Media 📸 Flashcards

You may prefer our related Brainscape-certified flashcards:
1
Q

Who owns UK media?

A

A statistic is often shared on social media that “five billionaires own 80% of the UK media.” (eg. Rupert Murdoch).
— These billionaires are indeed, key players, and there is no doubt that the ownership of the mainstream media in the UK is concentrated in very few hands.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
2
Q

What is a media mogul?

A

The term media mogul refers to an individual who owns a significant share of the media company, arguably providing them with significant control over that company’s media content.
— The classic example is Rupert Murdoch, who owns a number of newspaper and TV broadcasting companies around the world.

Curran (2003) points out that it has always been this way: in 1937 four men owned approximately half of all newspapers sold nationwide (including local newspapers).

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
3
Q

What is horizontal integration?

A

This is where media companies will expand, often buying or merging with competitors in a similar section of the market to them.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
4
Q

What is media convergence?

A

This is where different media corporations join with other companies to offer a product or service.
— For example, Microsoft’s Windows operating system is used on Samsung Mobile phone technology. This is in contrast to Apple, that uses its own software system in its phone technology.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
5
Q

What are global conglomerates?

A

Refers to companies that consist of a lot of different business / interests that may operate on an international level. Many media companies have businesses across different countries.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
6
Q

What is the Traditional Marxist view on the ownership and control of media?

A

Traditional Marxists argue that those who own the media also control it.
— They note that the media is owned by members of the bourgeoisie (very wealthy business owners).
— They argue that these bourgeoisie owners instruct editors and journalists to put across particular messages to the audience. These messages spread the dominant ideology which seeks to justify the power and privilege of the bourgeoisie.
— Through this, the media is able to contribute towards creating a false class consciousness.

EXAMPLES:
+ Richard Desmond, former owner of the Express, regularly visited the newspaper offices making clear demand of what should be included.
+ Rupert Murdoch claims he only took large, long-term decisions (such as which party the paper would support at the general election or what their view on the European Union should be) former editions of his have suggested a much more hands-on approach.

Curran (2003) found lots of evidence of owners directly manipulating media content. In the middle of the 20th century, “press barons” were quite open about their propagandist role, and also that there have always been a lot more Conservative-supporting newspapers than those critical of that party, which reflects them serving the interests of their wealthy owners. he argues that in the later 20th centru and today, owners are, if anything, more interventionist, with Rupert Murdoch being the obvious example.

Furthermore, politician Tony Blair famously flew out to australia to meet with Rupert Murdoch and was rewarded with the support of the Sun.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
7
Q

Evaluation : Traditional Marxist views

A

CRITICISM - NEO-MARXISTS:
P: A criticism of traditional Marxist theories of the ownership and control of media comes from neo-Marxists, who point out that the bourgeoisie owners of media companies do not have time to micro-manage media content.
E: Traditional Marxists suggest that owners have a clear political view and a clear set of economic interests and ensure that their media companies project those views and disseminates an ideology that supports their interests.
E: In reality, owners can have so many business interests that they can really only control with big picture, leaving real control of media content down to editors.
L: Even the editors of large publications or programmes cannot control everything and give some autonomy to their journalists.

CRITICISM - PLURALISTS
P: A further criticism comes from pluralists who argue that proprietors are predominantly businessmen, not editors.
E: James Whale (1997) argues that “media moguls” are busy dealing with global business matters, not what story to run in a particular national newspaper. A journalist who has written extensively about media control, asks the question, why would you own a newspaper if not to try and put across your opinions? But pluralists have a clear response to that: to sell them and make lots of money.
E: If the aim of media owners is to make money, than their interest in the content of the media does not elate to ideology or politics but more to the basic question of what to sell. Owners might intervene sometimes in the media content, but they will do so because they want to ensure good sales figures.
E: Even Curran, whose research provides some evidence to support the Marxist perspective, argues that Rupert Murdoch’s interventions in his publications are more based on commercial needs and sales than being part of the ideological state apparatus.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
8
Q

What is the Neo-Marxist view on the ownership and control of the media?

