Midterm Flashcards

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1
Q

three types of world literature

A
  1. An emerging body of classics.
  2. An evolving canon of masterpieces.
  3. Multiple windows on the world.
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2
Q

what is a classic

A

Work of transcendent, even
foundational value.
ex the illiad

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3
Q

what is a masterpiece

A

Can be an ancient or a modern work and need not have had any
foundational cultural force
* Came into prominence in the 19 th century as literary studies began
to de-emphasize the dominant Greco-Roman Classics
ex faust by wolfgang

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4
Q

what is windows on the world

A

The “global” perspective.

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5
Q

how does work become world literature

A

1) By circulating out into the world beyond
its linguistic and cultural origin
2) By being read as literature

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6
Q

high vs low culture

A

High culture
* Culture of the elite class
Low culture
* Culture of the
masses /working class

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7
Q

universalism

A

Universalism implies that it is possible to apply generalized norms, values, or concepts to all people and cultures, regardless of the contexts in which they are located.

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8
Q

the great chain of being

A

The hierarchical structure of
beings, e.g. God is at the top,
followed by Angels, humans,
plants, minerals.
* Subjects further down the
hierarchy had less power and
were less respected.
* Disruptions to the social
hierarchy = supernatural
consequences

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9
Q

pathetic fallacy

A

when a writer attributes human emotions to
things that aren’t human (objects, weather, animals).
* Pathetic fallacy is often used to make the environment reflect
the inner experience of a narrator or other characters

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10
Q

dramatic unity

A

3 dramatic principles described
in Aristotle’s Poetics that limit
the time, setting, and plot of a
drama.
The action must take place
during a single day (unity of
time), use one setting
throughout (unity of place),
and concentrate on the
development of a single plot
(unity of action).

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11
Q

allegory

A

The use of symbols in a story, picture, etc., to convey a
hidden or ulterior meaning, typically a moral or political one;
symbolic representation

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12
Q

imperialism

A

Imperialism is when a country extends its power into other territories for economic or political gain. The goal of imperialism is to acquire resources, often through exploitation and force. Motives for imperialism include economic, cultural, political, moral, and exploratory control

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13
Q

colonialism

A

Colonialism is the establishment and maintenance of one group of people as superior to other peoples and areas, often for imperialist control and exploitation, and through a range of practices and relations of colonization, installing coloniality and possibly colonies.

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14
Q

postcolonial theory

A

Postcolonial theory is a literary theory or critical approach that deals with literature produced in countries that were once, or are now, colonies of other countries. It may also deal with literature written in or by citizens of colonizing countries that takes colonies or their peoples as its subject matter.

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15
Q

orientalism

A

orientalism is the imitation or depiction of aspects of the Eastern world by writers, designers, and artists from the Western world.

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16
Q

epistemology

A

What is epistemology in simple words?
Epistemology is the theory of knowledge. It is concerned with the mind’s relation to reality.

17
Q

hegemony

A

Hegemony is the political, economic, and military predominance of one state over other states.

18
Q

cultural hegemony

A

In Marxist philosophy, cultural hegemony is the dominance of a culturally diverse society by the ruling class who shape the culture of that society—the beliefs and explanations, perceptions, values, and mores—so that the worldview of the ruling class becomes the accepted cultural norm.

19
Q

metanarrative

A

“is a global or totalizing cultural narrative schema which orders and explains knowledge and experience” – a story about a story, encompassing and explaining other “little stories” within conceptual models that assemble the “little stories” into a whole.

20
Q

master narrative

A

Master narratives are overarching stories or frameworks that shape our understanding of the world around us. In academia, master narratives can refer to dominant or widely accepted perspectives, theories, or paradigms that influence the way scholars approach and interpret their research.

21
Q

allusion

A

an implied or indirect reference to a person, event, or thing or to a part of another text.

22
Q

in media res

A

A narrative work beginning in medias res opens in the midst of the plot. Often, exposition is bypassed and filled in gradually, through dialogue, flashbacks or description of past events

23
Q

rhetoric

A

Rhetoric is the art of persuasion.

24
Q

three pillars of rhetoric

A

pathos ethos and logos

25
Q

masque

A

It typically involves elaborate costumes, music, dance, and allegorical storytelling.
Masques were often performed as part of royal festivities, such as weddings or celebrations.
They usually presented themes of nobility, mythology, and allegory, and were often used to praise the monarch or explore political and philosophical ideas.

26
Q

antimasque

A

Antimasques often include characters such as monsters, clowns, or grotesque figures, and their actions or dialogue may serve to disrupt the orderly and elegant proceedings of the masque.
The purpose of the antimasque is to provide contrast, heighten dramatic tension, or satirize social norms or figures associated with power and authority.
The antimasque typically precedes the masque and sets the stage for its contrast.

27
Q

prose vs poetry

A

Prose includes pieces of writing like novels, short stories, novellas, and scripts. These kinds of writing contain the kind of ordinary language heard in everyday speech. Poetry includes song lyrics, various poetry forms, and theatrical dialogue containing poetic qualities, like iambic pentameter.

28
Q

pov vs perspective

A

point of view is the type of narrator used to tell a story, perspective is that narrator’s inner thoughts and orientation to the world.

29
Q

blank verse

A

Blank verse is poetry written with regular metrical but unrhymed lines

30
Q

subtext

A

an underlying and often distinct theme in a piece of writing or conversation.

31
Q

polemic

A

a speech or piece of writing expressing a strongly critical attack on or controversial opinion about someone or something.

32
Q

subvert

A

attempts to undermine the dominant values and traditions of a society.

33
Q

etymology

A

the study of the origin of words and the way in which their meanings have changed throughout history.

34
Q
A