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East Asian Art and History > Midterm 2 > Flashcards

Midterm 2 Flashcards

1
Q
A

Gu Kaizhi c345-406,
Admonitions of the Court Instructress to the Ladies of the Court

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2
Q
A

(Left) Entertainers Riding on an Elephant, on a plectrum guard of a biwa. 8th century, Shosoin, Todaiji

(Right) Landscape detail, Dunhuang, cave 172, mid-8th century

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3
Q
A

Fan Kuan
Travelers Among Mountains and Streams
ca. 1000 CE, Northern Song
Ink on silk, hanging scroll

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4
Q
A

Guo Xi (Kuo Hsi)
Early Spring
1072, Northern Song
Ink on silk, hanging scroll

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5
Q
A

Emperor Huizong

Auspicious Cranes

Early 12th c., Northern Song

Ink and color on silk, album leaf

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6
Q
A

Emperor Huizong
Five-colored Parakeet on a Blossoming Apricot Branch
Early 12th c., Northern Song
Ink and color on silk, album leaf

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7
Q
A

After Zhang Xuan (713-41)
Ladies Preparing Newly Woven Silk
Song dynasty copy (court of Emperor Huizong) of a Tang original, 12th c.

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8
Q
A

Ma Yuan Walking on a Mountain Path in Spring
Early 13th c., Southern Song
Ink on silk, hanging scroll

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9
Q
A

Xia Gui, Pure and Remote View of Rivers and Mountains
Early 13th c., Southern Song
Ink on paper, handscroll

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10
Q
A

Tale of Genji Illustrated Handscroll, ca. 1120-1140, Heian period
Kashiwagi I - The Oak Tree, illustration 1
Ink and color on paper, handscroll

  • Mono no aware: the pathos of human existence, awareness of impermanence
  • Fukinuki yatai: “ripped-away roof” style
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11
Q
A

(Top) Tale of Genji Illustrated Handscroll, ca. 1120-1140, Heian period
Kashiwagi II - The Oak Tree, illustration 2
Ink and color on paper, handscroll

(Bottom) Tale of Genji Illustrated Handscroll, ca. 1120-1140, Heian period
Kashiwagi III - The Oak Tree, illustration 3
Ink and color on paper, handscroll

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12
Q
A

Tale of Genji Illustrated Handscroll, ca. 1120-1140
Suzumushi II - The Cricket Bell, illustration 2

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13
Q
A

Miraculous Tales of Mt. Shigi
Between 1157 and 1180, Heian period
Ink and color on paper, handscroll

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14
Q
A

Painting of the Impure Aspect of the Human Realm, 13th c.

Kamakura period

Ink and color on silk

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15
Q
A

Hungry Ghosts handscroll
(Gaki zõshi)
Late 12th century, Kamakura period
Ink and color on paper

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16
Q
A

Hell Scroll
Late 12th century, Kamakura
Ink and color on paper
Handscroll

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17
Q
A

Hell Scroll

13th c., Kamakura period

Ink and color on paper

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18
Q
A

Both: Mountain-crossing raigô
Early 13th century, Kamakura
Ink and color on silk, hanging scrolls

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19
Q
A

Descent of Amida and the 25 Bodhisattvas
early 13th century, Kamakura period
Ink and color on silk, hanging scroll

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20
Q
A

Tōdaiji: Nandaimon　南大門 (Great South Gate)
1199, Kamakura period

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21
Q
A

Agyō by Kaikei
Wooden sculpture
Installed 1203
Great South Gate, Tōdaiji

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22
Q
A

Unyō by Unkei
Wooden sculpture
Installed 1203
Great South Gate, Tōdaiji

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23
Q
A

Ren Renfa
Two Horses (Lean Horse and Fat Horse)
Late 13th century, Yuan dynasty
Handscroll, Ink and color on silk

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24
Q
A

Qian Xuan, Watching Geese
Dated 1295, Yuan dynasty
Handscroll; ink, color and gold on paper

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25
Q
A

“recluse at court”

Zhao Mengfu
Mind Landscape of Xie Youyu
ca. 1286, Yuan dynasty
Handscroll; ink and colors on silk