A

Neo-Marxists agree with Marxists that the role of much of the media is dissemination of bourgeoisie messages and ideology. However, they argue that this is not because of the owners micro-managing the day-to-day content, but because the editors and many of the journalists come from privileged backgrounds too, and of course they were employed by the owners or company who generally choose to employ people whose opinions and values are a good fit with their own.
— — When Rupert Murdoch or Richard Desmon where choosing editors for their papers, they did not pick revolutionary socialists after all. They chose people who shared a similar worldview to themselves. As such, there is no need to micro-manage an organisation; it will put across the ideology of the owner because that ideology is shared by most of the journalists and editors.

The Glasgow University Media Group (GUMG) found that, in the 1970s, the vast majority of journalists working in the national media were white, middle-class (usually upper middle-class) men.
+ In their research into media content over many years, they have identified numerous examples of the media taking the side of the powerful in various disputes, even when the media is apparently attempting to be neutral and objective.

(GUMG, continued) The social diversity of the newsmakers has not changed as much as we think. Guardian columnist Owen Jones sparked controversy among his fellow journalists when he described the media as a privileged “closed shop”, but the statistics he quoted are quite clear.
+ 51% of top journalists in Britain are privately educated, compared with 7% of the population.
+ Only 19% of top journalists went to comprehensive schools, compared with 90% of their readers.
+ 94% are white and 55% are men.
— Jones suggested that this is getting worse rather than better, as the decline of local newspapers has removed one route that working-class people could take into a journalism career.

Neo-Marxists state that the journalists and editors are not necessarily consciously disseminating the dominant ideology, in order to create false class consciousness. Instead, the ruling-class have established what Gramsci called hegemony.
— Through this process, bourgeoisie ideology becomes viewed as common sense.
— This hegemonic approach contrasts with the traditional Marxist manipulative / instrumental approach. The GUMG also acknowledge that staying within the “common sense”, middle-of-the-road set of views is also down to commercial considerations; an attempt to offend as few viewers or readers as possible.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
9
Q

EVALUATION : Neo-Marxists

A

CRITICISM - PLURALISTS
P: James Whale (1997), a pluralist, would argue that the views and approaches contained within mainstream media is not a result of the social background of editors and journalists, but instead a result of the market demands of the audience.
E: If some positions, attitudes and values are more prevalent in the media than others, it is because those are the ones that audiences demand.
E: Furthermore, pluralists would point out that there is a diverse array of media companies and media outlets. While the most popular might present a particular worldview, there are plenty of other media outlets that present alternative worldviews.
L: This proposes the idea that parts of the audience that want to hear / read that already can do. if they appealed to more of the audience, they would take over from other organisations as the popular, well-known newspapers or channels.

CRITICISM - TRADITIONAL MARXISTS
P: Traditional Marxists would question the idea that journalists themselves necessarily share the right wing views of their owners.
E: The left-wing Labour MP, Dennis Skinner, tells a story about marching with striking miners through London and journalists at the Daily Express cheering them on from their office windows, despite the newspaper regularly printing articles attacking the miners’ union leaders and strikes.
E: This, therefore, suggests the more traditional Marxist approach - the owners force their agenda onto the journalists and therefore onto the audience - may be more accurate.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
10
Q

What is the Pluralist view on the ownership and control of the media?

A

Pluralists dismiss the idea that the media moguls and press barons control media content. They Argue that editors and journalists are professionals with ethics and integrity who would not allow themselves to be manipulated by owners in the way suggested by Marxists and Neo-Marxists.

They are not overly concerned about the concentration of media ownership; this is not a sinister ideological split, but rational economics.
— Companies want to maximise profits and minimise costs, and the formation of conglomerates, horizontal and vertical integration and globalisation of media companies facilitates this.
— They do not see such development as cultural imperialism or capitalist dominance, but as the functioning of the free market.
— They would however, be concerned, if such developments led to a complete monopoly; their theory depend on there being genuine choice for consumers.

Pluralists point out that the audience has a lot of choice in terms of what it wants to consume, particularly today with new media providing a very wide range of different viewpoints and approaches.
+ As such, it is important for media companies to offer the audience what they want in order to keep them as their customers.
+ In a free market, the companies must meet the demands of the customers. In this way, the audience has a lot of control over the media content which they consume.

