris by __

A

Pablo Picasso and Georges Braque.

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13
Q

It was the first abstract style of modern art.

A

Cubism

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14
Q

It ignore the traditions of perspective drawing and show you many views of a subject at one time.

A

Cubist paintings

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15
Q

They believed that the traditions of Western art had become exhausted and to revitalize their work, they drew on the expressive energy of art from other cultures, particularly African art.

A

Cubists

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16
Q

It was a revolutionary Italian movement that celebrated modernity.

A

Futurists

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17
Q

They adopted the visual vocabulary of Cubism to express their ideas - but with a slight twist.

A

Futurists

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18
Q

In a Cubist painting the artist records selected details of a subject as he moves around it, whereas in a ___ painting the subject itself seems to move around the artist.

A

Futurists

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19
Q

The main figures associated with the movement were the artists, __

A

Umberto Boccioni, Giacomo Balla, Gino Severini, the musician Luigi Russolo and the architect Antonio Sant’Elia.

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20
Q

It was a Dutch ‘style’ of pure abstraction developed by Piet Mondrian, Theo Van Doesburg and Bart van der Leck.

A

De Stijl

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21
Q

It was the outstanding artist of the group.

A

Mondrian

De Stijl

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22
Q

He gradually refined the elements of his art to a grid of lines and primary colors.

A

Mondrian

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23
Q

He saw primary colors in a universal harmony way: yellow radiated the sun’s energy; blue receded as infinite space and red materialized where blue and yellow met.

A

Mondrian

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24
Q

It was a form of artistic anarchy born out of disgust for the social, political and cultural establishment of the time which it held responsible for Europe’s descent into World War.

A

Dadaism

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25
Q

It was an ‘anti art’ stance as it was intent on destroying the artistic values of the past.

A

Dadaism

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26
Q

It weapons in the war against the art establishment were confrontation and provocation.

A

Dada’s

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27
Q

They confronted the artistic establishment with the irrationality of their collages and assemblages.

A

Dadaism

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28
Q

It was the positive response to Dada’s negativity.

A

Surrealism

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29
Q

Its aim was to liberate the artist’s imagination by tapping into the unconscious mind to discover a ‘superior’ reality - a ‘sur-reality’.

A

Surrealism

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30
Q

To achieve this the Surrealists drew upon the images of dreams, the effects of combining disassociated images, and the spontaneous form of drawing without the conscious control of the mind.

A

Surrealism

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31
Q

The most influential of the Surrealist artists were __

A

Max Ernst, Joan Miró, Salvador Dali and René Magritte.

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32
Q

It was fueled by the idea of the subconscious, to paint without thought was in full flow by 1946.

A

Surrealism

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33
Q

The pioneers of Abstract Expressionism were __

A

Jackson Pollock, Lee Krasner, Mark Rothko, Willem de Kooning, Clyfford Still, Franz Kline, and Philip Guston.

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34
Q

___was the first American art style to exert an influence on a global scale.

A

The modern/contemporary art

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35
Q

It was also known as ‘Action Painting’, a title which implied that the physical act of painting was as important as the result itself.

A

Abstract Expressionism

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36
Q

It was hugely successful and became an icon of the 1960s.

A

Pop art

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37
Q

The champions of Pop Art were __.

A

Roy Lichtenstein, Andy Warhol and Tom Wesselmann

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38
Q

It coincided with the globalization of pop music and youth culture, personified by ___

A

Elvis and The Beatles.

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39
Q

It was brash, colorful, young, fun and hostile to the artistic establishment.

A

Pop art

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40
Q

The images of celebrity and consumerism by __

A

Andy Warhol and the comic book iconography of Roy Lichtenstein represent the style as we know it today.

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41
Q

It is short for ‘optical art’.

A

OP art

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42
Q

It was an abstract style that emerged in the 1960’s based on the illusionistic effects of line, shape, pattern and color.

A

OP Art

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43
Q

Op Artists such as __

A

Victor Vasarely, Bridget Riley and Richard Anuszkiewicz popularized the movement.

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44
Q

It referred to the new wave as Op art and how it manipulated the eye.