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26
Q
A

Zhao Mengfu
Autumn Colors on the Qiao and Hua Mountains
1296 CE, Yuan dynasty
Handscroll, ink and colors on paper

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27
Q
A

Huang Gongwang
Dwelling in the Fuchun Mountains (details)
ca. 1347-50, Yuan
Handscroll; ink on paper

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28
Q
A

Wu Zhen
Twin Pines
Dated 1328, Yuan dynasty
Hanging scroll, ink on silk

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29
Q
A

Portrait of Ni Zan by Qiu Ying
Ming dynasty, 1542

30
Q
A

Ni Zan
The Rongxi Studio
1372, Yuan dynasty

Ink on paper

31
Q
A

Ni Zan d.1372
Six Gentlemen
Hanging scroll
Ink on paper

32
Q
A

Wang Meng
Secluded Dwelling in the Qingbian Mountains
1366, Yuan dynasty
Hanging scroll, ink on paper

33
Q
A

Wang Meng
Forest Dwelling at Juqu
After 1368, Yuan dynasty
Hanging scroll; Ink and color on paper

34
Q
A

(Left) Bian Jiangzhou/Wenjian Emperor Huizong
Bamboo and Cranes
15th century, Ming dynasty
Hanging scroll, ink and color on silk

Emperor Huizong

35
Q
A

Dai Jin (1388-1452)
Returning Late from a Spring Outing
First half of the 15th c., Ming dynasty
Hanging scroll; ink and color on silk

36
Q
A

(Left) Shen Zhou (1427-1509)
Lofty Mount Lu

1467, Ming dynastyHanging scroll

Ink and color on paper

(Right) Walking with a Staff
Late 15th century, Ming dynasty
Hanging scroll, Ink and color on paper

37
Q
A

Wen Zhengming
Old Trees by a Cold Waterfall
1549, Ming dynasty
Hanging scroll,
ink and color on silk

38
Q
A

Dong Qichang, 1555-1636
Shady Trees in a Summer Landscape
Early 17th century, Ming dynasty
Hanging scroll, ink on paper

39
Q
A

(Left) Kinkakuji (Golden Pavilion),

original 1399, destroyed 1950, rebuilt 1950s

Shogun Ashikaga Yoshimitsu

(Right) Ginkakuji (Silver Pavilion) at Jishôji 1483
Shogun Ashikaga Yoshimasa

40
Q
A

Liang Kai
Shakyamuni Descending from the Mountain
mid 13th c. , Southern Song
Ink and color on paper, hanging scroll

41
Q
A

Yujian
Mountain Village in Clearing Mist
Early 13th c., Southern Song
Ink on paper, hanging scroll

42
Q
A

Mu Qi
Six Persimmons
Early 13th c.
Southern Song
Ink on paper; formerly
handscroll, now hanging
scroll

43
Q
A

(Left) Minchô

Bodhidharma

Early 15th century, Muromachi

Ink and color on paper, hanging scroll

(Right)

Kao

The Monk Xianzi

Mid-14th century, Muromachi period

Ink on paper, hanging scroll

44
Q
A

Mokuan Reian, d. 1345
Four Sleepers
Ink on paper, hanging scroll
Muromachi period

45
Q
A

Josetsu
Catching a Catfish with a Gourd
1413, Muromachi Period
Ink and color on paper, hanging scroll
Commissioned by Ashikaga Yoshimochi

46
Q
A

Shûbun
Reading in the Bamboo Studio
ca. 1466, Muromachi period
Ink on paper, hanging scroll

47
Q
A

(Left) Sesshû (1420-1506)

Landscape after Xia Gui

Late 1460s, Muromachi period

Ink and color on paper, album leaf

(Right) Xia Gui
Pure and Remote View of Rivers and Mountains
Early 13th c., Southern Song
Ink on paper, handscroll

48
Q
A

(Left) Sesshû (1420-1506)
Landscape after Yujian
Late 1460s, Muromachi period
Ink and color on paper, album leaf

(Right) Yujian
Mountain Village in Clearing Mist
Early 13th c., Southern Song
Ink on paper, hanging scroll

49
Q
A

(Left) Sesshu (1420-1506)

Summer Landscape

1470s, Muromachi Period

Ink and color on paper, hanging scrolls

(Right) Sesshu (1420-1506)

Winter Landscape

1470s, Muromachi Period

Ink and color on paper, hanging scrolls

50
Q
A

Sesshû
Haboku (broken-ink) landscape
1495, Muromachi period
Ink on paper, hanging scroll

51
Q
A

Sesshû
Bodhidharma and Hui’ko (Daruma and Eka)
1496, Muromachi period
Ink and color on paper, hanging scroll

Signature inscription:

“This was painted at age 77 by Sesshû, holder of the first seat at Tiantong, Shiming.”