This is a view that see the audience as very ACTIVE.
— While neo-Marxists would claim to place more agency on the part of the audience than traditional Marixts, pluralists would criticise both.

They argue that the audience exert real control over the media through their consumer choices.
— In this sense the media is demand led.

The market mechanism ensures audiences control content.They will not watch or buy if their needs are not catered for. Media companies must compete to satisfy these needs.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
11
Q

EVALUATION : Pluralists

A

CRITICISM - MARXIST
P: literally the same thing on the other slides ffs they all go against eachother

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
12
Q

What is Mass Culture Theory?

A

‘High culture’ - the culture of the elite
‘Folk culture’ - describes “ordinary people”

Mass culture is produced by big businesses and is distributed and promoted by the mass media.

The difference between high and folk culture is seen through values, norms, belief and music, literature and even art.
— Higher social classes - sponsoring artists and musicians. Opera, fine arts etc reserved for their accessibility.
— Forms of craft, folk tales and folk music associated with lower social classes. It was produced by and for the people.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
13
Q

What do the right wing have to say about mass media?

A

> Right Wing critics ‘Elite Theorists’

Elliott and Leavis claim mass culture is a threat.
— High culture not only encompasses the finest forms of the artistic industry but superior values and morality
— Role models for the proletariat
— Mass culture dumbs down of our culture

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
14
Q

What do the left wing have to say about mass media?

A

> Left wing critics

Neo-Marxist Frankfurt school developed critical theory which argued that capitalism imposes culture on the masses and creates an illusion of choice.
— Reality is that standardisation and predictable mass culture conceal a manipulative ideology in which consumerism and conformity replace consciousness.

Marcuse sees mass culture as reducing people to uncritical passive consumers
— The media is the opiate of the masses, drugging its victims with a mixture of consumerism and crass entertainment.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
15
Q

What role does advertising play in mass media?

A

Advertising encourages consumerism, greed and selfishness.
+ Traditional working class values - loyalty, solidarity and cooperation are undermined
+ Pro-capitalist values - competition and selfishness are encouraged

People become one-dimensional and consumerism becomes the meaning of life.
As people become more isolated, they are easier to control and it’s easier for the ruling class to maintain their ideological domination (hegemony).

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
16
Q

What do pluralists think of mass media?

A

The media, like society is more diverse - there is more variety than ever. All cultures from all over the world are available to everyone.
— We can experience more types of music than we can think of
— Gans emphasises the cultural choices available today, thanks to the mass media
— They believe that fine art and classical music is not for the elite anymore

17
Q

What is the postmodernist view on mass media?

A

Argue that the media provides us with cultural artefacts from many times and places.
— We forge our own destiny and identity through consumer choices.

We’re no longer bound by social backgrounds, age, class, gender or ethnicity (Lyotard).

The value and quality of popular culture (the view that contemporary culture is the product of interaction between mass culture and other cultural forms) remains a source of heated debate but the argument that it is bland and uncritical is difficult to sustain.

18
Q

What is Agenda setting?

A

Controlling which issues come to public attention

19
Q

What is cross-media ownership?

A

Occurs where different type of media eg. radio and TV stations are owned by the same company.

20
Q

What is cybermedia?

A

The internet and worldwide web.

21
Q

What is diversification?

A

The practice of spreading risk by moving new, unrelated areas of business.

22
Q

What is meant by global conglomeration?

A

The trend for media corporations to have a presence in many countries and operate in global markets.

23
Q

What is false class-consciousness?

A

Coming to believe (wrongly) that capitalism is a fair system which benefits us all equally. Associated with Marxism.

24
Q

What is hegemony?

A

Dominant ion by consent (used to describe the way in which the ruling class project their view of the world so that it becomes the consensus view).

25
Q

What is meant by horizontal integration?

A

Also known as cross-media ownership. Refers to the fact that the bigger media companies often own a diverse range of media.

26
Q

What is investigative journalism?

A

Journalism that aims to expose the misdeeds of the powerful.

27
Q

What is media concentration?

A

The result of smaller companies merging, or being brought up by large companies to form a smaller number of very large companies.

28
Q

What is a media conglomerate?

A

A company that owns various types of media.

29
Q

What is pluralism?

