MIDTERM Flashcards

1
Q

According to Russell, where can we look to find the beginnings of children’s literature?

A

We can look to the ancient Greeks and the ancient Romans. During the eighth century Homer a Greek poet wrote The Iliad, the story of the Trojan war. This was originally for adults but children too enjoyed the stories.

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2
Q

What did children’s literature look like during the middle ages?

A

The middle ages were considered the fall of the Roman Empire in 476-1450. Education declined and few were able to read, but the few that could used the oral tradition to keep stories alive during this time. Biblical stories were known well by children, such as Adam and Eve. However, a bunch of adventure and hero stories were also present during this time like Beowolf

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3
Q

What did children’s literature look like during the Renaissance?

A

The Renaissance was considered the flowering of European Culture. They turned to the sophisticated cultures, such as Ancient Greece and Rome for inspiration.

A very important development during this time was the perfection of the movable type printing press by Johannes Gutenberg in 1440 - This meant that books no longer had to be copied by hand. The mass production of books allowed them to be cheaper, more plentiful, and allowed literacy to increase, and learning to advance.

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4
Q

Name and explain the Eighteenth Century Moral Writers.

A

There were 3 main influencers, John Locke, John Newberry, and Jean-Jacques Rousseau. Children’s literature was meant to teach a lesson.

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5
Q

What happened during the the Victorian Golden Age?

A

Lewis Carrol published Alice’s adventures in wonderland, which largely considered the first children’s literature book purely for entertainment. This helped move children’s literature more towards pleasure.

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6
Q

What did Children’s literature look like in the early twentieth century and the late twentieth century?

A

The Early Twentieth Century- Continued on with the nineteenth century traditions resulting in books like Peter Pan and Winnie the Pooh. Realistic novels like The Secret Garden also gained a foothold.

The Late Twentieth Century and Beyond- World war II influenced children’s literature with socialism on the rise. (*Socialism- A political and economical theory of social organization that advocates the means of production, distribution, and exchange should be owned or regulated by the community as a whole.) This made education a means of overcoming the ignorance and prejudice that contributed to the war.
- Child psychology was also on the rise - mainly with Jean Piaget.
- Dr. Benjamin Spock published The Common Sense Book of Baby and Child Care, which changed how society as a whole looked at children. Spock believed the personal needs of the child were more important than the requirements of society- this empowered children’s rights in the legal system and the overall youth culture that has dominated western society. This allowed children’s literature to flourish.

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7
Q

What was the primary intention of most works of children’s literature until the mid-nineteenth century?

A

The primary intention of most works of children’s literature until the mid-nineteenth century was to teach children either a moral, spiritual, or educational lesson.

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8
Q

Briefly outline the reasons why children’s literature began to change in the nineteenth century.

A

This was the beginning of the industrial evolution so books could be mass produced and there was a move away from religious beliefs and towards science. This allowed books to be about more than teaching religion.

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9
Q

What was the first Canadian novel for children?

A

Catharine Parr Traill’s Canadian Crusoes in 1858

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10
Q

a story, poem, or picture that can be interpreted to reveal a hidden meaning, typically a moral or political one.

A

Allegory

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11
Q

A philosopher who wrote the famous essay called “Thoughts Concerning Education”, where he talked about children’s minds being blank slates that need to be written. He believed hereditary did not matter.

A

John Locke (1632-1704)

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12
Q

A business man who started the marketing of children’s books. He wrote a “Pretty Little Pocket”, the first book to be for sale for children specifically.

A

John Newbery (1713-1778)

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13
Q

A French philosopher, who wrote a booked called Emile, that described his ideas of education. He believed that education should emphasize moral development through a simple life, preferably away from cities. He also did not encourage reading because it could be corrupting.

A

Jean-Jacques Rousseau (1712-1778)

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14
Q

List three primary characteristics of folk or traditional literature:

A

The setting remains distant in both time in place.

Characters are simple and uncomplicated. Often they have names that describe them like Beauty.

There is an economy of words, meaning words are not wasted. Very to the point.

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15
Q

Briefly describe what is meant by the theories of monogenesis and polygenesis in connection with folktales.

