media Flashcards

1
Q

What are the 7 features of media ownership?

A

1) concentration of ownership
2) vertical integration
3) horizontal integration
4) conglomeration and diversification
5) global conglomeration
6) synergy
7) technological convergence

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2
Q

Define concentration of ownership

A

A few large companies that dominate the media

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3
Q

Define vertical integration

A

A company that owns multiple stages of production within a single medium. (e.g a film studio owning a cinema)

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4
Q

Define horizontal integration

A

Cross-media ownership (e.g a film company also owning newspapers and restaurants)

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5
Q

Define conglomeration and diversification

A

Media companies that expand into different industries (e.g virgin media)

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6
Q

Define global conglomeration

A

Media companies that operate worldwide

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7
Q

Define synergy

A

Companies that promote and sell products in multiple forms. (e.g a film, sound track and a video game)

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8
Q

Define technological convergence

A

Multiple forms of media accessed on one device (e.g smartphones)

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9
Q

What are the three features of the manipulative/instrumental approach?

A

1) direct control
2) limited editorial freedom
3) passive audience

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10
Q

Define direct control (manipulative approach)

A

Owners who manipulate content to protect profits and promote the dominant ideology

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11
Q

Define limited editorial freedom (manipulative approach)

A

Editors and journalists must align with the owners interest

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12
Q

Define a passive audience

A

Audiences are seen as easily influenced, uncritical and accepting of media messages

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13
Q

What are some criticisms for media ownership?

A
  • assumes a passive audience
  • underestimates audience agency and critical thinking
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14
Q

What is Evan’s view on media moguls

A

Media moguls such as Rupert Murdoch influence editorial decisions, pushing their own right wing, conservative views

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15
Q

What are the key traditional marxist ideas on ownership and control?

A
  • favourable representations of the working class
  • myth of meritocracy
  • radical views are dismissed
  • ruling class views as ‘normal’
  • negative portrayals of ethnic minorities
  • entertainment as a distraction
  • media ownership
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16
Q

Define media mogul

A

A person who owns a significant share of the media

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17
Q

Define media monopoly

A

When a few individuals control the media

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18
Q

Define plurality

A

Shared media ownership

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19
Q

What is Bagdikans view of media ownership

A

Media ownership is highly concentrated among a few global companies and moguls.
(Lords of the global village)

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20
Q

What is Curran’s view on media ownership and what did his research find?

A

British newspapers have historically been controlled by a small number of powerful individuals. In 1937, four men owned nearly half of every national and local newspapers. Today just 7 individuals dominate British national and Sunday newspapers.

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21
Q

What are some criticism of the traditional marxist views of media ownership?

A
  • very outdated
  • not all newspapers are right wing now
  • audiences are not always passive
  • Neo marxism: owners dont micromanage media so journalists and editors have some control
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22
Q

What are the key neo-marxist ideas on ownership of the media?

A
  • indirect media control
  • gatekeeping and agenda setting
  • no micro management
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23
Q

Define agenda setting

A

Deciding how topics are framed (e.g choosing guests, shaping discussions)

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24
Q

Define gatekeeping

A

Selecting what stories are covered and what ones are ignored

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25
Q

What did the Glasgow University Media Group find about journalists?

A

In the 1970s, most journalists were white, middle class males which influences media perspectives

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26
Q

What was Gramsci’s view on the ruling class?

A

The ruling class maintains hegemony by presenting the bourgeois ideology as ‘common sense’, making an alternative seem extreme.

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27
Q

What are the key pluralist views on ownership?

A
  • media ownership is economic, not ideological
  • Conglomerates maximise profits
  • Capitalist is not a problem
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28
Q

Explain the pluralist view that ownership is economic, not ideological

A

Companies prioritise profit, not controlling public thought

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29
Q

Explain the pluralist view that conglomerates maximise profits

A

Horizontal/vertical integration and globalisation helps businesses grow

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30
Q

Explain the pluralist view that capitalism is not a problem

A

A free market benefits consumers

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31
Q

What is Curran and Seatons view on audiences

A

Audiences have a lot of media choice, reducing elite control

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32
Q

Explain the pluralist view on media and politics

A

Media is vital for democracy, allowing for diverse voices

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33
Q

Give a criticism for the pluralist view on ownership

A

Marxism - the media manipulates control and creates false needs to maintain capitalist control

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35
Q

Define high culture

A

Intellectual achievements such as art, music, literature, poetry, theatre. These are seen as culturally superior

36
Q

Define folk culture

A

Traditions and rituals such as folk singing, dancing and traditional costumes

37
Q

Define popular culture

A

Mass media products: TV, films, magazines, popular music and comics. Enjoyed by the majority in capitalist societies

38
Q

Define Globalisation

A

Increasing interconnectedness through movement of people and products

39
Q

What is Barnett and Seymers view of popular culture

A

“Superficial candyfloss culture”
- Popular culture dumbs down intelligence, creativity and critical thinking

40
Q

What is McChesney’s view on global media

A

Global media controlled by fewer than 10 corporations

41
Q

What does the globalisation of popular culture

A
  • Technology spreads the same popular culture worldwide
  • Leads to cultural homogenisation
  • Folk culture rejected in favour of mass production
42
Q

