Midterm Flashcards

1
Q

Sexual essentialism

A

assumed that sex, sexuality, & gender exist prior to our exposure to culture

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2
Q

Social Construction

A

assumed that identity is both culturally & historically situated

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3
Q

Gender-Stratified Society

A

what men do is usually valued higher than what women do

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4
Q

Ethnocentrism

A

“we/us” are the center of the universe

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5
Q

Prejudice

A

“they” are inherently not as good as “we” are because “they” are different from “us”

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6
Q

Cooperative

A

mutually beneficial relationships, out-group assimilates in the in-group

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7
Q

Stratified

A

dominant groups create stereotypes of subdominant groups, either as harmless or dangerous

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8
Q

Oppositional

A

dominant groups feel threatened by subdominant groups “battle over resources”

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9
Q

Plastic representation

A

combination of synthetic elements put together and shaped to look like meaningful imagery, it’s hollow/can’t survive scrutiny

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10
Q

Late 1940s/early 1950s

A
  • popularity of urban, “ethnic” comedies
  • ethnic specificity (Italian, Swedish, Jewish)
  • these programs are about nostalgia
  • characters get “white” over the years
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11
Q

Late 1950s

A
  • nuclear families were stressed
  • idealized suburban life
  • reaffirmed the “American Dream”
  • more whiteness as an unnamed category
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12
Q

Scopophilia

A

pleasure derived from the act of looking
(active/male v. passive/female)

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13
Q

Fetishistic scopophilia

A

builds up physical beauty of the object, transforming it into something satisfying in itself
(solving problem of castrating women)

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14
Q

Voyeurism

A

pleasure lies in asserting control & subjecting the guilty person to judgment/ punishment

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15
Q

First wave feminism

A

goal was to see fully autonomous, independent women

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16
Q

Second wave feminism

A

not just how much representation but what kind (not just quantitative but qualitative)

17
Q

Mid-1960s

A
  • social shifts in the US, national mood of about/distrust with politics/systems
  • generation gap regarding media interests (boomers & their kids)
  • largely escapist shows of various genres
  • specifically targets young adults (lots of experimenting)
18
Q

Crypto-feminism

A

more women wanted/needed to work outside the home (the institutions that are supposed to serve women were not very helpful)

19
Q

Early 1970s US TV

A
  • attempted to appeal to younger, urban, interested in political/social satire audiences (split generations of viewers)
  • aimed for realism
  • touched on controversial issues
  • more “realistic” depictions of women, class, race/ethnicity, sexuality, etc.
20
Q

New Woman

A
  • had careers, more realistic, still wives/mothers at times
  • consumers had become more liberated
21
Q

Cady Heron

A

Mean Girls

22
Q

Karen Smith

A

Mean Girls

23
Q

Gretchen Wieners

A

Mean Girls

24
Q

Mademoiselle Amy Jolly

A

Morocco

25
Q

Légionnaire Tom Brown

A

Morocco

26
Q

L.B. Jefferies

A

Rear Window

27
Q

Lisa Fremont

A

Rear Window

28
Q

Tom Doyle

A

Rear Window

29
Q
A