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musc 215 > midterm > Flashcards

midterm Flashcards

1
Q

Intermediary action refers to the practices of all the people who inter intervene as popular music is produced, distributed, and consumed

A

Mediation

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2
Q

The predominant influence of a political or cultural force over another

A

Hegemony

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3
Q

Revisiting the influence of a political or cultural force that has hegemony

A

Counter hegemony

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4
Q
  • Phonograph, 1877
  • Wax cylinders
  • Edison Records
A

Thomas Edison

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5
Q

Flat disc, 1901

Victor Talking Machine Company

A

Emile Berliner(德裔美国发明家

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6
Q

The First Major Labels

A

The Edison Company
Columbia Records
Victor Talking Machine Company
（维克多哥伦比亚爱迪生

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7
Q

Palais royale saloon in San Francisco, 1889

Military marches, hymns and vaudeville tunes

A

Coin-operated cylinder playback machine

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8
Q

European quadrille (white)
Parody called “cakewalk” (black)
Imitation of cakewalk (white)
Cakewalk becomes a signature element

A

minstrelsy

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9
Q 
Song and character created by Thomas Dartmouth Rice, 1829
First international American hit song
Subversive trickster
Morphed into gross stereotypes
Lazy, goofy, dimwitted
Untrustworthy, threatening
A

Jim Crow

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10
Q

First black blues vocalist recording: Mamie smith, “That Thing called love”, 1920
First commercially successful “hillbilly” recording: Fiddlin’ John Carson, 1913
sold to Columbia records
Indie label in NYC, established 1918

A

okeh records

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11
Q

The “image of communion” exists in the minds of those who imagine themselves belonging to a larger entity comprised of people they will likely never meet.

A

Imagined communities

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12
Q

The art of practice of narration; the representation in art of an event or story
Part of the process of mediation

A

Narrative

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13
Q

undermine the power and authority of (an established system or institution).

A

Subvert

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14
Q

Audiences identified and addressed by consumption habits

A

“Mass-mediated consumer”

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15
Q

Todd Storz and jukeboxes
Same hits in frequent rotation
Ads, jingles, promotions, rapid-fire patter

A

Top 40

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16
Q

Developed in the 1920s and 30s by Edwin Armstrong, the radio inventor
Rejected by radio networks, remains unoccupied and experimental
becomes “antiestablishment technology”

A

FM technology

17
Q

Created by Lewis Hill, 1949

Educational, multicultural, listener-supported

A

Pacifica Radio

18
Q

Bob Fass

Radio Unnameable: spontaneous & unformatted
Invented the “call-in”

WBAI (Pacifica station in NY)
“The Godfather of”

A

Freedom

19
Q

Popular music is competitive & repetitive
Shared experience through audience participation
Helped create a sense of national identity
“The most popular songs are the best songs.”

A

Your Hit Parade

20
Q

• Latest R&B records
• Black cultural elements: storytelling, speaking in rhythm and rhyme, improvisation
“Personality DJs”
Latest R&B records
Black cultural elements: storytelling, speaking in rhythm and rhyme, improvisation
“Personality DJs
Spawned white imitators (vocal minstrelsy)

A

Black DJs

21
Q
  • The Moondog Show
  • Teenage demographic
  • “Bringer of Black music to white youth”
  • “Bringer of Black music to white youth”
  • Teenage demographic
  • The Moondog Show
  • “Rock n’ roll”
A

Alan Freed

22
Q

NPR Music Narratives

“Fresh Air”

A

Terry Gross

23
Q

Turino’s Four Fields of Artistic Practice

A

Presentational Performance
Participatory Performance
High Fidelity
Studio Audio Art

24
Q

The tendency to seek distraction and relief from unpleasant realities, especially
by seeking entertainment or engaging in fantasy

A

Escapism

25
Q

Léon Theremin, Russian electrical engineer

“Aetherphone” (Theremin), 1928

A

Theremin (俄国发明家发明的电子乐器

26
Q

Robert Moog, engineer (1934-2005)
Invented Moog syntheziser, 1964
First widely used electronic instrument
Set up booth at Monterey Pop Festival, 1967
Psychedelic and Prog-rock: The Beatles, the Doors, Stevie Wonder, Frank Zappa,
the Byrds, Pink Floyd, Rush

A

Moog Synthesizer(穆格电子合成器

27
Q

1970s electronic music & social dancing
Orchestral music over rhythm section
Origins: African-American, Latin-Caribbean, queer nightlife in NYC
goes mainstream, late 1970s
Giorgio Morodor and Donna Summer, “I Feel Love” 1977

A

Disco

28
Q

Chicago, late-1970s and 80s
Frankie Knuckles
Initially for gay, Black men, expanded to wider audiences
Disco, soul, rock, R&B, drum machines, synthesizers

A

House

29
Q

Underground, often illegal, after-hours dance parties, 1980s
Interface between technology and drugs
Working-class communities, England, Germany, then San Francisco and NY
Trance= shift in consciousness & identity

A

Rave

30
Q

Event-based (Tomorrowland, Ultra Europe, Electric Daisy Carnival, Miami Ultra)
Peaked in the 2010s
Crossed over with other genres
Inclusiveness (audience)
P.L.U.R= Peace, Love, Unity and Respect (DJ Frankie Bones)
Exclusiveness (creators)
Male-dominate

A

EDM

31
Q

Gender ideologies are most often codified as religious, moral or legal systems that
justify relations between the genders.

A

gender binary

32
Q

The capacity of individuals to act independently and make their own free choices
(Barker)

A

agency

33
Q

Hatred, dislike or mistrust of women

A

misogyny

34
Q

Discrimination or devaluation based on a person’s sex

A

sexism

35
Q

A collection of movements and ideologies aimed at defining, establishing, and
defending equal political, economic, and social rights for women

A

Feminism

36
Q

Seneca Falls Convention, 1848
Issues: voting rights, access to education, property rights
UMD admits women, 1916
19th Amendment, 1920

A

1st wave Feminism

37
Q

Having both female and male characteristics.
Being neither distinguishably masculine nor feminine, as in dress, appearance,
or behavior.

A

androgyny

38
Q

The study of how different identity categories interact and affect one another,
particularly how patterns of discrimination overlap

A

intersectionality

39
Q

erosion of gender binary
new categories of gender and sexual identities
non-binary, transgender, cisgender
LGBTQIA+

A

postgenderism

musc 215 (1 decks)

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