A

Time magazine

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45
Q

It was very popular with the public and was quickly commercialized by the design and fashion industries

A

Op art

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46
Q

It was not only a reaction against the emotionally charged techniques of Abstract Expressionism but also a further refinement of pure abstraction.

A

Minimalism

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47
Q

It used hard-edged forms and geometric grid structures.

A

Minimalism

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48
Q

Color was used to define space or surface.

A

Minimalism

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49
Q

Ad Reinhardt, whose late paintings anticipate Minimalism, put it simply,

A

The more stuff in it, the busier the work of art, the worse it is. More is less. Less is more…’

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50
Q

__ were important contributors to Minimalism.

A

Frank Stella, Don Judd, Robert Morris, John McCracken and Sol LeWitt

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51
Q

It was a style which could be easily translated into architecture and furnishing and it was.

A

Minimalism

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52
Q

It , also called Super-realism, American art movement that began in the 1960s, taking photography as its inspiration.

A

Photo realism

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53
Q

They created highly illusionistic images that referred not to nature but to the reproduced image.

A

Photo-realist painters

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54
Q

Artists such as __attempted to reproduce what the camera could record.

A

Richard Estes, Ralph Goings, Audrey Flack, Robert Bechtle, and Chuck Close

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55
Q

They typically projected a photographed image onto a canvas and then used an airbrush to reproduce the effect of a photo printed on glossy paper

A

Photo-realists

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56
Q

__ doesn’t matter

__ dies

A

Perfection

Message

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57
Q

Project image and character

A

Physical appearance

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58
Q

Communicate with what you have in your

A

Heart

Subconscious minds

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59
Q

Combination

A

Element
Methods
Principles

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60
Q

20th century modern art

A
Fauvism
Expressionism
Abstract 
Cubism
Futurism
De Stijl
Dadaism
Surrealism
Symbolism
Abstract expressionism 
Pop art
Op art
Minimalism
Photo realism
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61
Q

Express feelings through the use of color, bringing out the positive feeling

A

Fauvism

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62
Q

Bold, bright shocking colors

A

Fauvism

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63
Q

Seen in office doing paperworks

A

Fauvism

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64
Q

Capitalizes spirit of color

A

Fauvism

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65
Q

Father of expressionism

A

Vincent Van Gogh

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66
Q

Singer of American pie, Vincent

A

Don McClean

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67
Q

Cannot judge based on what you see but the story begin the painting

A

Expressionism

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68
Q

As an outlet, release

A

Expressionism

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69
Q

Cannot understand

A

Abstract

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70
Q

Abstract expressionism and abstract alone

A

Abstract

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71
Q

Aesthetic reason displayed in commercial buildings, banks, restaurants, spas

A

Abstract expressionism

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72
Q

Move or separate away from reality

A

Abstract expressionism

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73
Q

Geometric achieve shapes wherein space and perspective on how you look closely

A

Abstract expressionism

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74
Q

Try to get out of the box

A

Abstract expressionism

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75
Q

Manifests reality based on what it is over your mind

A

Abstract expressionism

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76
Q

No perfect image, appreciate the idea

A

Cubism

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77
Q

Appreciate the idea

A

Cubism

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78
Q

Father of the Cubisn

A

Pablo Picasso

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79
Q

Modernism/ method is the texture

A

Futurism

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80
Q

Plays around earth and metallic colors

A

Futurism

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81
Q

Art noveau, zen type

A

Futurism

82
Q

Mobile, car, technology

A

Futurism

83
Q

Minimalism

A

De Stijl

84
Q

Design of modern furniture

A

De Stijl

85
Q

Combination of color and lines

A

De Stijl

86
Q

Delivers radiance and positive colors

A

De Stijl

87
Q

Visual arts attacking some issues in society

A

Dadaism

88
Q

Anti-art concept

A

Dadaism

89
Q

Collage

A

Dadaism

90
Q

Presents certain convictions to society

A

Dadaism

91
Q

Kulo

A

Dadaism

92
Q

One of the independent sector

A

Art

Dadaism

93
Q

Too good to be true

A

Surrealism

94
Q

Editorial cartoon

A

Surrealism

95
Q

Persistence of memory

A

Surrealism

96
Q

Head of crocodile (police, government)

