Marxist Theory Flashcards
‘The Garden’ (1917) Ezra Pound - ‘the filthy, sturdy, unkillable…, “emotional…”
infants of the very poor”. “…anaemia” unruly and delirious movement of the poem mirrors common depictions of the poor in Victorian England - the poor at the prey of social protocols which oppress them, unsettling imagery
what does consumerism and capital create?
the dehumanising of social relations
‘To Penshurst’(1616) by Ben Johnson - “There’s none that dwell about them wish them
down; But all come in, the farmer and the clown, And no one empty-handed, to salute/Thy lord and lady, though they have no suit.” praises the country house but quietly shows envy and resentment of the privilege and extravagance
“the class that…
broke him for the pence that splash like brackish tears” - talks of betrayal, ventriloquising their provincialism - Tony Harrison voices the difficulty for working class voices to be heard through poetry - ‘Turns’
Dickens, Bronte, Gaskell, Lawrence, Orwell all criticise
the class system
More recent writers include
Caitlin Moran ,Irvine Welsh Jeanette Winterson
Dawson - “Whatever their sympathies with the poor and oppressed, the poets were…
…for the most part upper- and middle-class intellectuals who could only fear what the oppressed might do to right their wrongs.”
Dawson - “Insofar as they espoused the values of liberty and equality the Romantics could be seen as…
ideologues for the bourgeois revolution, helping to obscure the class nature of middle-class political demands”
Shelley in ‘a defence of poetry’ - ‘poets are the
unacknowledged legislators of the world’
‘Mask of Anarchy’ 1819 -‘Castlereagh’
- shaming real politicians by turning them into an allegory
‘Mask of Anarchy’ 1819 - “trampling to a…
mire of blood” is a viscerally realistic description which SHOCKS us
what is personified in ‘Mask of Anarchy’ 1819?
‘Anarchy’ and ‘hope’
‘Mask of Anarchy’ 1819 - the rousing ‘ye are many, they are few’ is addressing who?
‘men of england’
According to Jameson, “the very content of class ideology is…
relational, in the sense that its “values” are always actively in situation with respect to the opposing class”
Trotsky “Marxism alone can explain…
who it was who made a demand for such an artistic form and not another, and why” when looking at the literature of the past”