Medieval Music Flashcards
1
Q
Plainchant
A
- Often referred to as Gregorian chant
- used in the Roman Catholic Church
- earliest written musical repertoire in the West
- the legend of Pope Gregory the Great as a divinely inspired author of all of plainchant
2
Q
Alliance between the Frankish Kings and the Roman papacy
A
- in the late 8th century
- Carolingians were legitimated by the papacy
- The church received protection against invasion of their lands
3
Q
Carolingian Renaissance
A
- under the reign of Charlemagne at the end of the 8th century and the beginning of the 9th century
- a large-scale campaign to produce authoritative written documents and to form communities of literate people who could refer to these documents
4
Q
Neumes
A
- dots and lines above chant text, which were meant to show the contour of vocal inflection rather than specific pitches
5
Q
Characteristics of Plainchant
A
- monophonic
-
non-metric
- does not have a system of strong and weak beats
-
step-wise motion
- they don’t have many large intervals in them
- relatively small range
- both melismatic and syllabic singing
6
Q
Melisma vs. Syllabic
A
-
Melisma: a single instance where there is one syllable and a lot of notes
- used to emphasize and embellish particular words
-
Syllabic: each syllable of text is set to a single note
- reflect its connection to speech
7
Q
Why is plainchant anonymous?
A
- transmitted orally and only later written down
8
Q
Hildegard von Bingen
A
- (1098 - 1179)
- melodies tend to have a slightly larger range and bigger leaps than the earlier chants
9
Q
Troubadours
A
- the troubadours were lyric poets who inhabited a region called Occitania
- their poetry and music reflects the nature of social relations in feudal Occitania
10
Q
Languages of Plainchant and Troubadours
A
- Plainchant = latin
- Troubadours = Occitan, the vernacular language of the region
11
Q
Strophic
A
- when the same music is sung for each stanza of poetry
12
Q
Monophonic
A
- they contain only one line of music to which the text should be sung
13
Q
Canso
A
- troubadour love song
-
fin’amors:“refined” or courtly love
- ritualized form of love in which the beloved was unattainable and portrayed as a quasi-sacred entity rather than as an object of lust