A

Surrealism

97
Q

What you feels runs on your mind but not happening in reality that is no what you see but on your mind facing reality

A

Surrealism

98
Q

Poetry in visual arts

A

Symbolism

99
Q

Read between the lines

A

Symbolism

100
Q

Can’t see detail/image

A

Abstract expressionism

101
Q

It tries more action being taken

A

Abstract expressionism

102
Q

Commercialized

A

Pop art

103
Q

Emphasis on icons/graphics/logo

A

Pop art

104
Q

Capitalize on lines

A

OP art

105
Q

Architecture

A

Minimalism

106
Q

Seen in condominium

A

Minimalism

107
Q

What you see is what you get

A

Photo realism

108
Q

Put you in awe/impact

A

Photo realism

109
Q

Common thing/strike anywhere

A

Photo realism

110
Q

Elements

A
Line
Firm
Color
Texture
Pattern
Composition
Contrast
Rhythm
Value
Unity
Movement
Emphasis
111
Q

SOC

A

Steam of consciousness

112
Q

Pencil

A

Line

113
Q

Sculpture

A

Form

114
Q

Psychology

Fauvism

A

Color

115
Q

Repetition and the same image

A

Pattern

116
Q

Cast everyone has a role

A

Composition

117
Q

Black and yellow

Traffic enforcer

A

Contrast

118
Q

Combined repetitive lernents

A

Rhythm

119
Q

Confine different forms and serene

A

Unity

120
Q

Red moving

Diagonal

A

Movement

121
Q

SOC

A

Emphasis

122
Q

PowerPoints

A

–Images
–Text
–“Notes”

123
Q

Element

A
Line
Form
Color
Texture
Pattern
Composition 
Contrast 
Rhythm
Value
Unity
Movement
Emphasis
124
Q

It is a mark made by a pointed tool.

A

Line

125
Q

Often defined as a moving dot.

A

Line

126
Q

This picture is a great example of ___ because the entire picture has lines, straight and curved

A

Line

127
Q

The image represents the element of “___” because it was made with a pencil which is a pointed tool.

A

Line

128
Q

The width of the __ that make up the image are very small compared to its length. The variety of widths and intensities of ___ creates the image and adds perpective.

A

Lines

129
Q

It create the form of the woman

A

Contour lines

130
Q

It describes volume and mass of three-dimensional objects.

A

Form

131
Q

This picture is 3-d because it is a sculpture. It can be viewed from any side and it is not drawn on a wall

A

Form

132
Q

The appearance in hue, value, and intensity of an object in light.

A

Color

133
Q

This selection has three colors that are featured prominently and is part of the Color Form movement.

A

Color

134
Q

It refers to the surface quality of artwork.

A

Texture

135
Q

A piece could be appear to be rough, granulated, smooth and even sticky.

A

Texture

136
Q

This image here is a great example of ___ because the U.S. navy Seals in Gilli suites are matching the dry brush and grass’s texture to blend in.

A

texture

137
Q

something that repeats it self over and over.

A

Pattern

138
Q

This is a good example of a ___ because it is repeating itself.

A

Pattern

139
Q

It is the manner in which parts of a thing flow together in harmony.

A

Composition

140
Q

Botticelli’s painting is very harmonious, as nothing is out of place or in stark contrast.

A

Composition

141
Q

This image illustrates the principle of ___ because of the differences of values and colors within the image.

A

Contrast

142
Q

The large black man in the center of the image ___ the harsh white background. This is a perfect example of value content

A

Contrasts

143
Q

Title: Sym29
Artist: Eric Penington

A

Rhythm

144
Q

It is the repetition of visual movement of the elements- colors, shapes, lines, values, forms, spaces, textures.

A

Rhythm

145
Q

The repeated shapes and colors give this picture a lot of ___

A

rhythm

146
Q

It help to see and understand a two-dimensional work of art.

A

Value contrast

147
Q

It is evident in colors.

A

Value contrast

148
Q

Ex: In this painting it is evident that in the half of the dome that is outlined by dark colors, fades into the background

A

Value Contrast

149
Q

Cite:Art In America May-June 1979, pg. 30, Frank Stella

A

Value Contrast

150
Q

It is where a picture seems to all be one.

