Media Representations: Gender, Sexuality and Disability Flashcards

1
Q

Pluralism - Media

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Stereotyping occurs because audiences want to see them. For example, the media make profit from selling/advertising.

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2
Q

Liberal Feminists

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See media representations as a product of the under representation of women, as chief executives, senior managers, editors and journalists in male-dominated media organizations, which encourages a male view of the world. This will change as we gain more power and equal opportunities in media organizations, enabling them to break through the glass ceiling.

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3
Q

Marxist Feminists

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See media imagery of gender as rooted in the need to make profits. Media owners and the producers of media content need to attract advertisers, and the advertisers need stereotypes (women, also of men) to promote sales of all manner - cosmetics, fashions, diet, and anti-ageing products. Radical feminists view that gender representations are driven by patriarchal ideology, but they also emphasise that this ideology is linked to social class ideology. Media-generated patriarchal imagery projects a lifestyle in which working-class women can least afford to participate. This confirms their own sense of inadequacy and reasserts the hegemony of the normality of male-dominated, middle-class and upper-class lifestyles

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4
Q

Radical Feminists

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Media representations as arising from the necessity to promote and reproduce patriarchy and patriarchal ideology. The media world, like the world in general, is a man’s world, which seeks to keep women in a narrow range of stereotyped roles, where they continue to be subordinate to men, where they conform to the beauty myth and look good to satisfy the male gaze

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5
Q

The under representation of women in the media industry

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Women are under-represented in positions of power and influence and in management in the media industry, e.g journalist, media and TV Producers

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6
Q

The IWMF (International Women’s Media Foundation: 2010)

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In the UK news companies, women were marginalized in news rooms and decision making hierarchies. Women faced a glass ceiling (and invisible barrier to progress in their careers), that was fixed at the junior professional level.

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7
Q

British journalism industry stats

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It is 94% white, 86% university-educated and 55% male - according to a survey of 700 news professionals conducted by City University London

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8
Q

Mulvey - The Male Gaze

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Men look at women as sexual objects, with images of women focusing on their physical appearance and sexuality, using camera angles which focus on their sex appeal, and suggestions of or actual nudity, often in a way to provide pleasure for men.

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9
Q

Wolf - The Male Gaze

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Discuses how women are expected to meet male conceptions of female beauty.

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10
Q

The Leveson Inquiry Report

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Looked into the culture, practices and ethics of the press. Commented that the tabloid press often failed to show ‘consistent respect for the dignity and equality of women’, and that there was a tendency to demean and sexualise women.

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11
Q

Patriarchal ideology and the symbolic annihilation of women

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Feminist writers suggest the media tend to be patriarchal, and spread this ideolog, presenting a male view of women and femininity in the interests of men.

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12
Q

Tuchman

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The representation of women as invisible or represented in a limited range of stereotyped roles and identities was described as the ‘SYMBOLIC ANNIHILATION’ of women, involving the three aspects of trivialization, omission and condemnation of women in the media.

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13
Q

Women in Journalism report 2023

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Based on 2022 data, men account for 70% of quoted sources, with a similarly high figure included as experts, 66%.
Globally, women are the subject of news stories far less than men.

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14
Q

The Global Media Monitoring Project 2010

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In a study of media on a global scale, they found about 76% of the people heard or read about in print, radio, and television news on news websites were male, compared to 24% of women.

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15
Q

The Global Media Monitoring Project 2010 continued…

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When women were interviews or heard in the news, they were represented as ordinary people, whereas men were presented as experts.
Women were 4x more likely to be identified by their family status than men (e.g mother of 2).
The world depicted in the news remains predominantly male.

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16
Q

Cumberbatch et al

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Women, specifically older, are significantly under-represented on popular TV shows compared to men.

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17
Q

Martinson

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82% of over 50s on BBC TV are men, with women over 50 only making up 5% of presenters.
Indicates women are less likely to age visibly on TV, and typically occupy a narrower range of roles, conforming to gender stereotypes.

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18
Q

Wolf - stereotypes in the media

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The WAG - Wives and girlfriends of men
Sex object - Sexually seductive, specifically in red-top tabloids
The Supermum - Happy home-maker, or part time worker. Manages family emotions.
The Angel - Good, domesticated, supports men in families.
Ball Breaker - Sexually active, strong, selfish.
The Victim - In horror films, they’re victims and men are perpetrators.

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19
Q

Ferguson - Cult of Femininity

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Teenage girls magazines prepared girls for feminized adult roles and produced a cult of femininity, including themes of being a good wife-partner. Socialises girls into these gender normatives. This is then reflected in adult women’s magazines.

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20
Q

Transgressive roles - Changing representations of women

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Suggested by sociologists like post-feminists that media representations reflect the way society has changed for women.
Since the 70/80’s, women are much more likely to be focused on their careers, and career women are now featured more positively in the media.
Lib Fems argue that these representations are yet to catch up with social change, but there has been progressive.

21
Q

McRobbie - Transgressive roles

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Shows in her media studies that magazines show women to be more assertive/ambitious.

22
Q

Sexually Powerful - Changing representations of women

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The idea of women as passive sex objects in the media, like in advertising, has changed.

23
Q

Gill - Sexually Powerful

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Women are not much more likely to be shown as powerful, using their sexuality to get what they want.
Debate within feminism about whether this is a positive development as radical feminists in particular argue the patriarchy has convinced women they are control, when really men are just getting what they want.

24
Q

Independent - Changing representations of women

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Lots of focus in the media on independence and aspiration for women and girls, in pop music there is a source for this with singers like Beyonce, Taylor Swift, and Lady Gaga, as they often sing about women’s independence/control.

