Mid-Term Flashcards

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1
Q
A

Giotto

Bardi Chapel

Santa Croce, Florence

1320s

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2
Q
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Giotto

St. Francis Renounces his Worldly Goods

Bardi Chapel

Sta. Croce

1320s

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3
Q
A

Giotto

Funeral of St. Francis

Bardi Chapel, Sta. Croce

1320s

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4
Q
A

Gaddi

Annunciation to the Shepherds

Baroncelli Chapel

1320

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5
Q
A

Duccio

Maesta

1300

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6
Q
A

Duccio

Nativity and Prophets Isaiah and Ezekiel

from Maestà front predella

1300

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7
Q
A

Gaddi

Presentation of the Virgin

Baroncelli Chapel

1320

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8
Q
A

Daddi

Triptych with the Madonna Enthroned

1330

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9
Q
A

Giotto

Meeting At the Golden Gate

Arena Chapel, Padua

1300

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10
Q
A

Giotto

Nativity

Arena Chapel, Padua

1300

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11
Q
A

Giotto

Flight into Egypt

Arena Chapel, Padua

1300

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12
Q
A

Giotto

Ressurection of Lazarus

Arena Chapel, Padua

1300

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13
Q
A

Giotto

Betrayal

Arena Chapel, Padua

1300

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14
Q
A

Giotto

Crucifixion

Arena Chapel, Padua

1300

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15
Q
A

Giotto

Lamentation

Arena Chapel, Padua

1300

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16
Q
A

Giotto

Resurrection

Arena Chapel, Padua

1300

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17
Q
A

Giotto

Justice

Arena Chapel, Padua

1300

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18
Q
A

Giotto

St. Francis Undergoing the Trial by Fire before the Sultan

Bardi Chapel, Sta. Croce, Florence

1320

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19
Q
A

Cavallini

Last Judgement

Sta. Cecilia in Trastevere

1300

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20
Q
A

Giotto

Crucifix

Sta. Maria Novella, Florence

1300

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21
Q
A

Giotto

Arena Chapel, East

1300

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22
Q
A

Giotto

Arena Chapel, West

1300

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23
Q
A

Giotto

Last Judgement

Arena Chapel

1305

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24
Q
A

Giotto

Joachim Takes Refuge in the Wilderness

Arena Chapel, Padua

1300

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25
Q
A

Giotto

Vison of Anna

Arena Chapel, Padua

1300

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26
Q
A

Giotto

Meeting at the Golden Gate

Arena Chapel, Padua

1300

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27
Q
A

Giotto

Annunciation

Arena Chapel, Padua

1300

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28
Q
A

Torriti

Coronation of the Virgin

Sta. Maria Maggiore, apse, Rome

1300

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29
Q
A

Cavallini

Birth of the Virgin

Sta. Maria in Trastevere

1300

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30
Q
A

Giotto

Ognissanti Madonna

1300

31
Q
A

Cimabue

Arezzo Crucifix

1250

32
Q
A

Cimabue

Sta. Croce Crucifix

1280

33
Q
A

Cimabue

Crucifixion

Upper Church, San Francesco, Assisi

1280

34
Q

Frederick II Hohenstaufen

A

Stupor Mundi

Spoke Six Languages

Kept Harem

May interests (art, science, Rome, etc.)

35
Q
A

Nicola Pisano

Pisa Baptistry Pulpit

1260

36
Q
A

Nicola Pisano

Annunciation and Nativity

Pisa Baptistry Pulpit

1260

37
Q
A

Nicola Pisano

Adoration of the Magi

Pisa Baptistry Pulpit

1260

38
Q
A

Nicola Pisano

Daniel

Pisa Baptistry Pulpit

1260

39
Q
A

Giovanni Pisano

Marble Pulpit

Sant’Andrea Pistoia

1300

40
Q
A

Giovanni Pisano

Annunciation and Nativity

Sant’Andrea Pistoia

1300

41
Q
A

Giovanni Pisano

Massacre of the Innocents

Sant’Andrea Pistoia

1300

42
Q
A

Giovani Pisano

Sibyl on Marble Pulpit

Sant’Andrea Pistoia

1300

43
Q
A

Giovanni Pisano

Madonna and Child

1300

44
Q
A

Giovanni Pisano

Siena Cathedral Facade

1290

45
Q
A

Giovanni Pisano

Mary, Sister of Moses

1290

46
Q

Christus Patiens

A

Suffering Christ

47
Q

Christus Triumphans

A

Christ triumphant over death

48
Q

Albigensians

A

Dualistic Creed

Reincarnation

Earlthy ream = hell, church was bad

49
Q

Connoisseurship

A

looking at works to compare to others to determine if they are related or not (signature, document, artistic style, etc.)

50
Q

Condottiere

A

Soldier for hire

51
Q

campanilismo

A

intense regionalism

52
Q

Renaissance Artist VS. Modern Artist

A

craft, family based, profit, menail hand labor, art for function, copying master, collaboration

vs.

loner genius, talent after education, prized originality, work of art can be artist themselves, fame-based

53
Q

cassone

A

considered a closet, made for bride

54
Q

spalliera

A

cassone transofmred, goes into wall, marital context

55
Q

buon fresco

A

wet plaster

56
Q

mezzo fresco

A

semi-wet plaster

57
Q

fresco secco

A

dry plaster

58
Q

reed mats

A

first stages of fresco, makes walls secure

59
Q

arriccio

A

rough, sandy plaster so it can hold the wet plaster

60
Q

sinopia

A

mapping out what goes on the wall, an underdrawing

61
Q

spolvero

A

punched out drawing, charcoal dots on wall, designed in workshop

62
Q

intonaco

A

final layer of plaster

63
Q

giornata

A

each sequence of day’s work, top to bottom, on fresco

64
Q

bole

A

clay put down in tempra technique for fine metals

65
Q

water gilding

A

clay is made wet so metal can be applied

66
Q

sgraffitio

A

gold is applied then tooled to create patterns, paint is applied over gold and then scratched away

67
Q

mordant gilding

A

tacky surface and then sticking gold on top

68
Q

chrysography

A

gold highlighting

69
Q

shell gold

A

pulverized gold dust

70
Q

cire perdu

A

bronze casting process

71
Q

bozzetto

A

sculptural model made of wax

72
Q

Turn to Realism

A

Cathar Heresy, moving away from byzantine formula, Cult of Virgin Mary, artists restoring old work (classical style), love of Rome/Classical style of Frederick II

73
Q
A