A

A theory that society is made up of many different groups, all having more or less equal power.

30
Q

What is meant by synergy?

A

A mutually advantageous combination of distinct elements, as where two or more related businesses work together eg. to promote and sell a film, computer game and toys more effectively than they could individually.

31
Q

(Finally) What is vertical integration?

A

Owning all the stages in the production, distribution and consumption of a product!

32
Q

What is globalisation?

A

Globalisation refers to the increasing interconnectedness of all the countries in the world.

33
Q

What is the big picture and how to sociologists view globalisation?

A

There are hyper globalists and pessimistic globalists. The former see globalisation as an overwhelmingly positive feature of contemporary society, whilst the latter see it as damaging and a dangerous process.

The media plays a huge role in- sociologists are divided about its effects.

Marxists see the transfer of ideas and culture from the developed world to the underdeveloped world as an essentially one-way process that produces homogenisation (the process of making things uniform or similar) of culture based on capitalist, consumerist values.
— Globalisation therefore threatens indigenous cultures in the underdeveloped world.

Liberals and Pluralists suggest that the flow of ideas occurs in multiple directions, producing a more multicultural world and increasing diversity in ideas and lifestyles.

34
Q

What does Cultural Imperialism argue?

A

It argues that the global economic system is dominated by transnational companies that are based in the rich capitalist countries of the world.
— They control production and distribution of goods
— Sawen estimates richest 200 capitalist corporation control half of all world economic activity.

A number of sociologists, including Nicola Fenton, have suggested that the globalisation of the media has led to cultural imperialism : the Western world dominating the rest of the world through the media and the marketing of its own cultural products. It is suggested that this happens in a number of ways:

1) Global conglomerates - these companies that combine various business interest and operate on an international level. Many media companies own businesses across different countries (eg. Rupert Murdoch). In this way, large media companies can dominate the media market in different countries.

2) Advertising - the internet in particular has revolutionised how products are marketed around the world. through new media such as Google and Facebook, companies who can pay for expensive marketing packages dominate what people see and read on an everyday basis, all over the world. Companies like Coca-Cola and McDonalds are everywhere.
— The terms “cocacolanisation” was developed in the post-war period, describing the way American movies and music helped to fuel the sale of Coca-Cola around the world, spreading American hegemony with it.

3) Cultural homogenisation - this is the idea that local cultures are killed off by globalisation and the whole world becomes the same, with the same shops, films, television programmes and brands.
— These ideas suggest that the globalisation of media and culture is effectively and simply Americanisation.

35
Q

What is media imperialism and how is it viewed by sociologists?

A

Mass media corporations become successful. They are double threats amongst the richest and most powerful of these organisations, also the dominant foce in distribution of information and advertising.
— 9 of the top 10 media companies are US based.

Some sociologists regard this process (cultural dominance) as purposeful and intentional; others see it as an inevitable consequence of capitalist corporations seeking new markets and higher profits.

Either way, mass media is a driving force in the process of cultural imperialism.

36
Q

What are cultural flows and the network model?

A

Critics of cultural imperialism - Tomlinson (1999) rejects of imperialism.

They adopt the cultural flows model - arguing that cultural and media influences do not originate solely from the capitalist West.
— A complex network of communications, media messages and influences flows in many different directions.
— Globalisation, does not produce a homogeneous world culture based on Western capitalist views. Instead it encourages the mixing of a variety of cultural influences to create hybrid cultures for an increasingly multicultural world.

37
Q

What is the Receptionist Theory?

A

Focuses on how audiences use the media.
+ It rejects the media imperialism idea that audiences passively accept the mass-mediated news, information and entertainment provided for them by transnational media companies.
+ Audiences respond actively, rather than passively. The way they interpret media messages will depend on a number of social factors, particularly ethnicity, gender and social class (CAGE).

Different societies and different individuals deal with the impact of media and cultural globalisation in different ways.

38
Q

T3 | How far do we receive a balanced view of the world?

A

What cannot be denied is that the mass media is selective in its coverage of news and current affairs it is impossible to report everything.

The key issue is to examine why some events are reported and others are not.
— Hence why theoretical approaches are taken

39
Q

T3 |

A