Methods/Analysis - Poetry AO2 Flashcards
What are 2,3,4,5,6,7,8,9 lines called?
2 lines = couplet 3 lines = tercets 4 lines = quatrain 5 lines = 6 lines = sestets 8 lines = octaves
What’s a Petrarchan?
A sonnet - contains 14 lines
What’s iambic pentameter?
pentameter: meter is the pattern of stressed and unstressed syllables in a verse, or line, of a poem.
pentameter - 5 stressed syllables in a line
stressed - syllable emphasised (stands out, long vowel sound), e.g. ME-ter, com-PU-ter
unstressed - syllable doesn’t have emphasis
Iambs: metrical foot in poetry (metrical foot is combination of stressed and unstressed syllables that repeats itself throughout a verse, stanza, or poem)
- An iamb is a very specific type of metrical foot that has one unstressed syllable followed by a stressed syllable.
- Iambic pentameter has 10 syllables
- each line of the poem has to have five iambs
What does a Sonnet consist of?
- 14 lines
- Iambic Pentameter -> 10 syllables per line
- A lyric poem dealing with love & emotions - traditionally love & praise of a lover (Shakespeare changed this, introduced jealousy, morality, joy…)
- The Petrarchan Sonnet - 14 lines divided into 2 parts: 8-line section is called an octave & a 6-line is called a sestet. A volta is where the poet’s argument changes & there’s a resolution (usually at line 9)
- The Shakespearean form - 14 lines divided into 3 quatrains & a rhyming couplet (abab cdcd efef gg)
What’s enjambment?
- the end of a phrase extends past the end of a line
E.g:
April is the cruelest month, breeding
Lilacs out of the dead land, mixing
Memory and desire, stirring
Dull roots with spring rain.
Effect: - builds a more complex narrative within a poem by fleshing out a thought instead of confining it to one line.
- the end of the first line isn’t the end of a thought but rather a cliffhanger, forcing the reader to keep moving forward to find out what happens next. It delivers a resolution in the second line, or the third line, depending on the length of enjambment
- gives poem flow & energy
- placing emphasis on things
- allows a character to flow with a thought instead of clunky, end-stopped lines that can disrupt the momentum of the performance (often in Shakespeare’s plays)
Antithesis
- Contrasting ideas/words balanced against each other
- “It was the best of times; it was the worst of times”
Assonance
- Repetition of similar vowel sounds
- “I like ike”
euphemism
Expressing unpleasant idea in a more pleasant way
Figurative language
Lang that’s symbolic/metaphorical & not meant to be taken literally
Free verse
Verse without any fixed structure
Internal Rhyme
Rhyme words in the middle of the sentences, not at the end
Irony
Saying or writing one thing while meaning another; word/phrase has one surface meaning but another contradictory, possible opposite, meaning is implied
Imagery
Use of words to create a picture/image in the mind of the reader
Juxtapose
The positioning of two things close together to emphasise their contrast
What is a Metre & the types of metres?
The regular use of stressed & unstressed syllables in poetry.
Iamb/Iambic:
- first syllable is unstressed, the second stressed (da DUH).
- “That time of year thou mayst in me behold”
Trochee/Trochaic:
- first syllable is stressed, the second unstressed (Duh da)
- “Fair is foul and foul is fair”
Dactyl/Dactylic:
- first syllable stressed, followed by two unstressed (DUH da da)
- “Cannon to right of them, cannon to left of them”
Spondee/Spondaic:
- two stressed syllables (DUH DUH)
- “Slow, slow fresh fount”