A

Unity

151
Q

Everything fits and flows together.

A

Unity

152
Q

One part complements another like the land, the fish, the dolphins, and the sky.

A

Unity

153
Q

It is used by artists to direct viewers through their work, often to focal areas.

A

Movement

154
Q

It can be directed along lines, edges, shapes, and colors.

A

Movement

155
Q

The artist of this painting uses __ to move the viewers eyes from the man on the horse to the evil Moslems being slaughtered

A

Movement

156
Q

It is where an artist will make one part of the image more visible.

A

Emphasis

157
Q

It stressed and shown as the main thing you look at. Like here we are looking at him or the ball. They are emphasized very well.

A

Emphasis

158
Q

Illustrators and Designers Jonathon Thiel Simon

A

Emphasis

159
Q

Spain: A History in Art

A

Movement

160
Q

Artwork by

Christian Lassen

A

Unity

161
Q

Image From: Art In America
May-June 1979, pg. 30,
Frank Stella

A

Value

162
Q

Image from Picasso

A

Line

163
Q

The Goldfish

A

Fauvism
Henri Matisse
1911

163
Q

The Open Window

A

Fauvism
Henri Matisse
1905

164
Q

Pool of London

A

Fauvism

Derain 1906

165
Q

Red Tower at Halle

A

Expressionism

Kirchner, 1915

166
Q

Still from the ___ film The Cabinet

A

Expressionism
Dr. Caligari
1920

167
Q

Self Portrait with Horn

A

Expressionism

Max Beckmann 1938-40

168
Q

There is no must in art, because art is free.

A

Wassily Kandinsky

169
Q

Fugue in Two Colors

A

Abstract

Frantisek Kupka 1912

170
Q

Abstract composite

A

Abstract

Anne Bonnet

171
Q

Squares with Concentric Circles

A

Abstract

Kandinsky 1913

172
Q

Three Musicians

A

Cubism

Picasso 1921

173
Q

Seated Woman (Marie-Therese),

A

Cubism

Picasso 1937

174
Q

Woman with a guitar

A

Cubism

Braque 1913

175
Q

Movement and Sensation

A

Futurism

Balla

176
Q

Dynamism of a Cyclist

A

Futurism

Boccioni 1913

177
Q

Development of a Bottle in Space

A

Futurism

Boccioni 1913

178
Q

Composition VII (the three graces)

A

De Stijl

Van

179
Q

Composition with Yellow, Blue and Red

A

De Stijl

Mondrian 1937-42

180
Q

Red & Blue chair

A

De Stijl

Gerrit Rietveld, 1917

181
Q

ABCD (Self-portrait),

A

Dadaism

Raoul Hausmann 1923-24

182
Q

L.H.O.O.Q.,
Readymade: pencil markings on a
“Mona Lisa” reproduction print

A

Dadaism

Marcel Duchamp 1919

183
Q

The Persistence of Memory,

A

Surrealism

Dali 1931

184
Q

Uba Imperator

A

Surrealism

Ernst 1923

185
Q

Time Transfixed

A

Surrealism

Magritte 1938

186
Q

Eyes in the Heat

A

Abstract expressionism

187
Q

Painting Number 2,

A

Abstract expressionism

Kline 1954

188
Q

Cherries

A

Abstract expressionism

189
Q

Campbell’s Soup Cans

A

Pop art

Warhol 1962

190
Q

Marilyn Monroe

A

Pop art

Warhol 1962

191
Q

Whaam

A

Pop art

Lichtenstein 1963

192
Q

Movement in Squares,

A

OP art

Riley 1961

193
Q

Vega-Nor,

A

OP art

Vasarely 1969

194
Q

Intrinsic Harmony,

A

OP art

Anuszkiewicz 1965

195
Q

Harran II

A

Minimalism

Stella 1967

196
Q

Free Ride

A

Minimalism

Tony Smith 1962

197
Q

’23’

A

Minimalism

McCracken 1964

198
Q

Self-Portrait,

A

Photo-realism

Close 1997

199
Q

Paris Street Scene

A

Photo-realism

Estes 1972

200
Q

Ralph’s Diner

A

Photo-realism

Goings 1981-82