A

Theory of monogenesis- folktales had only one source, a single Indo-European group, who brought their stories with them into Europe and disseminated them to other parts of the inhabited world. This does not seem possible…

Theory of Polygenesis- more manageable- folktales emerged independently in different parts of the world and that similarities between the tales of different cultures are suggestive of C.G. Jung’s idea of the collective unconscious. He believed that there was a realm of dream, symbol, and archetype in which people from all over the world share.

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16
Q

What are the needs of children and adults that the folktale satisfies?

A

Folktales teach children a basic story line that they can connect with. Characters are relatable to those in their life, like an ogre to the bully down the street. They teach children a sense of right and wrong for when they grow up to be adults.

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17
Q

List the main types of folk literature popular with children; briefly describe their characteristics, and give at least one example of each.

A

Talking Animal Tales- The Three Pigs

Fables- Another type of talking animal tale that uses animals allegorically to teach a lesson, where animals represent human traits. Ex: Fox= bad or greedy.

Wonder Tales- “fairy tales”- Cinderella, Sleeping Beauty, Rapunzel.

Merry tales- also called droll or noodlehead. Silly tales. Ex: Three Wishes

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18
Q

Distinguish briefly between myth, legend, fairy tale and folktale.

A

myth- are those stories sacred to given culture

legend- differ from myths in that they are historically based, rather than sacred. Ex: Stories about King Arthur and Robin Hood, etc. are based on historical basis but have become blurred over time.

fairy tale- magical creatures and spells. Ex: Snow White.

folktale- a short narrative by an unknown author which has transformed orally. Ex: The Three Bears

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19
Q

What are the characteristics or conventions of the folktale?

A

Follows basic Aristolelian form of beginning, middle (development or complications) , and end (resolution).
imaginary landscape, using things like “once upon a time” or “long, long ago”,
Good and evil get their desserts as the hero and heroine are rewarded and the villain is punished
Innocent hero
Beautiful heroine, usually the youngest child of three
Helper figures, such as animals or wise old men.
Villains are excessive and stylized and generally want to kill the hero or eat them
Quests or tasks of various kinds

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20
Q

What two issues in folk literature does Russell specifically identify as major concerns?

A

1) Highly stylized violence
2) Self mutilation

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21
Q

Tales of Mother Goose author

A

Charles Perrault

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22
Q

German authors and brothers who revitalized German fairy tales and folklore from oblivion.

A

Jacob and Wilhelm Grimm

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23
Q

Common Motifs in Folktales

A

transforming humans into beasts
imposing and breaking taboos
using magical objects
casting magical spells
going on a journey or quest
meeting a magical helper
enduring tests or trials
making/breaking bargains
using deception

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24
Q

Theoretical Approaches to folktales

A

1) Psychoanalytic- Bruno Bettelheim talks about folktales as a means to understanding the developmental needs of the child.

2) Historical approach- Jack Zipes places the development of folktales in the context of political and social changes. Ex: Jack and the Beanstalk in terms of emerging middle class in England.

3) Mythographer- Joseph Campbell approaches myth and folktales in terms of archetypes and archetypal patterns. His theory borrows from the psychology of C.G Jung who posited that the basic patterns found in myth are the same as those that inform dreams and the human unconscious.

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25
Q

The original tales and then tales reworked. Ex: Grimm vs. Perrault.

A

Märchen vs. Kunzt-märchen

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26
Q

the hero’s journey archetype that appears in all cultures

A

Monomyth

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27
Q

Joseph Campbell’s Monomyth

A
  • Fabulous circumstances surrounding conception, birth, and childhood establish the hero’s pedigree
  • The hero is called to adventure by some external event or messenger. The Hero may accept the call willingly or reluctantly.
  • Hero receives assistance from helpers/guides
  • Hero crosses the threshold into the world of adventure (a forest, a river, etc.)
  • Hero undergoes a series of tests
  • Hero has a climactic battle
  • Hero returns by crossing the threshold once again
  • Elixir: The object, knowledge, or blessing that the hero acquired during the adventure is now put to use in the everyday world.
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28
Q

What are the three Cinderella stories?

