Midterm Flashcards

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1
Q

“The goat-footed ballonMan whistles far and wee”

A

“in just”
E.E. Cummings

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2
Q

“Truth to say, he was a conscientious man, and ever bore in mind the golden maxim, ‘Spare the rod and spoil the child’”

A

The legend of sleepy hollow
Washington Irvin

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3
Q

‘“Lastly, let us turn our eyes to man in the aggregate. He is manifested as the figure of strength, but that we may not regard him as anything more than a figure, his soul is formed in no sort superiour, but every way equal to the mind of her, who is the emblem of weakness, and whom he hails the gentle companion of his better days.”

A

On the equality of the sexes 1790
Judith Sargent Murray

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4
Q

“We’ll leave our clubs, dew’d with their country show’rs, And, if they dare to bring them back to our’s, Their painted scalps shall be a step to fame, And grace our own and glorious country’s name.”

A

Cherokee war song
Translated by Henry Timberlake

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5
Q

“He was in her mind so much, she hardly knew when she was thinking about him directly. His image was simply always present in more or less degree, he was sometimes nearer the surface of her thoughts, the pleasantest, the only really pleasant thought she had.”

A

Pale Horse, Pale Rider
Katherine Anne Porter

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6
Q

‘Twas mercy brought me from my Pagan land,
Taught my benighted soul to understand
That there’s a God, that there’s a Saviour too:”

A

On being brought from Africa to America
Phillips Wheatley

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7
Q

“Now this is the point. You might fancy me mad. Madmen know nothing. But you should have seen me.”

A

Tell-Tale Heart
Edgar Allan Poe

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8
Q

‘““No, indeed, suh,” she replied, “Sam ain’ dat kin’ er man. He wuz good ter me, Sawuz, but he wuzn’ much good ter nobody e’se, fer he wuz one er de triflin’es’ han’s on de plantation. I ‘spec’s ter haf ter suppo’t ‘im w’en I fin’ ‘im, fer he nebber would work ‘less’n he had ter. But den he wuz free, an’ he didn’ git no pay fer his work, an’ I don’ blame ‘im much”

A

The wife of his youth
Charles Chesnutt

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9
Q

“Twit twit twit
Jug jug jug jug jug jug
So rudely forc’d.
Tereu”

A

The waste land
T.S. Elliot

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10
Q

“The name Grizzly Bear was taken at dawn,” the Spirit Chief answered.

A

The spirit chief names the animal people
Mourning dove

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11
Q

“Who ax you fer ter come en strike up a ‘quintance wid dish yer Tar-Baby? En who stuck you up dar whar you iz? Nobody in de roun’ worril. You des tuck en jam yo’se’f on dat Tar-Baby wid-out waitin’ fer enny invite”

A

How Mr.Rabbit was too smart for Mr. Fox
Joel Chandler Harris

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12
Q

“What happens to a dream deferred?”

A

Harlem
Langston Hughes

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13
Q

“I’m nearly used to it,” said Adam, who was from Texas. “We’ve been told time and again how all the he-manly regular army men wear them. It’s the horrors of war,” he said; “are we downhearted? I’ll say we are.”

A

Pale horse, Pale Rider
Katherine Anne Porter

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14
Q

“Villains!” I shrieked, “dissemble no more! I admit the deed! — tear up the planks! — here, here! — it is the beating of his hideous heart!”

A

Tell-Tale Heart
Edgar Allan Poe

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15
Q

They took away her children
The welfare office came and stole away her children
Because she had no right, they said,
To be a single parent, non-model American family

A

La Llorona, crying lady of the creek beds, 483 years old and aging
Carmen Tafolla

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16
Q

“How, then, am I mad? Hearken! and observe how healthily — how calmly I can tell you the whole story.”

A

Tell- Tale Heart
Edgar Allan Poe

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17
Q

And no rock
If there were rock
And also water
And water
A spring
A pool among the rock
If there were the sound of water only
Not the cicada
And dry grass singing
But sound of water over a rock
Where the hermit-thrush sings in the pine trees
Drip drop drip drop drop drop drop
But there is no water

A

The waste land
T.S. Eliot

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18
Q

“The apparition of these faces in the crowd:
Petals on a wet, black bough.”