52
Q
A 
Kano Masanobu (1434-1530)
Left: Chou Mao-shu Admiring the Lotus Flowers, 15th Century
53
Q
A

Kano Motonobu (1476-1559)
Birds and Flowers of the Four Seasons
early 16th century
ink and color on paper; sliding doors (fusuma)
Daisenin commission

54
Q
A

Kano Doun Masanobu (1625-1694)
Three Laughers at Tiger Ravine
mid 17th century, ink and color on silk
*Compare to reading: Rosenfield article

55
Q
A

Ryôanji
From 1488, Muromachi period

56
Q
A

Kano Eitoku
Rakuchû-rakugaizu “Scenes inside and outside the capital,” 1574
Patron: Oda Nobunaga; given to Uesugi Kenshin

57
Q
A

Kano Eitoku: Chinese Lions, 1582
Momoyama era
Patron: Hideyoshi
Ink, color, and gold on paper
Originally a wall painting, now a standing screen

58
Q
A

Hasegawa Tôhaku, Pine Trees in the Mist
Late 16th century
Momoyama era
Ink on paper
Standing screens

59
Q
A

Tawaraya Sōtatsu,Wind and Thunder Gods
1621-1640, Edo period
Ink, color and gold on paper; standing screens

60
Q
A

Ôgata Kôrin
Iris Screen
c. 1701, Edo period
Color and gold on paper; standing screens

61
Q
A

Kitagawa Utamaro, The Cultivation of Nishiki-e: Famous Products of Edo (Edo meibutsu nishiki-e kôsaku)
c. 1803, Edo period; full-color woodblock prints, triptychs

62
Q
A

Katsushika Hokusai

Eastern Pastimes (Azuma Asobi)

Shop of publisher Tsutaya Jûzaburô

1801, Edo period

Illustrated book, ink and color on paper

63
Q
A

(Left) Kitagawa Utamaro, Hanaôgi of the Ôgiya from the set Famous Beauties Likened to the Six Immortal Poets, 1795-96

(Right) Suzuki Harunobu, Woman Standing on a Veranda outside a Room with a Party, 1767-68

64
Q
A

(Left) Katsukawa Shunsho, 1770s

Actor Ichikawa Danjuro V, 1769

(Right)Toshusai Sharaku
Ichikawa Ebizo

Both: Edo Period

Both: Full-color woodblock print, ink and color

65
Q
A

Katsushika Hokusai
Under the Wave off Kanagawa, from Thirty-Six Views of Mt. Fuji
1831-33, Edo period
Full-color woodblock print, ink and color on paper

66
Q
A

Katsushika Hokusai
Nihonbashi in Edo from the Thirty-six Views of Mt. Fuji
1831-33, Edo period
Full-color woodblock print, ink and color on paper

67
Q
A

Utagawa Hiroshige, Kanbara, from 53 Stations of the Tôkaidô,
1832-34, Edo period
Full-color woodblock print, ink and color on paper

68
Q
A

Utagawa Hiroshige
Fireworks over Ryôgoku Bridge, from One Hundred Famous Views of Edo
1857, Edo period
Full-color woodblock print, ink and color on paper

69
Q

Gu Kaizhi c345-406,
Admonitions of the Court Instructress to the Ladies of the Court

A
70
Q

(Left) Entertainers Riding on an Elephant, on a plectrum guard of a biwa. 8th century, Shosoin, Todaiji

(Right) Landscape detail, Dunhuang, cave 172, mid-8th century

A
71
Q

Fan Kuan
Travelers Among Mountains and Streams
ca. 1000 CE, Northern Song
Ink on silk, hanging scroll

A

East Asian Art and History (2 decks)

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