Midterm Flashcards
Sexual essentialism
assumed that sex, sexuality, & gender exist prior to our exposure to culture
Social Construction
assumed that identity is both culturally & historically situated
Gender-Stratified Society
what men do is usually valued higher than what women do
Ethnocentrism
“we/us” are the center of the universe
Prejudice
“they” are inherently not as good as “we” are because “they” are different from “us”
Cooperative
mutually beneficial relationships, out-group assimilates in the in-group
Stratified
dominant groups create stereotypes of subdominant groups, either as harmless or dangerous
Oppositional
dominant groups feel threatened by subdominant groups “battle over resources”
Plastic representation
combination of synthetic elements put together and shaped to look like meaningful imagery, it’s hollow/can’t survive scrutiny
Late 1940s/early 1950s
- popularity of urban, “ethnic” comedies
- ethnic specificity (Italian, Swedish, Jewish)
- these programs are about nostalgia
- characters get “white” over the years
Late 1950s
- nuclear families were stressed
- idealized suburban life
- reaffirmed the “American Dream”
- more whiteness as an unnamed category
Scopophilia
pleasure derived from the act of looking
(active/male v. passive/female)
Fetishistic scopophilia
builds up physical beauty of the object, transforming it into something satisfying in itself
(solving problem of castrating women)
Voyeurism
pleasure lies in asserting control & subjecting the guilty person to judgment/ punishment
First wave feminism
goal was to see fully autonomous, independent women
Second wave feminism
not just how much representation but what kind (not just quantitative but qualitative)
Mid-1960s
- social shifts in the US, national mood of about/distrust with politics/systems
- generation gap regarding media interests (boomers & their kids)
- largely escapist shows of various genres
- specifically targets young adults (lots of experimenting)
Crypto-feminism
more women wanted/needed to work outside the home (the institutions that are supposed to serve women were not very helpful)
Early 1970s US TV
- attempted to appeal to younger, urban, interested in political/social satire audiences (split generations of viewers)
- aimed for realism
- touched on controversial issues
- more “realistic” depictions of women, class, race/ethnicity, sexuality, etc.
New Woman
- had careers, more realistic, still wives/mothers at times
- consumers had become more liberated
Cady Heron
Mean Girls
Karen Smith
Mean Girls
Gretchen Wieners
Mean Girls
Mademoiselle Amy Jolly
Morocco
Légionnaire Tom Brown
Morocco
L.B. Jefferies
Rear Window
Lisa Fremont
Rear Window
Tom Doyle
Rear Window