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Gauntlett 2008 and Winship 1987 - Independent
There is a greater emphasis on young women choosing their own path in life.
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Changing representations of women AO3
Knight - Points out that although portrayals show women who can take care of themselves in ways that have been historically been seen as male, there is still and underlying conventional femininity being shown in the media. Media still show women conforming to the male gaze with conventional attractiveness.
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Representation of men
Men appear in a wider range of representations, in a public sphere and outside of the home or carrying higher status, e.g when men are more likely to be bosses or men. Male voices are more likely to be used in voice-overs in TV or radio, reinforcing them as authority figures or opinion formers.
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Connell - Hegemonic masculinity
There is a particular view of masculinity, of being a real man, that is dominant in Western culture. That view includes both gender hierarchy, and a hierarchy among men.
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Gilmore
Described the stereotyped hegemonic masculine identity as the 'provider, protector, and the impregnator' often appears, not as exclusively as the stereotypes of women. Men are presented as having interests seen as part of hegemonic masculine identity. Men's magazines reveal these things like sport, photography, computers.
30
Hegemonic Masculinity
One concept of hegemonic masculinity has managed to remain dominant in society, partially through the media. Argued that this masculinity has been eroded in society today. Relates to an idea of there being a crisis of masculinity, where the precise role for men in society is in crisis or flux. Men do not need to do all the work of provide for their families, and instead hegemonic masculinity is replaced with toxic masculinity.
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Hegemonic Masculinity
All that is left are the negative aspects of hegemonic masculinity are aggression, violence, misogyny and homophobia. Boys are brought up to bottle their emotions and prove that they are physically and sexually good or better than other boys.
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Children Now - 6 male media stereotypes
1.) The Joker - uses laughter to avoid displaying seriousness or emotion 2.) The Jock - avoids being soft, shows aggression to demonstrate his power and strength to win 3) The Strong Silent Type - in control, acts decisively, doesn't talk about feelings or showing emotion. Successful with women. 4) The Big Shot - economically and socially successful, high social status 5) The Action Hero - strong, not silent, shows extreme aggression and violence 6) The Buffoon - Well intentioned and light-hearted, found in TV, ads, sitcoms. Hopeless at parenting or domestic matters.
33
Representations of heterosexuality
Similarly to symbolic annihilation of women, some sociologists have pointed to the same process in relation to homosexuality. This has been either stereotyped or absent from mainstream media.
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Batchelor - Heterosexuality
In the media this is normal and homosexuality is always exceptional or unusual in some way.
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Representations of heterosexuality
People's sexual characteristics and behavior have always been a central part of the hegemonic feminine stereotype, in Britain and other Western countries, women have always been defined largely by their physical attractiveness and sexual appeal to men. Increasingly, changing social attitudes have meant men are also becoming represented as sexual objects.
36
McRobbie
Men are beginning to face the same sort of physical scrutiny, by both women and other men, as women have always had to put with it . The beauty stakes have gone up for men, and women have taken up the position of active viewers. A new stereotype has emerged - meterosexual, these are hetersexual men who embrace their feminine side and are in touch with their emotions. Have refined tastes in clothing.
37
Representations of homosexuality
In Brookside, a TV show in 1994, it was considered groundbreaking when it featured the first lesbian kiss on UK TV, before the watershed. Since, most TV shows have gay characters, not all stereotypical or simply present. The media are controlled by middle-class white predominantly heterosexual men, so the view of homosexuality is formed through a heterosexual media gaze.
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Gross 1991
Media have often symbolically annihilated gay men and lesbians by excluding them altogether, trivialized or condemned.
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Gauntlett 2008
Argues that although things are changing, homosexuality is still underrepresented and negatively portrayed in the media.
40
Stonewall 2010
LGBTQ+ people appeared in less than 5% of TV shows popular with young people. Most representation came from just 4 shows: Hollyoaks, I'm a Celeb, How to Look Good Naked, and Emmerale. 50% of portrayals used stereotypes, and 36% were negative.
41
Cowan and Valentine
On the BBC, gay people were 5x more likely to be shown negatively than positively. Mostly appeared in entertainment shows, rarely in factual programmes like documentaries or news.
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Cowan and Valentine - Stereotypes
Campness - Homosexuality is often associated with camp humour. Male gay TV personalities are often known for a particular type of humour. The stereotypes about gay men. Association with HIV/AIDS - In the 1980s, reporting of this focused on the gay community and further supported a stereotype of gay men being particularly promiscuous. Temporary - Homosexuality is presented as something temporary.
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Gill - The sanitization of gay sexuality
Mainstream media rarely represent homosexuality in a sexualised way which is done in a way that is not to challenge the heterosexual ideology.
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Gauntlett
Has noted that things have improved in this area and that it might be helping attitudes in society more generally, there is still stereotypical representation in this area, including presenting lesbianism for the male gaze.
45
AO3 Changing perceptions
There is now a growing acceptance and tolerance of diversity of sexual orientations. Evidence of some change in traditional representations of masculine and feminine and gay sexuality. Media companies have woken up to the fact that the gay and lesbian consumer market is large and affluent.
46
AO3 Changing perceptions
Pluralists - media companies are now slowly beginning to respond to what the gay and lesbian audience wants. Achieve this by advertising campaigns and the provision of media products, particularly in the new digital media and the plethora of gay and lesbian websites.
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Shakespeare
Disability should be seen as a social construction - a problem created by the attitudes of society and not by the state of our bodies.
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Shakespeare - Representations of disability
Suggests that disability is defined by societal norms that exclude those who don't fit the idea of normal. This stereotype can create a disabled identity for individuals with non-conforming bodies, especially those with physical impairments, regardless of whether the impairment affects their mobility or physical abilities.