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Theatre Appreciation > Mid-term > Flashcards

Mid-term Flashcards

1
Q

Rituals

Efficacy

A

Unconscious guidelines

Symbolic time

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2
Q

Entertainment

A

Fun
Only for present
Criticism
Theatre

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3
Q

Spectrums

A

Amusement and art
Entertainment and efficacy
Empathy and aesthetic distance

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4
Q

Theatron

A

Seeing place

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5
Q

Proscenium stage

A

FRAME
realism
Distance

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6
Q

Thrust (classical)

A

3/4 round
Audience on 3 sides
Classics, storytelling

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7
Q

Arena stage

A

Tribal ancient rituals
No elaborate scenery
Intimate

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8
Q

Traverse

A 
Audience on 2 sides 
Runway and Harry Potter 
Lot of space 
Want audience to see everything 
Good conflict
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9
Q

Found space

A

Non-traditional
Not built as performance space
Bar, tent, living room

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10
Q

Black box

A

Newest
Economically and aestheticly popular
Flexible and moveable

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11
Q

Empathy

A

Feeling

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12
Q

Aesthetic distance

A

Thinking and analyzing

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13
Q

18th century Japan

A

Banned popular plays about lovers commuting suicide

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14
Q

Off-off-Broadway

A

Described plays that happened outside traditional theatre places

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15
Q

Dionysus

A

Greek god of theatre, wine, fertility

Celebrations led to theatre

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16
Q

Bloody bloody Andrew Jackson

A

Humor and rock music for popularity of historic figure

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17
Q

Plato

A

Theatre is potentially dangerous to public

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18
Q

Drama and therapy

A

Creating theatre has beneficial effect

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19
Q

Cat on a hot tin roof

A

No traditional casting of African Americans

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20
Q

Aristotle

A

Student of Plato

Liked theatre, unlike him

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21
Q

Six elements of theatre

A 
Spectacle 
Rhythm
Language 
Thought 
Character
Plot
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22
Q

Plot

A

Mythos

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23
Q

Thought

A

Dianoia

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24
Q

Character

A

Ethos

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25
Q

Language

A

Lexis

Diction

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26
Q

Rhythm

A

Melos

Music

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27
Q

Spectacle

A

Opsio

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28
Q

Persona

A

Ancient Rome, mask worn

Now, social role

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29
Q

Front of house

A

Theatre operations that deal directly with audience

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30
Q

Sweeney Todd

A

“Stunning amalgamation of humor horror and melodrama

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31
Q

Representational

A

made to look and function realistically

32
Q

Presentational

A

Suggests world for the play without authentically showing it

33
Q

Director

A

Picks out costumes with costume designer

34
Q

Taste

A

Personal preference

35
Q

Freitag’s plot diagram

A

Exposition | inciting incident | rising action | climax | falling action | resolution | denouement

36
Q

Denouement

A

“New norm”/ world order

37
Q

Exposition

A

Show normal nothing fancy

38
Q

High art

A

Fine and fancy

39
Q

Low art

A

Pop culture

40
Q

Tragedy

A

Aeschylus, Sophocles, Euripides

41
Q

Comedy

A

Aristophanes

42
Q

Tragedy

A 
Classic (good vs. evil) 
Complex (reversal of fortune) 
Pathetic (motivated by passion) 
Ethic (moral) 
Simple 
Modern (tragic view of life)
43
Q

Comedy

Renews in end of play

A

Idea (“smart”, if/then)
Character (from persona)
Manners (make fun of social)
Farse (low comedy)
Situational (people aren’t funny, situation is)
Sketch (SNL)
Cringe (embarrassing, schadenfreude {harm-joy})

44
Q

Tragic comedy

A

More empathy
Serious work with happy ending
Blurs lines
Focus on character

45
Q

Dark (Black) comedy

A

Audience experiences laughter and discomfort

Horrible bosses

46
Q

Melodrama

A

Empathy
Exaggerated plot and character
Polar molarization (good vs. evil)
Titanic

47
Q

Linear plot

A

Events progress forward and sequentially

48
Q

Metatheatre

A

Play within a play

49
Q

Levels of characterization

A

Physical, biological, social, ethical, psychological

50
Q

Ruined

A

Challenges human ethical choices in disturbing way

51
Q

Arthur miller

A

Wrote “tragedy and the common man”

52
Q

Convention

A

Agreement between actors and audience that we don’t think think about them.

53
Q

We have more than ______ percent of Greek plays produced in classical period

A

3

54
Q

Orchestra

A

Dancing place

55
Q

Theatron

A

Seeing place

56
Q

Skene

A

Scenery

57
Q

Parados

A

Area for entering and exiting

58
Q

Kabuki

A

Most popular form of Classical Japanese theatre

59
Q

Shakespeare’s company

A

Lord chamberlains men

60
Q

Neoclassical theatre relied on

A

Time, place, and action

61
Q

David Douglass

A

Built first permanent theatre structure in U.S.

62
Q

Communitas

A

Spirit of community

63
Q

Stages of rituals

A

Initiation
Liminality
Re-integration

64
Q

First actor

A

Thespis

65
Q

Second actor

A

Aeschylus

66
Q

Third actor

A

Sophocles

67
Q

Deus ex machina

A

Mechane (crane)
Ekkyklema (trap door)

Problems magically solved @end

68
Q

Terence and Plautus

A

Took Greek theatre made by Menander

69
Q

Medieval drama

A

Liturgical (church)

Vernacular (street)

70
Q

Hrotsvitha of gandersheim

A

First female play write

71
Q

Commedia dell’arte

A

Comedy of professionals
Troupes
Stock characters

72
Q

Lazzi

A

Little comedic things
Slipping on banana peel
Every character has

73
Q

Enamorate

A

Lovers

74
Q

Vecchi

A 
Older gen 
Blocks lovers 
Father or rival 
Il capitano 
Il dottore
Pantalone
75
Q

Zanni

A

Servants
Help lovers
Arleachino
Colombina

76
Q

English Renaissance

A 
Elizabethan era 
Golden era 
Playhouses 
Flags 
Shakespeare 
Kings men troupe 
Iambic pentameter
77
Q

Peter brook’s def of theatre

A

Empty space
Performer
Spectator

Theatre Appreciation (1 decks)

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