What is the postmodernist view on the media

A
  • Society has shifted from industrial production to consumption of culture
  • Media now shapes identity more than class, gender, family or nationality
43
Q

What is Baudrillard’s view on hyperreality

A
  • Media creates a saturated society distorts reality
  • Media presents artificial simulations of real events
44
Q

What is McLuhan’s argument about the Global Village

A
  • Technology has collapsed space and time barriers in communication
  • Instant global communication is now possible
45
Q

What are some criticisms of globalisation

A
  • Assumes people approach media with no prior experience
  • Poorer populations lack access to new media and free choice in media consumption
46
Q

Summarise Strinati’s view on postmodernism and culture

A
  • there is now a blurred line between high and popular culture which leads to increased consumer choice
  • High culture assimilates popular culture
  • New media spreads global images, logos and brands
  • global consumption shapes identity and self presentation
47
Q

What are the 11 news values?

A

1) composition
2) continuity
3) elite nations/people
4) frequency
5) meaningfulness
6) negativity
7) personalisation
8) proximity
9) threshold
10) unambiguity
11) unexpectedness

48
Q

Explain the news value composition

A

Events that fit a news outlets style, political style or journalists views

49
Q

Explain the news value continuity

A

Running stories with ongoing impact, convenient for journalists already covering them

50
Q

Explain the news value elite nationals/people

A

Stories about powerful nations, people or organisations are seen as more important

51
Q

Explain the news value frequency

A

Short, quick events fit news schedules better than long, ongoing developments

52
Q

Explain the news value meaningfulness

A

Events that resonate with the audiences and match their interests

53
Q

Explain the news value negativity

A

Bad news is prioritised over positive stories

54
Q

Explain the news value personalisation

A

stories that focus on individuals, human angles or celebrity involvement

55
Q

Explain the news value threshold

A

only large, significant events with a big impact make the news

56
Q

Explain the news value unambiguity

A

clear, simple stories that dont require extensive background explanation

57
Q

Explain the news value unexpectedness

A

unusual, dramatic or shocking events get more coverage

58
Q

What is Galtung and Ruge’s view on the social construction of news

A
  • news is socially constructed and based on news values
  • journalists and corporations decide what is newsworthy based on criteria
  • different organisations have different values over time
59
Q

What are some criticisms of Galtung and Ruge

A
  • news values have changed
  • visual appeal
  • advertiser influence
60
Q

What are some practical and economic factors in news production

A
  • tight deadlines and budgets > prefer easily accessible stories
  • limited contacts > journalists rely on the same sources
  • advertising influence > news avoids criticising capitalism or economic growth to retain advertisers
61
Q

Define agenda setting

A

When the media frames news by deciding who speaks and what questions are asked

62
Q

Define gatekeeping

A

When editors decode what news is published and what is left out

63
Q

Define norm setting

A

Media reinforcing social norms and isolating those who dont conform.
Encourages conformity

64
Q

Define political socialisation

A

Media shapes political beliefs and voting behaviour through social influence

65
Q

What are some political and cultural factors that affect the selection of the news

A
  • UK newspapers follow a voluntary Press Complaints Commission code to avoid misrepresentation
  • Leveson Report
  • Censorship
66
Q

Explain the Leveson Report (2012)

A

Exposed journalistic misconduct, misrepresentations and phone hacking

67
Q

Explain David’s argument on the rise of churnalism

A
  • journalists rely on press releases and news agencies rather than independent investigation
  • only 12% of stories in major uk newspapers were independently reported
  • leads to the blurring of news, advertising and entertainment > lowers accuracy and quality
68
Q

Evaluate the selection and presentation of the news

A
  • some news programs aim for neutrality
  • the media targets the powerful
  • social media provides alternative sources of information
70
Q

What is the media stereotype for children

A

impressionable, social media obsessed

71
Q

What are the media stereotypes of teenagers

A

deviants, social media obsessed, criminals

72
Q

What is the media stereotype for the elderly

A

weak, defenceless, victims

73
Q

Explain Chester’s argument on age representations

A

Advertising targets kids ‘peste power’ for games

74
Q

What did Curran and Seaton argue about working class media representations?

A

The media portrays the working class as uninterested in public affairs, preferring exaggerated human interest stories

75
Q

What are the main stereotypes associated with the working class

A
  • dumb and stupid
  • source of trouble and conflict
  • idealised/romanticised communities
  • demonised as chavs
76
Q

How is the middle class presented in the media?

A
  • over represented
  • mature, sensible, educated. successful
  • reinforces hegemonic ideology of middle class life
77
Q

What is celebrity culture?

A

The media obsessively covers the rich, treating them as celebrities

78
Q

Give an example to over-representation

A

The middle class is more over represented than the upper class

79
Q

How are the upper class represented

A

well-bred, cultured, superior

81
Q

What would the neo-marxists argue about the upper class representations

A
  • The media celebrates hierarchy & wealth to legitimise inequality
82
Q

How are black peoples stereotyped in the media?

A
  • scapegoats
  • deviants
  • a threat
  • lacking talent
83
Q

Summarise Hall et al’s study on moral panics

A
  • the media exaggerated black crime in the 1970s, creating the black mugger stereotype
  • moral panic & folk devil: black men were portrayed as dangerous criminals
  • distracted from economic crisis: shifted everyone’s concerns of the failings of capitalism