A

Perrault’s “Cinderella,” Jacobs’ “Cap o’ Rushes,” and the Grimm brothers’ “Aschenputtel [Cinderella].”

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29
Q

Contrast the three Cinderella stories

A

Perraults:
- Very magical.
- Added the now famous elements of the fairy godmother, the pumpkin carriage, and the glass slippers.

Jacobs:
- Three daughters talking about how much they love their father. The youngest says as much as meat loves salt.

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30
Q

What distinguishes Hans Christian Andersen’s retellings of traditional tales from his more literary tales?

A

They were new tales and not didactic, but followed the same structure. Ex: The Tinderbox.

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31
Q

What are the chief defining characteristics of Kipling’s style?

A

Playful language. Lots of Alliteration.

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32
Q

Identify some of the changes in the nineteenth century that led to a new kind of children’s literature.

A
  • Bad harvests in the 1830s forced the British parliament to introduce the Corn Laws, which set the value of British corn artificially and the result was a depression of British commodities.
  • Industrial and Scientific revolution
  • Adults became more tolerant of the playful child.
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33
Q

primary world

A

Our world, with the same rules and principles, except plot and characters

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34
Q

Secondary World

A

A whole new world created with its own imaginary beings, witchcraft, magic and supernatural elements. This new world is the sole setting of the story.
An example is the lord of the rings

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35
Q

List the seven main categories into which Russell divides fantasy, distinguish among these categories, and give at least one example of each.

A

animal fantasy, toy fantasy, eccentric characters and tall tales, enchanted journeys and magical lands, heroic or quest fantasy, supernatural and time fantasy, science fiction and space fantasy

-Animal fantasy- where animals talk and often act as humans. Ex: Babar.

-Toy fantasy Ex: Pinocchio. Often a toy wants to become human.

-Magical fantasy. Ex: Mary Poppins.

-Tall Tales- Close to magical tales, but exaggerated to absurdity

-The enchanted journey- sometimes on purpose or by accident. Ex: The wizard of oz

-Epic fantasy- often has the journey motif, and the adventure story of a kingdom or society that is threatened so the hero must save it (usually with a band of companions). . Ex: Narnia

-science fiction and space fantasy- Ex: Frankenstein

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36
Q

fantasy

A

the faculty or activity of imagining things, especially things that are impossible or improbable

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37
Q

Why are fantasies so appealing?

A
  • Escape- from the real world.
  • Excitement
  • Imagination
  • Thought provoking ideas- make us examine our values and all things familiar in a new light.
38
Q

According to Zilpha Snyder children demand two things in fantasy what are they?

A

no nonsense and no treachery. By no nonsense they mean do not change the rules. And by no treachery do not make us believe and then take it away “it was all a dream”.

39
Q

List the nine characteristics that Russell associates with good fantasy.

A

-consistent fantasy rules
- memorable fantasy world
- believable characters
- no treachery (it was all a dream)

40
Q

The Princess and the Goblin Author

A

George macdonald

41
Q

The Princess and the Goblin Characters

A

Irene- eight year old girl
Curdie- the minors son
Lootie- Irene’s nurse
The Grandmother- Irene’s magical helper

42
Q

What is high fantasy?

A

is characterized by quests and adventures, heroes and villains, and the invariable conflict between good and evil.

43
Q

What are the primary and secondary worlds of The Lion, the Witch and the Wardrobe? How do the children enter the secondary world?

A

The primary world is the normal world (the professors house).

The secondary world in Narnia.

They enter Narnia through the wardrobe closet.

44
Q

List the characters in The Lion, the Witch, and the Wardrobe.

A

Aslan- the lion

The White Witch- the evil queen

Peter- oldest- Couragous and noble

Susan- second oldest- Sweet and simple

Edmund- third oldest- The brat.

Lucy- youngest child- Kind and brave

45
Q

What sort of allegory lesson can be found in The Lion, the Witch, and the Wardrobe?

A

The chief allegorical scene in the novel is Aslan’s willing sacrifice of himself on the Stone Table (Chapter 14). Aslan’s despair as he stumbles his way to the sacrificial altar in the dead of night, and the taunts and jeers of the creatures of the White Witch, are suggestive of Jesus’s despair.

46
Q

Where is the Hobbit set?