A

In a Station of the Metro
Ezra Pound

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19
Q

“And every morning I went to his room, and with a warm, friendly voice I asked him how he had slept. He could not guess that every night, just at twelve, I looked in at him as he slept.”

A

Tell - Tale Heart
Edgar Allan Poe

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20
Q

Or fester like a sore—
And then run?
Does it stink like rotten meat?
Or crust and sugar over—
Like a syrupy sweet?

A

Harlem
Langston Hughes

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21
Q

O Captain! my Captain! rise up and hear the bells;
Rise up—for you the flag is flung—for you the bugle trills,

A

O captain! My Captain!
Walt Whitman

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22
Q

“Cherokee War Song”

A

Translated by Henry Timberlake

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23
Q

“The Spirit Chief Names the Animal People”

A

Mourning Dove

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24
Q

On the Equality of the Sexes 1790

A

Judith Sargent Murray

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25
Q

Legend of La Llorona

A

Unknown

26
Q

“La Llorona, Crying Lady of the Creekbeds, 483 Years Old, and Aging”

A

Carmen Tafolla

27
Q

The Legend of Sleepy Hollow

A

Washington Irvin

28
Q

“Tell-Tale Heart”

A

Edgar Allan Poe

29
Q

“On Being Brought from Africa to America”

A

Phillis Wheatley

30
Q

“Letter to Reverend Samson Occum (1774)”

A

Phillis Wheatley

31
Q

“O Captain! My Captain!”

A

Walt Whitman

32
Q

The Wife of His Youth

A

Charles Chesnutt

33
Q

“How Mr. Rabbit was too Smart for Mr. Fox”

A

Joel Chandler Harris

34
Q

Narrative and the Life of Fredrick Douglass, an American Slave

A

Fredrick Douglass

35
Q

“A Pact”

A

Ezra Pound

36
Q

“In a Station of the Metro”

A

Ezra Pound

37
Q

“The Love Song of Alfred J. Prufrock”

A

T.S. Eliot

38
Q

“The Waste Land”

A

T.S. Eliot

39
Q

Pale Horse, Pale Rider

A

Katherine Anne Porter

40
Q

“in just”

A

E.E. Cummings

41
Q

Summary of “Cherokee war song” translated by Henry Timberlake

A

The Cherokee War Song, as translated by Henry Timberlake, reflects the pride, bravery, and readiness of the Cherokee warriors as they prepare for battle. It expresses their determination to protect their people and land, emphasizing their fearlessness in the face of danger and the honor they associate with fighting for their community. The song highlights their unity and warrior spirit.

42
Q

“Harlem”

A

Langston Hughes

43
Q

Summary of “The spirit Chief Names the animal people” by mourning dove

A

The myth recounts how the Great Spirit gave different animals their unique traits and roles.
Coyote-> a clever but trickster figure desired special powers
The Great Spirit initially overlooked Coyote but Coyote kept asking for abilities.
Eventually Coyote obtained the power to be a transformer and shape-shifter.
Despite being mischievous, Coyote’s powers enable him to help the Animal People, showing both his cunning nature and his importance in their world. The story reflects Coyote’s dual role as both a trickster and a helper in Okanogan mythology.

44
Q

Summary of On the equality of sexes 1790

A

In “On the Equality of the Sexes” (1790), Judith Sargent Murray argues that women are intellectually equal to men and that their perceived inferiority is due to lack of access to education. She advocates for equal educational opportunities for women, asserting that they would demonstrate the same capabilities as men if given the chance. This essay is an early call for gender equality and women’s rights.

45
Q

Summary of Legend of La Llorona

A

The Legend of La Llorona is a popular Mexican folktale about the ghost of a woman who haunts rivers and lakes, crying for her lost children. According to the story, La Llorona, or “the Weeping Woman,” drowned her children in a fit of grief and anger after being betrayed by her lover. Overcome with guilt and sorrow, she now wanders the earth searching for them, forever mourning her tragic mistake. The legend serves as a cautionary tale, often used to warn children to stay away from dangerous waters.

