MEDEA Flashcards

1
Q

NURSE:
“for moderation…____”

“excess…. means___”

A

“for moderation…. in practice… is by far the best for a man”

“excess… means no profit for man and pays him back with greater ruin”

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2
Q

CHORUS

“passions [should not go] _______”

A

“passions [should not go] beyond due measure”

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3
Q

JASON- sexism
“without the ….., __”
“how ____”
“if_______”

Critisizes Medea’s _______ __________

A

“without the … female sex, this would rid the world of all its troubles

“how a sensible women should behave”

“if shes a woman like the rest!”

surly temper

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4
Q

IDENTITY QUOTE 1

“to be______” (Strophe)

A

“to be denied ones native land is a misery beyond all others”

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5
Q

IDENTITY QUOTE 2

Medea has “___________” (Anti)

A

“no city, no friend to show [her] pity when [she has] suffered suffering’s worst”

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6
Q

Medea will not “tolerate to______ the ____________”

She doesnt want others to think of her as a “___________ …. but an ___________

A

“to suffer the mockery of [her] enemies”

“weak and feeble woman…. but an enemy to be feared”

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7
Q

Still in the state of ‘psychomachia’, Medea forces herself to “__________” and “___________” she is about to use.

A

“put on [her] armour” and “grip the sword”

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8
Q

MEDEA LACKS SOPHROSYNE

She is “well aware_____________, but _______________, passion that _____________”

A

“well aware how terrible a crime [she is] about to commit, but passion is the master of [her] reason, passion that causes the greatest suffereing in the world”

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9
Q

ANAGNORISIS

Medea admits she has a _____

A

“stubborn heart”

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10
Q

MATERNAL LOVE

Like any mother of maternal insticts, Medea’s “____________”

She “will not _____________”

A

“heart dissolves when [she] sees the shining faces of [her] children”

“will not leave [her] children to the mockery of [her] enemies “

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11
Q

What do the Nurse and Chorus say about Medea that warns us of her excessive nature?

  1. s
  2. s
  3. u
  4. q
  5. p
A
  1. savage temperament
  2. stubborn will
  3. unforgiving nature
  4. quarrelsome moods and insatiable strife
  5. proud, impassioned soul
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12
Q

“wrong a ________________”

A

“wrong a women in love and nothing on earth has a heart more murderous”

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13
Q

Creon fears Medea as she is a treat to civilisation.

“a woman who _________, is easier__________________”

A

“a women who is hot tempered and likewise a man, is easier to guard against than one who is clever and controls her tongue”

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14
Q

JASON IS SELFISH
“you __________”
“for __________”
“________”

A

“you gained more than you gave”
“for what need have you of children?”
“to ensure my prosperity”

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15
Q

ALTRUISM
“i wanted________”
“could _________”

A

i wanted us to live comfortably

could never wish you anything but good

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16
Q

ALTRUISM

Jason claims that “____________…. [they will be] _____________. THUS ensuring his prosperity

A

by producing brothers for his sons…. [they will be] on an equal footing

17
Q

3 descriptions for Jason’s cold and guiltless nature

A
  1. “man of stone”
  2. “lack of finer feeling”
  3. “unfeeling monster”
18
Q

What is Jason’s view on marriage?

A

“who finds marriage a yoke”

19
Q

Creon fears Medea because she is “”

A

“clever and controls her tongue “

20
Q

In front of Aegeus, Medea dissembles by “”

She even promises him that she will “put a __________” and give him “the ________”

A

“assuming a posture of helpless in front of him”
“put a stop to [his] childlessness “
“the power to father sons”

21
Q

Animal imagery
1/ glaring
2/ not
3/ with

A

“glaring like a mad bull”
“not a women but a lioness”
“with a nature more savage than a Tuscan Scylla

22
Q
Water imagery
"dark"
"a new"
"i must"
"a \_\_\_\_\_\_\_\_\_\_\_\_ would\_\_\_\_\_\_\_\_"
"you are "
A

dark-blue clashing rocks

a new wave is going to crash over us

i must trim the edges of my sail to run before the tempest of your noisy protestations”

a rock or wave would pay more attention to the counsel of friends she does

you are made of rock or of iron

23
Q

AURAL IMAGERY of Medea lamenting

A

“she bewails her piteous sorrows”

24
Q

Medea manipulates Creon by the stage direction of “”

A

sinking to her knees and seizing Creon by the hand

25
Q

“now back

“ addresses the chorus

A

now back on her feet and composed

adresses the chorus in measured tone