A

Middle Earth- a secondary world

47
Q

Who is the main character of the Hobbit?

A

Bilbo Baggins.

48
Q

What is Bilbo’s quest?

A

Bilbo is engaged as the burglar by Thorin and Company in order to recover the dragon-guarded treasure.

49
Q

How does Bilbo develop?

A

from a comfort-loving Hobbit, uninterested in adventures—”Nasty uncomfortable things! Make you late for dinner!” (“An Unexpected Party” 6)—to the real leader of the company, once they reach the mountain. We can approach Bilbo’s development from a number of different perspectives. One of the best involves examining what happens to Bilbo each time he goes underground or is alone in the dark.

50
Q

What happened in Bilbos adventures underground.

A

Each time Bilbo is underground, he either acquires an object or achieves some great thing. In the cave of the trolls, for example, he takes an elvish sword made for the goblin wars in Gondolin. During his meeting with Gollum, Bilbo steals the ring of invisibility, while in the forest of Mirkwood he fights the spiders alone in the dark, and in the Lonely Mountain he carries away a golden cup from the lair of the dragon.

51
Q

What theme could be found in The Lion, the Witch, and Wardrobe?

A

Gluttony by Edmund.

52
Q

Summary of Tombs of Atuan

A

Tenar, a young girl born in the Kargish empire, who is taken while still a child to be the high priestess to the “Nameless Ones” at the Tombs of Atuan. Her existence at the Tombs is a lonely one, deepened by the isolation of being the highest ranking priestess. Her world is disrupted by the arrival of Ged, the protagonist of A Wizard of Earthsea, who seeks to steal the half of a talisman buried in the treasury of the Tombs. Tenar traps him in the labyrinth under the Tombs, but then rebels against her teaching and keeps him alive. Through him she learns more of the outside world, and begins to question her faith in the Nameless Ones and her place at the Tombs.

53
Q

Charlotte’s Web is an example of this genre.

A

Animal Fantasy

54
Q

This genre employs dreams to explain a character’s adventures.

A

Dream Vision

55
Q

Medieval illustrated natural history texts intended to impart Christian virtues.

A

Bestiaries

56
Q

Stories that teach harsh lessons about piety and good behaviour.

A

Morality Tales

57
Q

Type of survival story modeled on Defoe’s novel about a man stranded on a deserted island.

A

Robinsonnade

58
Q

Stories sacred to culture

A

Myths

59
Q

Literature containing the collective wisdom of a culture, passed on by word of mouth.

A

oral

60
Q

Branch of fantasy characterized by use of secondary world.

A

high

61
Q

Locke’s term for the “blank slate” of children’s impressionable minds.

A

Tabula rasa

62
Q

Cheap books, shaped like a washerwoman’s paddle.

A

Battledores

63
Q

Early educational books named for their protective covering of goat or sheep horn.

A

Hornbooks

64
Q

What is the “New England Primer?”

A

Longest-lived school texts in American history from 1690 to 1830 intended to teach the children of early Puritans how to live a godly life

65
Q

Who wrote Peter Pan?

A

J.M Barrie in 1904

66
Q

Who wrote “Winnie the Pooh”

A

A.A Milne in 1926

67
Q

Who wrote “the Wizard of Oz?”

A

L. Frank Baum in 1919

68
Q

What are some characteristics of folk/traditional literature?

A

Magic, gripping plots, wonder, exotic settings, unforgettable characters

69
Q

List the main types of folk literature popular with children. (hint: 10)

A

Talking Animal Tales, Fables, Wonder Tales, Merry Tales, Cumulative Tales, Local Legends and Tall tales, Ghost Stories and Jump tales, Origin and Adventure Tales, Trickster Tales, Pourquoi Tales

70
Q

What is a cumulative tale?

A

Very brief tales that use the cumulative plot device in which a repetitive pattern, dialogue or action build up the climax. Ex: Henny Penny, Ducky Lucky, Goosey Loosey

71
Q

What is a trickster tale?

A

mythological figure who challenges society’s norms and rules, often a shapeshifter/demigod. Ex: Anansi the spider

72
Q

List five types of fiction often classified as fantasy that Tymn et al. exclude from the fantasy genre.

