Media and Language - Camera Work Flashcards

1
Q

extreme long-shot

A
  • can be taken from as much as a quarter of a mile away.
  • used as scene setting.
  • shows an exterior.
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2
Q

Long shot

A
  • shows the image as approximately “life” size
    focus is on characters, plenty of background detail
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3
Q

medium shot

A
  • contains a figure from the knees/waist up
  • normally used for dialogue scenes/ show some detail of action.
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4
Q

Close Up

A
  • shows very little background.
  • concentrates on either a face or a specific detail of mise en scene.
  • magnifies the object, shows the importance of things.
  • takes us into the min of the character
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5
Q

Extreme Close Up

A
  • magnifying beyond what the human eye would experience in reality.
  • an artificial shot, can be used for dramatic effect
  • tight focus required means that extra care must be taken when setting up and lighting the shot.
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6
Q

The Bird’s Eye View/Establishing Shot

A
  • shows a scene from directly overhead, a very unnatural angle.
  • puts the audience in a godlike position
  • can be made to look insignificant, ant-like, part of a wider scheme of things.
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7
Q

High Angle

A
  • not so extreme as an establishing shot.
  • camera is elevated above the action using a crane to give a general overview.
  • make the object seem smaller, and less significant
  • character/object often gets swallowed up by their setting they become part of a wider picture.
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8
Q

Eye Level

A
  • fairly neutral shot
  • camera is positioned as though it is a human actually observing a scene.
  • camera will be placed approximately five to six feet from the ground.
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9
Q

Low Angle

A
  • increase height and give a sense of confusion to a viewer, of powerlessness within the action of a scene.
  • background of a low angle shot will tend to be just sky/ceiling
  • lack of detail adds to the disorientation of the viewer.
  • added height of object may make it inspire fear and insecurity.
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10
Q

Oblique/Canted/Dutch Angle

A
  • camera is tilted
  • suggests imbalance, transition and instability
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11
Q

Point of View

A
  • when the camera becomes the ‘eyes’ of one particular character
  • sees what they see
  • hand held camera is usually used
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12
Q

Pans

A
  • movement which scans a scene horizontally
  • camera is placed on a tripod, operates as a stationary axis point as the camera is turned
  • follow a moving object which is kept in the middle of the frame.
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13
Q

Tilts

A
  • a movement which scans a scene vertically
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14
Q

Dolly Shots

A
  • AKA trucking/tracking
  • camera is placed on a moving vehicle and moves alongside the action
  • follows a moving figure/object
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15
Q

Handheld Shots

A
  • handheld movie camera first saw widespread use during World War II.
  • gives a jerky, ragged effect
  • at odds with the organised smoothness of a dolly shot.
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16
Q

Crane Shot

A
  • dolly shot up in the air.
  • a crane can move the camera up and down, left and right and in a swooping motion
17
Q

Zoom Lenses

A
  • cameras contain a mechanism that can change the magnification of the image
18
Q

The Aerial Shot

A
  • variation of a crane shot
  • often taken from a helicopter
  • used at beginning of a film to establish setting and movement