She also goes after men

46
Q

Summary of “La Llorona, Crying Lady of the Creekbeds, 483 Years Old, and Aging”

A

In “La Llorona, Crying Lady of the Creek Beds, 483 Years Old, and Aging” by Carmen Tafolla, the poet reimagines the figure of La Llorona as an aging and weary woman who reflects on her centuries of grief and suffering. Unlike the traditional tale, this version humanizes La Llorona, showing her as a symbol of enduring pain, colonialism, and the burdens faced by women across generations. The poem portrays her as a tragic figure whose weeping is connected not only to personal loss but also to the historical and cultural traumas of her people, giving new depth to the myth.

47
Q

Summary of: The Legend of Sleepy Hollow

A

Ichabod Crane is a young school teacher in sleepy hallow (part of a farming community of Tarry Town). Ichabod is an outsider to Sleepy Hallow because he is from Connecticut. Ichabod stays at students homes and performs small tasks to earn stay.

Ichabod wants to court “Katrina Van Tassel”
Katrina is already being courted by “Brom Bones”-> Abraham Van Brunt.

Ichabod gets invited to the Van Tassel home for a party
Ichabod thinks he won over Katrina but is rejected

Ichabod runs into headless horseman when he is heading home which leads to a chase and Ichabods dissapearance.

Dedrick Knickerbocker is the narrator and gives 3 lessons

Sleepy Hallow- described as peaceful and haunted “headless horseman” of sleep hallow->lost his head in battle and returns to churchyard where he was buried before morning)

48
Q

Summary of: “Tell-Tale Heart”

A

In Edgar Allan Poe’s “The Tell-Tale Heart,” the narrator insists on their sanity while describing the obsessive fixation on an old man’s vulture-like eye, which drives them to commit murder. After carefully planning the crime, they dismember the body and hide it beneath the floorboards. However, the narrator is eventually consumed by guilt and paranoia, believing they can hear the old man’s heart still beating, leading to their confession of the crime.

49
Q

Summary of: “On Being Brought from Africa to America”

A

In “On Being Brought from Africa to America,” Phillis Wheatley reflects on her experience of being enslaved and transported from Africa to America. She expresses gratitude for her introduction to Christianity, which she views as a source of salvation, and emphasizes that African individuals are capable of virtue and deserving of grace. The poem highlights the complexity of her identity, acknowledging the pain of her enslavement while also recognizing the transformative power of faith.

50
Q

Summary of: “Letter to Reverend Samson Occum (1774)”

A
51
Q

Summary of: “O Captain! My Captain!”

A

Written in the time of the Civil War. O Captain! My Captain! Is a grief poem.

The narrator is grieving the loss of his captain (while at sea approaching land).
- At the same time the people on the shore are celebrating a won war whereas the people on the boat (including the narrator) are grieving the captain.

-> This is tying into Ab Lincoln because he was shot and killed during the Civil War but his side still won (the union)

52
Q

Summary of: The Wife of His Youth

A
53
Q

Summary of: “How Mr. Rabbit was too Smart for Mr. Fox”

A
54
Q

Summary of: Narrative and the Life of Fredrick Douglass, an American Slave

A
55
Q

Summary of: “A Pact”

A

In “A Pact,” Ezra Pound reflects on his relationship with Walt Whitman, expressing admiration and frustration. He acknowledges Whitman’s significant influence on American poetry while criticizing his lack of technical skill and discipline.

Through this poem, Pound asserts a commitment to elevate the standards of poetry, positioning himself as a modernist voice who seeks to build upon and refine the foundations laid by Whitman.

This poem was Ezra Pounds way of paying homage to Whitman for his work in Freeverse (type of writing style)

56
Q

Summary of: “In a Station of the Metro”

A
57
Q

Summary of: “The Love Song of Alfred J. Prufrock”

A
58
Q

Summary of: “The Waste Land”

A
59
Q

Summary of: Pale Horse, Pale Rider

A
60
Q

Summary of: “in just”

A
61
Q

Summary of: Harlem

A

In “Harlem,” Langston Hughes contemplates the effects of deferred dreams on the African American community, posing rhetorical questions about what happens when aspirations are postponed. He suggests that such dreams may wither, fester, or ultimately explode, emphasizing the emotional and societal consequences of unfulfilled hopes. Through this exploration, Hughes highlights the urgency of addressing the desires and aspirations of marginalized individuals.