A
  1. dream visions
  2. psychological phantasies
  3. weird tales
  4. lost race adventures
  5. science fiction
73
Q

Why do Tymn et al. exclude the 5 types of fiction often classified as fantasy from the fantasy genre?

A

“In each case there is a rational or scientific explanation for, or rationalization of the phenomena.”

74
Q

In what ways does The Princess and the Goblin reflect the elements of traditional folktales?

A

The magic that the grandmother has; the ring; the strong setting and characters; a problem (Goblin attack) are common folktale elements.

75
Q

7 main categories of fantasy

A
  1. Animals Fantasy
  2. Toy Fantasy
  3. Epic fantasy
  4. Miniature “ “
  5. Time Slip
  6. Supernatural and Horror
  7. Science fiction
76
Q

Discuss the motifs of transformation and rebirth in The Tombs of Atuan.

A

Focus on a young Kargish girl named Tenar who is believed to be the reincarnated priestess. She is renamed Arha which translates to “the eaten one.” The story leads to 3 stages of identification of name to subject: an initial, partial identification (Tenar) a passage to namelessness and near negation of self (Arha) and finally the retrieval of the name Tenar. She goes through a journey of self transformation and is re-born into her true self.

77
Q

What is the significance of names and of naming in The Tombs of Atuan?

A

in deed, Arha is powerless, her very name is no name at all. It was ritualistically taken, rendering her nameless as the Nameless Ones. She loses that of personal identity, this being folded into the belief that the young girl is the First Priestess eternally reborn, “eaten” and so Arha is the Eaten One. Ged helps her to believe that the Nameless Ones do exist, but they are not to be worshipped as gods simply because they are powerful where she then finds her power and her original name Tenar.

78
Q

What is the quest motif in Jacob Two-Two ?

A

Jacob must survive in Slimers’ Isle Children’s Prison and overcome his fear of the Hooded Fang in the fantasy world.

79
Q

What is the quest motif in Charlotte’s Web?

A

Wilbur’s traveling journey to the Country fair and overcoming his fear of dying and relying on his friends.

80
Q

What is the quest motif in Tuck Everlasting?

A

Winnie Foster’s important decision on saving the world or being selfish and also choosing to be independent.

81
Q

Literary Fairy Tale

A

differs “from an oral folk tale” in that it is written by “a single identifiable author”.

82
Q

Pourquoi Tale

A

A pourquoi story (French pronunciation: [puʁ. kwa]; “pourquoi” meaning “why” in French), also known as an origin story, pourquoi tale or an etiological tale, is a fictional narrative that explains why something is the way it is, for example why snakes have no legs or why tigers have striped coats.

83
Q

Robert Louis Stevenson

A

treasure island

84
Q

A Ring

A

Rings, especially wedding rings, have become symbols of love and everlasting love because of the circle’s cyclical and eternal character. If you give each other wedding bands or exchange engagement rings, you are symbolically vowing that you will love and be devoted to one another for the rest of your lives together.

85
Q

Catharine Parr Traill

A

canadian crusoes - The absorbing story about three children of Scottish and French origin who become lost on the Rice Lake Plains in the late eighteenth century

86
Q

Pilgrim’s Progress

A

john bunyan - The Pilgrim’s Progress is about a man named Christian who is anxious and ashamed of his sin and the burden on his back. He must make a journey to the Celestial City to find redemption.

87
Q

didacticism

A

philosophy that emphasizes instructional and informative qualities in literature, art, and design

88
Q

James Barrie

A

peter pan

89
Q

Randolph Caldecott

A

british artist and illustrator most famous for his 16 picture books, published annually in pairs by George Routledge & Sons, London: The House that Jack Built (1878) The Diverting History of John Gilpin (1878) Elegy on the Death of a Mad Dog (1879)

90
Q

John Cotton

A

new england primer

91
Q

Kenneth Grahame

A

British writer best remembered for the classic of children’s literature The Wind in the Willows

92
Q

Kate Greenaway

A

known for her children’s book illustrations. She studied graphic design and art at the South Kensington School of Art; the Royal Female School of Art and the Slade School of Fine Art.