Midterm Flashcards

1
Q

everything where the camera is not; serves purpose of delivering everything that is needed for the set to exist and the capturing of what is on set

A

unit

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2
Q

arm

A

ambiguity removal meeting

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3
Q

where the camera is

A

set

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4
Q

short summary of film to pitch

A

logline

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5
Q

what the story is, protagonist flaws, protagonist desires, obstacles, stakes

A

key elements of logline

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6
Q

leadership ability determines a person’s level of effectiveness

A

law of the lid

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7
Q

the true measure of leadership is influence, nothing more, nothing less.

A

law of influence

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8
Q

leadership develops daily, not in a day

A

law of process

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9
Q

anyone can steer the ship, but it takes a leader to chart the course

A

law of navigation

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10
Q

leaders add value by serving others

A

law of addition

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11
Q

person who provides funding necessary to produce a film

A

executive producer

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12
Q

the one who initiates, coordinates, supervises, and controls all creative, financial, technological and administrative aspects of a motion picture/television show throughout all phases from inception to completion

A

producer

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13
Q

producer’s right hand person and the budgeting, scheduling expert who supervises all administrative, financial, and technical details of the production

A

line producer

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14
Q

the person who acts as the liason between a production company and the various personnel involved in the post production process

A

associate producer

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15
Q

person who prepares first complete schedule and budget, troubleshooter and problem solver

A

unit production manager

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16
Q

liaison between director and crew

A

first ass. director

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17
Q

works closely with casting, extra casting and locations, goes on tech scouts, helps wherever possible

A

sec. ass. director

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18
Q

sets up and runs production office, hires and supervises APOC and other office personnel, helps UPM by checking availabilities and assembling crew, places orders for film, equipment, and special services

A

production coordinator

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19
Q

Based upon my protagonist’s decision

A

theme

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20
Q

ptich

A
Who is the story about?
What is their flaw?
What is their desire?
What are the obstacles of that desire?
What is at stake?
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21
Q

___________ only work if I care about my character

A

stakes

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22
Q

Trust. Ways to earn trust:
Exemplify competence
Exemplify character
Exemplify connection

A

law of solid ground

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23
Q

People will naturally follow a leader who is stronger than themselves.

A

law of respect

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24
Q

Leader’s evaluate everything with leadership bias. Leaders are readers of:
Their situation
Trends
Resources
People
Themselves
Without this they get blindsided. Obey this law to lead well.

A

law of intuition

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25
You are who you attract.
law of mag.
26
Leaders touch a heart before they ask for a hand
law of connections
27
A leaders potential is determined by those closest to him
law of the inner circle
28
Only secure leaders give power to others
law of empowerment
29
Three main barriers to empowerment
desire for job security, resistance to change, lack of self-worth
30
Why do you need others as a leader?
One person can't do it all, you need a team that reflects what you value
31
How do you connect with someone?
Connect with yourself, communicate openly and sincerely, know your audience, practice what you preach, adapt to help others, focus on others not you, believe in others, offer direction and hope
32
How to gain someones respect as a leader?
Possess natural leadership ability, respect others, have courage, work to accomplish things, be loyal, add value to others
33
How to build trust as a leader?
Exemplify competence, connection and character - people will forgive you but won't forgive a lapse in character
34
What are the guidelines for adding value to others?
Truly value others, make yourself more valuable to others, know and relate to what others value, be kind
35
What are the steps of the leadership process?
1. You don'ts know what you don't know 2. You know what you need to know 3. You know what you don't know 4. You know and grow and it starts to show 5. You simply go because of what you know
36
Five major myths of leadership
1. Leading and managing are the same thing (they're not) 2. Entrepreneurs are automatically leaders (they're not) 3. The one who is out in front of a crowd is the leader (a leader needs people willing to follow them) 4. The position defines a leader (it doesn't)
37
Protagonist, central conflict, antagonist, stakes, motivation, goal, world, inciting incident, escalating obstacles, twists, turns, climax, resolution, story, character arc, theme
story DNA
38
the central character who actively attempts to solve a conflict
protagonist
39
the difficult situation the protagonist is trying to solve
central conflict
40
the person or situation that is the main source of conflict
antagonist
41
the risk
stakes
42
the emotional reasons for trying to achieve the goal
motivation
43
the specific outcome the protagonist thinks will solve the conflict
goal
44
the reality in which the conflict occurs
world
45
the event which shakes up the status quo and starts the protagonists journey
inciting incident
46
The progression of challenges which become more and more difficult as the protagonist tries to solve the problem
escalating obsticles
47
new info which forces characters, audience, or both to reevaluate the dilemma
twists
48
key moments in every scene which change the energy
turns
49
the ultimate confrontation between the protagonist and the opposition
climax
50
the final outcome of the conflic
resolution
51
story is the emotional issues explored by the protagonist; the plot is the sequence of events producing the conflict
story vs. plot
52
the sequence of change in the protagonist's emotions, realizations, values and priorities culminating at the least the beginning of a meaningful change
character ardc
53
The cumulative "statement" reflected by how the storyteller wants the audience to ultimately feel about the issues as emphasized by the character arc.
theme
54
What your film is about.
premise
55
This means the overall Concept must be something with wide appeal. It should be familiar with a new twist. Ideally, the material would be, what the industry calls, "four quadrant".
concept
56
``` Men under 25 Men over 25 Women under 25 Women over 25 Buyers are interested if a movie can appeal to all four groups ```
four quadrent
57
Works directly with director on script. Gathers key creative collaborators for the director that will be crucial for the success of the movie.
creative producer
58
the category of the movie. (Drama, comedy, action, horror, romance, fantasy)
genre
59
You have x# of months to set up someone to buy the script
shoping agreement
60
Give money to the writer for temporary rights
option agreement
61
Buy scripts straight up
purchase agreement
62
a discrete story segment in which your characters engage in conflict and take significant actions that you portray memorably. There is a beginning, middle and end to each scene.
scene
63
A scene is built on beats, individual units of action and reaction. The last beat must end with a turning point. Once you've highlighted the core issue, state the value at the start of the scene. This outcome is the turning point of the scene—the moment where your character's value changes polarity.
turning point