Mid-Term Study guide Flashcards

1
Q

Two Jewish Musical traditions continued in Christian churches

A

Sacrifice rites at the second temple
Played by trumpets and cymbals

Psalm singing
Accompanied by instruments

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2
Q

Dangers St. Augustine felt about music in church

A

Pleasure of musical creation/strengthening faith through power of music

The worship of scripture w/ music/ seduction of worldly pleasures

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3
Q

Church rites

A

Church calendar

Liturgy

Repertory of plainchant

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4
Q

Neumes

A

Gestures placed above words to be sung

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5
Q

Types of Neumes

A

Early Neumes
- just directions no pitches

Heightened Neumes
- clear indication of intervals

Guidonian notation
- lines for pitches, indicated by letters

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6
Q

The church modes

A

Final

Reciting tone

Range

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7
Q

How are Dorian and Hypodorian related

A

Dorian - an authentic mode

Hypodorian - a plagal mode

Same final, different (lower) range and different reciting tone

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8
Q

Solmization

A

The first 6 phrases of the hymn Vt Queant laxis (ut re mi fa sol la) used to sing whole steps half steps

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9
Q

Office

A

Eight services observed during the day at different times in monasteries and convents

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10
Q

Mass

A

Symbolic reenactment of the last supper

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11
Q

3 performance styles of chant

A

Responsorial - soloist alternates with choir

Antiphonal - two groups or halves alternates

Direct - no alteration

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12
Q

3 types of text setting

A

Syllabic - one note per syllable, Dixit Dominus

Neumatic - up to 6 notes per syllable

Melismatic - long melodies on a single syllable, Viderunt Omnes

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13
Q

3 genres of chant

A

Recitation formula - chanted on one reciting tone

Office antiphons- proceeded and followed by antiphon resulting in ABB…BBA, Tecum Principium

Office hymns - strophic form, several stanzas sung to same melody, Christie Redemptor ominum

Office Psalm - more complex than recitation formulas, can be adapted to any psalm, Dixit Dominus

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14
Q

Organum

Definition and 3 styles

A

Plainchant melody with one added voice for harmony

Parallel organum - added voice appears below principal voice moving in parallel fifths, fourths, or octaves

Florid Organum - chant sustained in long notes in the low voice (tenor) while the upper voice sings phrases

Free Organum - added voice note to note using different intervals. Chant is in the bottom voice

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15
Q

What is a motet

A

New words (substitute Clausula) were added to the upper voice of a discant Organum

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16
Q

How was a motet developed out of an Organum

Double motets

Triple motets

Audience

A

Motets were created from adding new words to a discant style of Organum

Double motet - two texts sang simultaneously over tenor

Triple motet - three texts sang simultaneously over tenor

Music for the discerning elite

17
Q

Ars Nova (1310-1370)

A

Translated - New Art

New form of notation in which the note shapes indicate duration.

Allowed duple (imperfect) division of note values as well as the (perfect) division

Division of semibreve (formally smallest note value) into smaller values called minims

18
Q

Contenance angloise

A

English way/style of composing
15th century

Developed during Hundred Years’ War when British and French musicians were in close contact

John Dunstable
Motet Quam pulchra es

Emphasis on thirds and sixths, homophonic textures, melody in upper voice

Developed into what we would describe as “music” today.

19
Q

Three innovations of Renaissance music

A

Four voices (S, A, T, B) with more contrasts between higher and lower registers

Clear rhythms, duple meter

Clearer musical structure: Tonal Centers, end of sections marked by cadences

Sweet-sounding intervals “thirds and sixths”

20
Q

Four characteristics of Burgundian Chanson

A

Voices: Each voice has a distinct role with no imitation

Text setting is mostly syllabic except for cadences

Melody is memorable and arching

Consonant harmony

21
Q

What is imitation

How do they relate to phrases in Josquin’s motet “Ave Maria, Virgo serena”

A

Repeating a melody in one or more other parts

Voices share the same thematic material

22
Q

How does Guillaume Dufay’s mass, Se la face ay pale musically link the five movements of his compositions

A

Used Secular cantus firmus in all five movements of mass ordinary.

23
Q

Mensuration canon compositional technique

A

Canon - when several voices sing the same melody and enter on different intervals of time.

Missa Prolationum - notated in two parts but sung in four, each voice pair functions as a canon where the voices move at varying speeds and have different time signatures

24
Q

Guillaume Machaut

A

1300-1377

First modern composer because he organized his music into a collection of his 140 musical works with his name attached so he could receive credit for the his work.