MFAW rythmn and dynamics and texture and harmony Flashcards

1
Q

what is the metre of the piece

A

4/4 (simple quadruple time)

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2
Q

what is another name for the ground bass

A

the walking bass

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3
Q

why the ground bass called the walking bass

A

because it is made up entirely of quavers which creates a steady tread

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4
Q

when is the only time the walking bass ceases

A

the final bar

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5
Q

describe the rhythm of the vocal line

A

mainly follows the rhythm of the words and for the most part made up of quavers and semiquavers

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6
Q

when is there syncopation in the vocal line

A

on the 9 “drop” notes in bar 23-25

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7
Q

what rhythms appear in the harpsichord rh

A

tied notes and dotted notes

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8
Q

tempo and dynamics

A

in accordance with the time no dynamics or tempo markings where written on this was left to the descion of the performer however the pulse of the piece suggests quite a slow steady tempo

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9
Q

what is the texture of this piece

A

homophonic

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10
Q

what does the previously mentioned elaborate realisation by the harpsichordist RH cause

A

some almost counter point moments such as in bar 9 and 11 when the righthand anticipates the descending scales in the vocal line so that the singer appears to by imitating the harpsichord.

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11
Q

main chord progression

A

Am, F/A, Bm, G/B, C+, Dm, B~/D, E, Am/C, Dm, Am/E, E

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12
Q

what is the chord progression mainly dictated by

A

the ground bass

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13
Q

what is special about C+

A

it is an augmented triad: the interval between c and g# in the triad c,e,g# is a augmented 5th)

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14
Q

chord activity throughout

A

similar chords and chord progressions are used throughout even in the b section when the melody is transposed and extended

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15
Q

what creates the variety in the harmony in the harpsichord part

A

changing the ornamentation, decoration and layout by the harpsichord

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16
Q

what creates variety in the harmony in the vocal line

A

introducing different passing notes and suspension

17
Q

false relation

A

two different forms of the same pitch occurring in close proximity to each other (either in different parts or the same line)

18
Q

examples of false relations

A

bar 1: F# in the left hand and F in the right hand

bar 2: G# in the left hand and Gin the right hand

19
Q

tierce de Picardie

A

a major tonic chord ending a cadence in a minor key

20
Q

example tierce de Picardie

A

3rd beat of bar 23; when the chord A major rather then a minor is played on “snakes”