Midterm Flashcards

1
Q

Monteverdi Madrigals

A

Ecco Mormorar, Cruda Amarilli

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2
Q

Monteverdi Vespers

A

Dixit Dominus, Duo Seraphim, Ave Maris Stella

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3
Q

O quam tu pulchra es

A

Schutz

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4
Q

Instrumental music by Frescobaldi

A

Toccata 8, Canzona La Donatina

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5
Q

Dido and Aeneas

A

Purcell, example of social context determining meaning

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6
Q

L’Incoronazione de Poppea

A

Monteverdi

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7
Q

Camerata

A

Renaissance Florence, led by Bardi, Galilei and Caccini

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8
Q

Gonzaga Court

A

Patrons to Monteverdi from Manchua

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9
Q

L’Orfeo

A

Opera by Monteverdi, written for the Gonzaga Court, first opera to enter the canon

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10
Q

“Ay Mai Corpo”

A

1600 sacred opera by Cavalieri

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11
Q

“Eurodice”

A

1600 opera by Caccini

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12
Q

Jacobo Corsi

A

Florentine patron, group similar to the Camerata

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13
Q

Singing Ladies of Ferrara

A

Musical ensemble that inspired many others, many composers wrote specifically for them

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14
Q

Monteverdi

A

Late 1500s/early 1600s, transition between Renaissance and Baroque, wrote operas and madrigals

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15
Q

Caccini

A

Second half of 1500s, Camerata in Florence

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16
Q

Prima Pratica

A

More focused on the music

17
Q

Segunda Pratica

A

Focused on the expression of the text

18
Q

Monteverdi 1610 Vespers

A

Written for Paul V, written to fain favor

19
Q

Schutz

A

Early/mid 1600s, studied in Venice with Gabrieli, influenced by Monteverdi

20
Q

Stile Imbastantito

A

Alternation between declamatory and non declamatory music

21
Q

30 Years War

A

1618-1648, Protestant vs. Catholic, takes power from the Habsburgs

22
Q

Frescobaldi

A

Composer/organist from Ferrara

23
Q

Opera forms

A

Originally 5 acts, become 3 acts (intro, conflict, resolution)

24
Q

1600s Opera Trends

A

Private to public, more tuneful music, soloist celebrity, chorus becomes less important, allegorical to character driven

25
Q

Intermedi

A

Music before or after acts of a play

26
Q

Falso bordone

A

Singing psalms in simple harmony