Melody Flashcards

1
Q

arpeggio

A

an arpeggio has the notes of a chord played in succession rather than together, strictly in continuously ascending or descending order. The term ‘broken chord’ is sometimes used as a synonym (the notes of the chord thus broken often occurring in any order)

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2
Q

conjunct

A

synonym for ‘stepwise’

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3
Q

disjunct

A

opposite of conjunct

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4
Q

fanfare

A

a flourish for brass instruments (frequently with percussion) for ceremonial or celebratory effect, or simply any short for brass in any orchestral work

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5
Q

leap

A

a melodic movement to a note further than a tone or semitone away from the previous note. opposite ‘step’

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6
Q

melody

A

a melody (or ‘melodic line’) is a succession of single sounds - most frequently an individual strand or part within a fuller musical texture. a melody is usually ‘tuneful’ or otherwise prominent or memorable

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7
Q

melodic device

A

a compositional method applying to a single melodic line rather than to the complete texture (for example melodic sequence)

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8
Q

monotone

A

use of the same pitch repeatedly in a melodic part

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9
Q

ornamentation

A

the process of elaborating or decorating musical material (particularly a melody). includes conventional ornaments such as trills and turns

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10
Q

ostinato

A

a short musical pattern repeated throughout a section or a complete piece

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11
Q

riff

A

similar to ostinato, but applied to popular styles of music

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12
Q

scale

A

a succession of pitches in stepwise order usually extending for an octave (e.g. C D E F G A B C is a (major) scale)

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13
Q

sequence

A

repetition of a melody (or an harmonic progression) but at different pitch level(s) rather than at the same pitch

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14
Q

stepwise

A

where a melody moves by steps (by tones and/or semitones) and not by leaps (of a 3rd or more)

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15
Q

theme

A

a melody (or occasionally some other form of musical material) on which part or all of a piece is based

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16
Q

phrase

A

a short passage of music to some extent comparable to a phrase in speaking or writing. many phrases are two or four bars long

17
Q

strophic

A

a strophic song has the same (or similar) music for each stanza of the poem being set. (a song in which some or all stanzas are set differently is ‘through-composed’)

18
Q

articulation

A

the degree to which a note is separated from the note that follows it (ranging from minimal (legato) to much greater (staccato or staccatissimo)

19
Q

imitation

A

two or more parts share the same melodic idea (not necessarily in full, exactly or at the same pitch). each new part enters separately, the preceding one continuing with shared or new material

20
Q

swung rhythm

A

two notes of the same value (usually quavers) are played with the first lengthened and the second correspondingly shortened (as often in jazz)

21
Q

accent

A

notes may be given special prominence by the addition of accent marks (e.g. >)

22
Q

tone (quality)

A

the quality of the performer’s sound (which may be termed rich, rounded, thin, etc.)

23
Q

glissando

A

a slide between adjacent notes of a chromatic or diatonic scale. the terms glissando and portamento are to some extent interchangeable, but a portamento involves movements smaller than a semitone (such as a singer can achieve but a pianist cannot)

24
Q

improvisation

A

a piece composed as it is performed, although frequently based on a pre-conceived ‘stimulus’ such as a melodic theme or chord scheme

25
melisma(tic)
a melisma is a group of notes used to set just one syllable of text. the adjective is 'melismatic'. where each syllable has one note, the style is 'syllabic'
26
range
the distance between the lowest and highest notes in a single melodic part. (a soprano part working between middle C and the C above has a range - or 'compass' - of an octave)
27
word painting
word painting occurs when a compose deliberately illustrates a word or phrase with a matching musical image (e.g. by having rising notes for 'ascending')
28
phrasing
the correct observance of divisions between whole phrases and sometimes shorter groups of notes (often to accord with a composer's phrase markings)
29
syllabic
where each syllable has one note, the style is 'syllabic'