Media Representation Flashcards

1
Q

MUSCLE

A
Mise en scene 
sound 
camerawork 
lighting 
editing
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2
Q

Mise en scene

A

Everything within the frame

Settings, costumes, props, colours, performance and actors

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3
Q

Sound

A

diegetic - sound within the world of the film

non-diegetic - sound of the world of the film

internal diegetic - subjective sound, inside a character’s head

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4
Q

Camerawork

A

C Composition (or shots) - LS, MS, CU

Long shot
Medium shot
Close up

A Angles - high, low, canted

M Movement - Tracking and Panning

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5
Q

Lighting

A

High key - bright

Low key - dark

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6
Q

Editing

A

creative and techinical part
involves selecting scenes to be shown and putting them together

pace - fast or slow

rhythm - narrative flow

transitions - type of cuts used to move from one scene to the next

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7
Q

Semiotics

A

study of signs

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8
Q

Ferninand de Saussure

A

sign - signifier/signified

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9
Q

Sign

A

anything conveying meaning

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10
Q

Signifier

A

form of a sign

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11
Q

Signified

A

concept of an object that represented

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12
Q

Charles Sanders Peirce

A

interpretant
signifier
signified
recognised the role of the audience in intepreting the sign

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13
Q

Interpretant

A

sense the audience makes of the sign

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14
Q

Denotation

A

literal meaning of a sign

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15
Q

Connotation

A

agreed meaning attached to a sign which can be emotional, cultural or symbolic

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16
Q

Mediation

A

the decisions the producer makes for a piece of media like their experiences and their biases
choices they makes affects the meaning

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17
Q

Contructionist View (Re-presenting) Stuart Hall

A

Stuart Hall acknowledges mediation affects how people see things in the world

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18
Q

Audience Positioning

A

where they are set in the narrative

19
Q

Contra Puntal

A

sound and image are in conflict

20
Q

ELS

A

Establishing shot

21
Q

Verismilitude

A

the appearance of being true or real

22
Q

Anchorage

A

something that anchors the meaning

23
Q

Laura Mulvey (the male gaze)

A

Suggests that the typical audience is male and female characters are meant to be objects in films

look of the camera: invisible
look of the audience: invisible
look between the characters: visible

24
Q

Scopophilia

A

pleasure from watching

25
Richard Dyer (stereotypes and power)
media reinforces stereotypes way of imposing order on diversity exaggerates differences can construct the audience's perceptions of the world indentities constructed and communicated via stereotypes convey information to the audience
26
Mode of address
Direct - talking about you | Indirect - not talking about you
27
Oppositional gaze
type of looking that involves the political rebellion and resistance against the black repression of a black person's right to look black women are underrepresented and are also not allowed to look
28
Polysemic
many meanings
29
desensitisation
becoming less effected by issues
30
PNO (Hall)
Preferred Negotiated Oppositional
31
Hypodermic needle model
Passive audiences believe the ideologies presented in the media
32
active audience
an active audience questions the messages communicared by the product and the producer
33
passive audience
a passive audience accepts the messages communicated by the product and the producer
34
intertextuality
one media text references another
35
CEL
circular episodic linear
36
Circular
when the narrative starts at the end
37
Episodic
when a narrative is broken into events or narrative pieces
38
Linear
when a narrative is told in the order in which events happen
39
Tzvetan Todorov
theorist
40
Propp
theorist who identified 8 character roles
41
8 roles
``` villain hero donor helper princess princess's father dispatcher false hero ```
42
Restricted Narrative
audience knows as much as the characters do
43
Omniscient Narrative
audience knows more than character